Artist profile
Electro (Classic / Detroit / Modern) producer and DJ.
Compare with another artistPlan a set with Confluence tracks scored against the rest of the catalog
Mixgraph for iOS — chemistry-scored DJ planning.
Confluence is a moderate-energy artist.
Sits right in the typical Electro (Classic / Detroit / Modern) pocket.
Across 8 analysed tracks, Confluence averages 58% energy — harder than 87% of individual Electro (Classic / Detroit / Modern) tracks — and 50% groove, groovier than 60%.
Measured against 4,563 Electro (Classic / Detroit / Modern) tracks on 11 August 2026.
Missing one of theirs?
We'll add it — the artist is already in the catalogue, so it lands fast
We scored every transition between Confluence’s 8 analysed tracks and every track by 12,460 other artists. 13 catalogues clear the bar — a transition counts at 80 chemistry or above, the same number you’ll see on any track page. The 8 with the widest margin over chance are below.
Chance is measured, not assumed: 0.573% of transitions between two randomly drawn tracks by different artists in this catalogue reach 80. Listed alphabetically — the set is reproducible, the order inside it is not.
14 of the 272 transitions between these catalogues reach 80 chemistry. Chance would give 1.6. They come from 5 different Confluence tracks.
Spring Tube → Moksha · 9A → 9A · same BPM · 86 chemistry
16 of the 240 transitions between these catalogues reach 80 chemistry. Chance would give 1.4. They come from 3 different Confluence tracks.
Wrong Clocks → Black Ice - Original Version · 8A → 8A · −2 BPM · 91 chemistry
11 of the 224 transitions between these catalogues reach 80 chemistry. Chance would give 1.3. They come from 3 different Confluence tracks.
Shed → Solar Mechanics · 8A → 7A · +1 BPM · 88 chemistry
10 of the 88 transitions between these catalogues reach 80 chemistry. Chance would give 0.5. They come from 3 different Confluence tracks.
Shed → Machinations · 8A → 8B · −1 BPM · 82 chemistry
11 of the 208 transitions between these catalogues reach 80 chemistry. Chance would give 1.2. They come from 3 different Confluence tracks.
Wrong Clocks → Lizard Lick · 8A → 9A · −2 BPM · 89 chemistry
12 of the 320 transitions between these catalogues reach 80 chemistry. Chance would give 1.8. They come from 5 different Confluence tracks.
Wrong Clocks → Somebody's Watching U · 8A → 7A · same BPM · 83 chemistry
13 of the 152 transitions between these catalogues reach 80 chemistry. Chance would give 0.9. They come from 4 different Confluence tracks.
Shed → Angels Water · 8A → 8A · −1 BPM · 93 chemistry
Chemistry weighs harmonic, rhythmic, energy, groove, mood and vocal compatibility. Tempos are as analysed from the recording — where a genre is habitually detected an octave down, this is how we handle it. Different measurement from the audience-overlap list further down the page.
DJs and producers closest to Confluence by audience overlap — the artists their listeners also play. It’s a taste signal, not a measured key-and-tempo match: good for shortlisting crates when you’re prepping a set around Confluence, then check the chemistry on the pair you actually mix. Eligible names link to their own page.
Similarity data from Last.fm. BPM, key and energy on this page are measured from the recordings in our catalog.
Confluence's tracks in our catalog range from 94 to 140 BPM, with a median of 133 BPM. Across 8 tracks, the most common range falls in the 135–140 BPM bucket.
Confluence's tracks are mostly in minor keys (100% minor across 8 tracks). The most common single key is 8A (A Minor) with 2 tracks.
We scored every transition between Confluence's 8 analysed tracks and every track by 12,460 other artists. 13 catalogues clear the bar by more than chance would give, and Calagad 13, Carl Finlow, CYRK are three of them — listed alphabetically, because the set is reproducible and the order inside it is not. A transition counts at 80 chemistry or above, the same number shown on a track page. One measured example: Spring Tube into Moksha, 9A to 9A, 86 chemistry.
Confluence sits closest to Altered Perceptions, So Much Light, Skimp in our catalog. That ranking is audience overlap — the artists their listeners also play — rather than a measured key-and-tempo match, so treat it as a shortlist worth digging through, not a promise that any two tracks will beatmatch. The full list, with track counts, is in the Related artists section above.
