Artist profile
COMA is a tech house producer working across deep, rhythmic frameworks and minimalist sound design. The project emphasizes hypnotic groove structures and textural development characteristic of contemporary European tech house practice.
Compare with another artistPlan a set with COMA tracks scored against the rest of the catalog
COMA is a moderate-energy with strong groove and drive — mostly instrumental artist.
Higher groove but lower energy than typical Drum & Bass.
Across 20 analysed tracks, COMA averages 69% groove — groovier than 97% of individual Drum & Bass tracks — and 48% energy, gentler than 94%.
Measured against 23,150 Drum & Bass tracks on 11 August 2026.
Most tracks sit between 87–140 BPM with a median of 120 · predominantly minor keys (65% minor) · most common key: 2A (E♭ Minor) with 3 tracks.
How COMA’s production has shifted across their catalog. The radar overlays earlier and recent eras as one shape, the year-by-year chart shows every metric move, and the tempo trend tracks the BPM migration against the typical Drum & Bass tempo.
Across COMA's catalog, tempos have eased from ~120 to ~101 BPM; groove has thinned; energy has lifted.
Missing one of theirs?
We'll add it — the artist is already in the catalogue, so it lands fast
We scored every transition between COMA’s 20 analysed tracks and every track by 12,460 other artists. 233 catalogues clear the bar — a transition counts at 80 chemistry or above, the same number you’ll see on any track page. The 8 with the widest margin over chance are below.
Chance is measured, not assumed: 0.573% of transitions between two randomly drawn tracks by different artists in this catalogue reach 80. Listed alphabetically — the set is reproducible, the order inside it is not.
20 of the 760 transitions between these catalogues reach 80 chemistry. Chance would give 4.4. They come from 4 different COMA tracks.
Dionysus - QZB Remix → Symbiosis · 7B → 7B · same BPM · 90 chemistry
22 of the 800 transitions between these catalogues reach 80 chemistry. Chance would give 4.6. They come from 7 different COMA tracks.
Beyond You and Me feat. Dillon → Drifter · 11A → 10B · same BPM · 88 chemistry
21 of the 800 transitions between these catalogues reach 80 chemistry. Chance would give 4.6. They come from 3 different COMA tracks.
Dionysus - QZB Remix → Play Something Nice · 7B → 8A · −1 BPM · 90 chemistry
23 of the 800 transitions between these catalogues reach 80 chemistry. Chance would give 4.6. They come from 10 different COMA tracks.
Beyond You and Me feat. Dillon → The Man From Another Place · 11A → 11A · +6 BPM · 88 chemistry
20 of the 720 transitions between these catalogues reach 80 chemistry. Chance would give 4.1. They come from 3 different COMA tracks.
Dionysus - QZB Remix → Haunted House · 7B → 7B · −1 BPM · 91 chemistry
21 of the 800 transitions between these catalogues reach 80 chemistry. Chance would give 4.6. They come from 10 different COMA tracks.
Beyond You and Me feat. Dillon → Fall Rise - Druggs Mix · 11A → 11A · −1 BPM · 89 chemistry
20 of the 800 transitions between these catalogues reach 80 chemistry. Chance would give 4.6. They come from 3 different COMA tracks.
Dionysus - QZB Remix → Bad Luck · 7B → 6B · same BPM · 90 chemistry
20 of the 760 transitions between these catalogues reach 80 chemistry. Chance would give 4.4. They come from 7 different COMA tracks.
Beyond You and Me feat. Dillon → These Words · 11A → 12B · same BPM · 87 chemistry
Chemistry weighs harmonic, rhythmic, energy, groove, mood and vocal compatibility. Tempos are as analysed from the recording — where a genre is habitually detected an octave down, this is how we handle it. Different measurement from the audience-overlap list further down the page.
DJs and producers closest to COMA by audience overlap — the artists their listeners also play. It’s a taste signal, not a measured key-and-tempo match: good for shortlisting crates when you’re prepping a set around COMA, then check the chemistry on the pair you actually mix. Eligible names link to their own page.
Similarity data from Last.fm. BPM, key and energy on this page are measured from the recordings in our catalog.
COMA's tracks in our catalog range from 87 to 140 BPM, with a median of 120 BPM. Across 20 tracks, the most common range falls in the 120–125 BPM bucket.
COMA's tracks are mostly in minor keys (65% minor across 20 tracks). The most common single key is 2A (E♭ Minor) with 3 tracks.
We scored every transition between COMA's 20 analysed tracks and every track by 12,460 other artists. 233 catalogues clear the bar by more than chance would give, and AKOV, Damon Jee, DJ Hazard are three of them — listed alphabetically, because the set is reproducible and the order inside it is not. A transition counts at 80 chemistry or above, the same number shown on a track page. One measured example: Dionysus - QZB Remix into Symbiosis, 7B to 7B, 90 chemistry.
COMA sits closest to Piotr Rogucki, Hey, Happysad in our catalog. That ranking is audience overlap — the artists their listeners also play — rather than a measured key-and-tempo match, so treat it as a shortlist worth digging through, not a promise that any two tracks will beatmatch. The full list, with track counts, is in the Related artists section above.
Our catalog has COMA releases spanning 2007 to 2023, with the most tracks from the 2010s.