Artist profile
Chris Main is a tech house producer and DJ known for his work in the electronic music space. His productions explore the rhythmic and atmospheric elements characteristic of the tech house genre.
Plan a set with Chris Main tracks scored against the rest of the catalog
Chris Main is a high-energy with strong groove and drive artist.
Sits right in the typical Tech House pocket.
Across 23 analysed tracks, Chris Main averages 69% groove — straighter than 69% of individual Tech House tracks — and 69% energy, harder than 68%.
Measured against 25,372 Tech House tracks on 11 August 2026.
Missing one of theirs?
We'll add it — the artist is already in the catalogue, so it lands fast
We scored every transition between Chris Main’s 23 analysed tracks and every track by 12,460 other artists. 1,138 catalogues clear the bar — a transition counts at 80 chemistry or above, the same number you’ll see on any track page. The 8 with the widest margin over chance are below.
Chance is measured, not assumed: 0.573% of transitions between two randomly drawn tracks by different artists in this catalogue reach 80. Listed alphabetically — the set is reproducible, the order inside it is not.
66 of the 920 transitions between these catalogues reach 80 chemistry. Chance would give 5.3. They come from 18 different Chris Main tracks.
I Got the Feeling → The Showman · 8A → 7A · same BPM · 91 chemistry
73 of the 920 transitions between these catalogues reach 80 chemistry. Chance would give 5.3. They come from 15 different Chris Main tracks.
Now Is The Time - Joe Red Remix → DO IT NOW · 7B → 7B · +1 BPM · 91 chemistry
68 of the 920 transitions between these catalogues reach 80 chemistry. Chance would give 5.3. They come from 19 different Chris Main tracks.
Pump up the Jam - Extended Mix → Tengo Una Debilidad · 5B → 6A · same BPM · 90 chemistry
62 of the 920 transitions between these catalogues reach 80 chemistry. Chance would give 5.3. They come from 17 different Chris Main tracks.
Pump up the Jam - Extended Mix → D!ck Lips - Marshall James Remix · 5B → 4B · same BPM · 91 chemistry
58 of the 713 transitions between these catalogues reach 80 chemistry. Chance would give 4.1. They come from 18 different Chris Main tracks.
Harp → Depredador - Pinco Remix · 8A → 8A · same BPM · 89 chemistry
71 of the 920 transitions between these catalogues reach 80 chemistry. Chance would give 5.3. They come from 20 different Chris Main tracks.
Now Is The Time - Joe Red Remix → Don't Hold Back - Chus & Ceballos Remix · 7B → 7B · +1 BPM · 91 chemistry
59 of the 920 transitions between these catalogues reach 80 chemistry. Chance would give 5.3. They come from 20 different Chris Main tracks.
Disco Jack → Watts - Extended Mix · 8B → 7B · same BPM · 90 chemistry
68 of the 920 transitions between these catalogues reach 80 chemistry. Chance would give 5.3. They come from 19 different Chris Main tracks.
Se Baila → Foolish Games · 5A → 5A · +1 BPM · 92 chemistry
Chemistry weighs harmonic, rhythmic, energy, groove, mood and vocal compatibility. Tempos are as analysed from the recording — where a genre is habitually detected an octave down, this is how we handle it. Different measurement from the audience-overlap list further down the page.
DJs and producers closest to Chris Main by audience overlap — the artists their listeners also play. It’s a taste signal, not a measured key-and-tempo match: good for shortlisting crates when you’re prepping a set around Chris Main, then check the chemistry on the pair you actually mix. Eligible names link to their own page.
Similarity data from Last.fm. BPM, key and energy on this page are measured from the recordings in our catalog.
Chris Main's tracks in our catalog range from 122 to 131 BPM, with a median of 127 BPM. Across 23 tracks, the most common range falls in the 125–130 BPM bucket.
Chris Main's tracks are mostly in minor keys (78% minor across 23 tracks). The most common single key is 5A (C Minor) with 5 tracks.
We scored every transition between Chris Main's 23 analysed tracks and every track by 12,460 other artists. 1,138 catalogues clear the bar by more than chance would give, and Angel Heredia, DONT BLINK, George Privatti are three of them — listed alphabetically, because the set is reproducible and the order inside it is not. A transition counts at 80 chemistry or above, the same number shown on a track page. One measured example: I Got the Feeling into The Showman, 8A to 7A, 91 chemistry.
Chris Main sits closest to Piem, Oscar L, Ki Creighton in our catalog. That ranking is audience overlap — the artists their listeners also play — rather than a measured key-and-tempo match, so treat it as a shortlist worth digging through, not a promise that any two tracks will beatmatch. The full list, with track counts, is in the Related artists section above.