Artist profile
Cern is a drum and bass producer and DJ known for work within the genre's electronic production landscape. The artist maintains an active presence in drum and bass communities through production and performance.
Compare with another artistPlan a set with Cern tracks scored against the rest of the catalog
Mixgraph for iOS — chemistry-scored DJ planning.
Cern is a high-energy and a bright production — mostly instrumental artist.
Sits right in the typical Drum & Bass pocket.
Across 21 analysed tracks, Cern sits within a few points of the Drum & Bass median on groove and energy.
Measured against 23,150 Drum & Bass tracks on 11 August 2026.
Most tracks sit between 67–151 BPM with a median of 87 · predominantly minor keys (81% minor) · most common key: 7B (F Major) with 4 tracks.
How Cern’s production has shifted across their catalog. The radar overlays earlier and recent eras as one shape, the year-by-year chart shows every metric move, and the tempo trend tracks the BPM migration against the typical Drum & Bass tempo.
Across Cern's catalog, tempos have eased from ~119 to ~112 BPM.
Missing one of theirs?
We'll add it — the artist is already in the catalogue, so it lands fast
We scored every transition between Cern’s 21 analysed tracks and every track by 12,460 other artists. 767 catalogues clear the bar — a transition counts at 80 chemistry or above, the same number you’ll see on any track page. The 8 with the widest margin over chance are below.
Chance is measured, not assumed: 0.573% of transitions between two randomly drawn tracks by different artists in this catalogue reach 80. Listed alphabetically — the set is reproducible, the order inside it is not.
134 of the 840 transitions between these catalogues reach 80 chemistry. Chance would give 4.8. They come from 19 different Cern tracks.
No Quarter → The Domino Effect · 7B → 7B · same BPM · 92 chemistry
141 of the 840 transitions between these catalogues reach 80 chemistry. Chance would give 4.8. They come from 17 different Cern tracks.
Tiamat → Days Like These · 7A → 7A · +3 BPM · 91 chemistry
127 of the 840 transitions between these catalogues reach 80 chemistry. Chance would give 4.8. They come from 17 different Cern tracks.
Satellite → Juice - Extended Mix · 5A → 4A · +2 BPM · 89 chemistry
146 of the 840 transitions between these catalogues reach 80 chemistry. Chance would give 4.8. They come from 18 different Cern tracks.
No Quarter → The Storm Ft. Linguistics · 7B → 7B · same BPM · 92 chemistry
129 of the 819 transitions between these catalogues reach 80 chemistry. Chance would give 4.7. They come from 18 different Cern tracks.
No Quarter → Sound Question · 7B → 7B · +1 BPM · 91 chemistry
145 of the 840 transitions between these catalogues reach 80 chemistry. Chance would give 4.8. They come from 16 different Cern tracks.
Timeline feat. Medusa → Strapped · 11A → 11A · same BPM · 92 chemistry
134 of the 840 transitions between these catalogues reach 80 chemistry. Chance would give 4.8. They come from 18 different Cern tracks.
Fourth State → Barfly · 11A → 12A · +1 BPM · 91 chemistry
153 of the 840 transitions between these catalogues reach 80 chemistry. Chance would give 4.8. They come from 16 different Cern tracks.
Timeline feat. Medusa → Haunted Stars · 11A → 10A · same BPM · 91 chemistry
Chemistry weighs harmonic, rhythmic, energy, groove, mood and vocal compatibility. Tempos are as analysed from the recording — where a genre is habitually detected an octave down, this is how we handle it. Different measurement from the audience-overlap list further down the page.
DJs and producers closest to Cern by audience overlap — the artists their listeners also play. It’s a taste signal, not a measured key-and-tempo match: good for shortlisting crates when you’re prepping a set around Cern, then check the chemistry on the pair you actually mix. Eligible names link to their own page.
Similarity data from Last.fm. BPM, key and energy on this page are measured from the recordings in our catalog.
Cern's tracks in our catalog range from 67 to 151 BPM, with a median of 87 BPM. Across 21 tracks, the most common range falls in the 85–90 BPM bucket.
Cern's tracks are mostly in minor keys (81% minor across 21 tracks). The most common single key is 7B (F Major) with 4 tracks.
We scored every transition between Cern's 21 analysed tracks and every track by 12,460 other artists. 767 catalogues clear the bar by more than chance would give, and Amoss, Bcee, Dub Phizix are three of them — listed alphabetically, because the set is reproducible and the order inside it is not. A transition counts at 80 chemistry or above, the same number shown on a track page. One measured example: No Quarter into The Domino Effect, 7B to 7B, 92 chemistry.
Cern sits closest to Nphect, Future Signal, Phace & Misanthrop in our catalog. That ranking is audience overlap — the artists their listeners also play — rather than a measured key-and-tempo match, so treat it as a shortlist worth digging through, not a promise that any two tracks will beatmatch. The full list, with track counts, is in the Related artists section above.
Our catalog has Cern releases spanning 2004 to 2021, with the most tracks from the 2010s.
