Artist profile
Catching Flies is an electronic music producer working within experimental and ambient electronica. Their work emphasizes textural synthesis and intricate sound design across varied compositional approaches.
Compare with another artistPlan a set with Catching Flies tracks scored against the rest of the catalog
Mixgraph for iOS — chemistry-scored DJ planning.
Catching Flies is a moderate-energy artist.
Sits right in the typical Electronica pocket.
Across 20 analysed tracks, Catching Flies averages 54% energy — harder than 75% of individual Electronica tracks — and 58% groove, groovier than 59%.
Measured against 14,430 Electronica tracks on 11 August 2026.
Most tracks sit between 70–130 BPM with a median of 120 · predominantly minor keys (70% minor) · most common key: 9A (E Minor) with 4 tracks.
How Catching Flies’s production has shifted across their catalog. The radar overlays earlier and recent eras as one shape, the year-by-year chart shows every metric move, and the tempo trend tracks the BPM migration against the typical Electronica tempo.
Across Catching Flies's catalog, groove has thinned; warmth has lifted; production has darkened.
![Satisfied [Strings] - Strings album art](https://i.scdn.co/image/ab67616d0000b2733cab959904d060dee1d1ba64)
![Tides [Infinity] album art](https://i.scdn.co/image/ab67616d0000b273b99c1109d32d6030add85882)
Missing one of theirs?
We'll add it — the artist is already in the catalogue, so it lands fast
We scored every transition between Catching Flies’s 20 analysed tracks and every track by 12,460 other artists. 483 catalogues clear the bar — a transition counts at 80 chemistry or above, the same number you’ll see on any track page. The 8 with the widest margin over chance are below.
Chance is measured, not assumed: 0.573% of transitions between two randomly drawn tracks by different artists in this catalogue reach 80. Listed alphabetically — the set is reproducible, the order inside it is not.
37 of the 800 transitions between these catalogues reach 80 chemistry. Chance would give 4.6. They come from 10 different Catching Flies tracks.
Orsay - Extended Version → Farlight · 6A → 6A · +2 BPM · 91 chemistry
35 of the 340 transitions between these catalogues reach 80 chemistry. Chance would give 1.9. They come from 6 different Catching Flies tracks.
On A Clear Day, You Can See Forever - Extended Mix → Visionaria · 8A → 8A · same BPM · 93 chemistry
38 of the 800 transitions between these catalogues reach 80 chemistry. Chance would give 4.6. They come from 8 different Catching Flies tracks.
Orsay - Extended Version → Dissection · 6A → 7A · same BPM · 90 chemistry
32 of the 500 transitions between these catalogues reach 80 chemistry. Chance would give 2.9. They come from 7 different Catching Flies tracks.
On A Clear Day, You Can See Forever - Extended Mix → So Love - Extended Mix · 8A → 8A · +2 BPM · 91 chemistry
32 of the 800 transitions between these catalogues reach 80 chemistry. Chance would give 4.6. They come from 8 different Catching Flies tracks.
Satisfied - Marsh Extended Mix → Thing We Do For Love · 9A → 9A · same BPM · 90 chemistry
32 of the 800 transitions between these catalogues reach 80 chemistry. Chance would give 4.6. They come from 6 different Catching Flies tracks.
Satisfied - Marsh Extended Mix → Zanzibar - Sthlm Edit · 9A → 8A · same BPM · 91 chemistry
34 of the 800 transitions between these catalogues reach 80 chemistry. Chance would give 4.6. They come from 7 different Catching Flies tracks.
Orsay - Extended Version → Cracked Intentions · 6A → 6A · +2 BPM · 88 chemistry
33 of the 720 transitions between these catalogues reach 80 chemistry. Chance would give 4.1. They come from 7 different Catching Flies tracks.
Satisfied - Marsh Extended Mix → Powers of Ten - Gabriel Ananda Remix · 9A → 10A · +1 BPM · 92 chemistry
Chemistry weighs harmonic, rhythmic, energy, groove, mood and vocal compatibility. Tempos are as analysed from the recording — where a genre is habitually detected an octave down, this is how we handle it. Different measurement from the audience-overlap list further down the page.
DJs and producers closest to Catching Flies by audience overlap — the artists their listeners also play. It’s a taste signal, not a measured key-and-tempo match: good for shortlisting crates when you’re prepping a set around Catching Flies, then check the chemistry on the pair you actually mix. Eligible names link to their own page.
Similarity data from Last.fm. BPM, key and energy on this page are measured from the recordings in our catalog.
Catching Flies's tracks in our catalog range from 70 to 130 BPM, with a median of 120 BPM. Across 20 tracks, the most common range falls in the 120–125 BPM bucket.
Catching Flies's tracks are mostly in minor keys (70% minor across 20 tracks). The most common single key is 9A (E Minor) with 4 tracks.
We scored every transition between Catching Flies's 20 analysed tracks and every track by 12,460 other artists. 483 catalogues clear the bar by more than chance would give, and Dee Montero, Ditian, EdOne are three of them — listed alphabetically, because the set is reproducible and the order inside it is not. A transition counts at 80 chemistry or above, the same number shown on a track page. One measured example: Orsay - Extended Version into Farlight, 6A to 6A, 91 chemistry.
Catching Flies sits closest to Henry Green, Parra for Cuva, Edapollo in our catalog. That ranking is audience overlap — the artists their listeners also play — rather than a measured key-and-tempo match, so treat it as a shortlist worth digging through, not a promise that any two tracks will beatmatch. The full list, with track counts, is in the Related artists section above.
Our catalog has Catching Flies releases spanning 2018 to 2026, with the most tracks from the 2020s.
