Artist profile
Boston 168 is a producer working in raw trance, crafting stripped-down, hypnotic soundscapes rooted in the genre's most direct aesthetic. Their work emphasizes repetitive structures and driving rhythms characteristic of the trance underground.
Compare with another artistPlan a set with Boston 168 tracks scored against the rest of the catalog
Mixgraph for iOS — chemistry-scored DJ planning.
Boston 168 is a high-energy with strong drive — mostly instrumental artist.
Unusually low brightness for Techno (Peak Time / Driving).
Across 11 analysed tracks, Boston 168 averages 58% groove — straighter than 69% of individual Techno (Peak Time / Driving) tracks.
Measured against 25,003 Techno (Peak Time / Driving) tracks on 11 August 2026.
Most tracks sit between 72–150 BPM with a median of 130 · predominantly minor keys (55% minor) · most common key: 1A (A♭ Minor) with 2 tracks.
Missing one of theirs?
We'll add it — the artist is already in the catalogue, so it lands fast
We scored every transition between Boston 168’s 11 analysed tracks and every track by 12,460 other artists. 76 catalogues clear the bar — a transition counts at 80 chemistry or above, the same number you’ll see on any track page. The 8 with the widest margin over chance are below.
Chance is measured, not assumed: 0.573% of transitions between two randomly drawn tracks by different artists in this catalogue reach 80. Listed alphabetically — the set is reproducible, the order inside it is not.
23 of the 440 transitions between these catalogues reach 80 chemistry. Chance would give 2.5. They come from 5 different Boston 168 tracks.
909 Therapy → Reverse Room · 10A → 9B · +4 BPM · 86 chemistry
17 of the 440 transitions between these catalogues reach 80 chemistry. Chance would give 2.5. They come from 5 different Boston 168 tracks.
909 Therapy → Mars Powder · 10A → 9A · same BPM · 87 chemistry
20 of the 440 transitions between these catalogues reach 80 chemistry. Chance would give 2.5. They come from 5 different Boston 168 tracks.
909 Therapy → Nitrogeno · 10A → 10B · same BPM · 87 chemistry
20 of the 286 transitions between these catalogues reach 80 chemistry. Chance would give 1.6. They come from 4 different Boston 168 tracks.
Drops In Heaven → Time · 7A → 7A · −2 BPM · 93 chemistry
19 of the 440 transitions between these catalogues reach 80 chemistry. Chance would give 2.5. They come from 5 different Boston 168 tracks.
909 Therapy → Twisted · 10A → 9B · +1 BPM · 87 chemistry
16 of the 231 transitions between these catalogues reach 80 chemistry. Chance would give 1.3. They come from 3 different Boston 168 tracks.
Drops In Heaven → Sirius · 7A → 8A · same BPM · 87 chemistry
21 of the 440 transitions between these catalogues reach 80 chemistry. Chance would give 2.5. They come from 4 different Boston 168 tracks.
Drops In Heaven → Listen · 7A → 6B · −2 BPM · 89 chemistry
17 of the 319 transitions between these catalogues reach 80 chemistry. Chance would give 1.8. They come from 5 different Boston 168 tracks.
909 Therapy → Misam · 10A → 10A · +2 BPM · 89 chemistry
Chemistry weighs harmonic, rhythmic, energy, groove, mood and vocal compatibility. Tempos are as analysed from the recording — where a genre is habitually detected an octave down, this is how we handle it. Different measurement from the audience-overlap list further down the page.
DJs and producers closest to Boston 168 by audience overlap — the artists their listeners also play. It’s a taste signal, not a measured key-and-tempo match: good for shortlisting crates when you’re prepping a set around Boston 168, then check the chemistry on the pair you actually mix. Eligible names link to their own page.
Similarity data from Last.fm. BPM, key and energy on this page are measured from the recordings in our catalog.
Boston 168's tracks in our catalog range from 72 to 150 BPM, with a median of 130 BPM. Across 11 tracks, the most common range falls in the 130–135 BPM bucket.
Boston 168's tracks are mostly in minor keys (55% minor across 11 tracks). The most common single key is 1A (A♭ Minor) with 2 tracks.
We scored every transition between Boston 168's 11 analysed tracks and every track by 12,460 other artists. 76 catalogues clear the bar by more than chance would give, and Alberto Ruiz, Chris Veron, Daniel Sbert are three of them — listed alphabetically, because the set is reproducible and the order inside it is not. A transition counts at 80 chemistry or above, the same number shown on a track page. One measured example: 909 Therapy into Reverse Room, 10A to 9B, 86 chemistry.
Boston 168 sits closest to Regal, Under Black Helmet, Keith Carnal in our catalog. That ranking is audience overlap — the artists their listeners also play — rather than a measured key-and-tempo match, so treat it as a shortlist worth digging through, not a promise that any two tracks will beatmatch. The full list, with track counts, is in the Related artists section above.
