Artist profile
Blazer
Breaks / Breakbeat / UK Bass producer and DJ.
Sound profile
Blazer is a high-energy with strong drive and a bright production artist.
Tracks in catalog
13 total · sortable
Track | BPM · Key | Actions |
|---|---|---|
 Venom Blazer | 1354BA♭ Major | |
 Obsidian Blazer | 1331AA♭ Minor | |
 Mental Blazer, Split & Jaxta | 1357AD Minor | |
 Spark - Alex Di Stefano Remix Blazer | 1362BF♯ Major | |
 Back To The Roots Blazer | 1332AE♭ Minor | |
Dubcode Blazer | 13012AC♯ Minor | |
 Renegade Blazer | 13511BA Major | |
 Gemini Blazer | 13412BE Major | |
 Groovebox Blazer | 13210BD Major | |
 Skill Chyper Blazer | 13412BE Major | |
 Rocksteady - MartOpetEr Remix Blazer | 1374AF Minor | |
 Pulse - Kid Panel Remix Blazer | 1308AA Minor | |
Android - Lethalness Remix Blazer | 1348AA Minor |
Release volume by decade
Related artists
Top 15 by similarityDJs and producers whose tracks blend naturally with Blazer’s — similar scenes, adjacent production styles, overlapping audiences. Useful when you’re prepping a set around Blazer and need adjacent tracks that won’t feel out of place. Eligible names link to their own page.
FAQ
What BPM does Blazer play at?
Blazer's tracks in our catalog range from 130 to 137 BPM, with a median of 134 BPM. Across 13 tracks, the most common range falls in the 135–140 BPM bucket.
What key are Blazer's tracks in?
Blazer's tracks are mostly in minor keys (54% minor across 13 tracks). The most common single key is 12B (E Major) with 2 tracks.
What artists mix well with Blazer?
Based on harmonic compatibility, tempo proximity and artist-cohort context, Blazer pairs well with Iwer George, Bomani, Sean Caruth. The full list — with track counts in our catalog and similarity scores — is in the Related Artists section above.
When was Blazer most active?
Our catalog has Blazer releases spanning 2013 to 2017, with the most tracks from the 2010s.
Keep exploring
Plan a set with Blazer tracks scored against the rest of the catalog
Blazer on Mixgraph
Mixgraph for iOS — chemistry-scored DJ planning.
