Artist profile
Black & Blunt operates in the breaks and UK bass sphere, crafting rhythmically fractured tracks rooted in breakbeat production. The project emphasizes chopped percussion and sub-heavy sound design across its output.
Compare with another artistPlan a set with Black & Blunt tracks scored against the rest of the catalog
Black & Blunt is a moderate-energy and a bright production — mostly instrumental artist.
Unusually high brightness for Breaks / Breakbeat / UK Bass.
Across 4 analysed tracks, Black & Blunt averages 59% energy — harder than 70% of individual Breaks / Breakbeat / UK Bass tracks.
Measured against 16,260 Breaks / Breakbeat / UK Bass tracks on 11 August 2026.


Missing one of theirs?
We'll add it — the artist is already in the catalogue, so it lands fast
DJs and producers closest to Black & Blunt by audience overlap — the artists their listeners also play. It’s a taste signal, not a measured key-and-tempo match: good for shortlisting crates when you’re prepping a set around Black & Blunt, then check the chemistry on the pair you actually mix. Eligible names link to their own page.
Similarity data from Last.fm. BPM, key and energy on this page are measured from the recordings in our catalog.
Black & Blunt's tracks in our catalog range from 81 to 130 BPM, with a median of 130 BPM. Across 4 tracks, the most common range falls in the 130–135 BPM bucket.
Black & Blunt's tracks are mostly in minor keys (100% minor across 4 tracks). The most common single key is 8A (A Minor) with 1 track.
Black & Blunt sits closest to Madrush, The Autobots & Dead Audio, Sam Perry in our catalog. That ranking is audience overlap — the artists their listeners also play — rather than a measured key-and-tempo match, so treat it as a shortlist worth digging through, not a promise that any two tracks will beatmatch. The full list, with track counts, is in the Related artists section above.
Our catalog has Black & Blunt releases spanning 2014 to 2015, with the most tracks from the 2010s.