Artist profile
Ben Hixon is a deep house producer and DJ known for crafting minimal, groove-oriented tracks that emphasize warm textures and steady rhythmic foundations. His work sits within the contemporary deep house tradition, balancing atmospheric elements with dancefloor sensibility.
Plan a set with Ben Hixon tracks scored against the rest of the catalog
Ben Hixon is a moderate-energy with strong groove and drive — mostly instrumental artist.
Sits right in the typical Deep House pocket.
Across 13 analysed tracks, Ben Hixon averages 82% groove — straighter than 59% of individual Deep House tracks.
Measured against 22,124 Deep House tracks on 11 August 2026.
Missing one of theirs?
We'll add it — the artist is already in the catalogue, so it lands fast
We scored every transition between Ben Hixon’s 13 analysed tracks and every track by 12,460 other artists. 894 catalogues clear the bar — a transition counts at 80 chemistry or above, the same number you’ll see on any track page. The 8 with the widest margin over chance are below.
Chance is measured, not assumed: 0.573% of transitions between two randomly drawn tracks by different artists in this catalogue reach 80. Listed alphabetically — the set is reproducible, the order inside it is not.
67 of the 520 transitions between these catalogues reach 80 chemistry. Chance would give 3.0. They come from 9 different Ben Hixon tracks.
GET IN THE MOOD → Saxwiz · 2A → 2A · +1 BPM · 93 chemistry
58 of the 520 transitions between these catalogues reach 80 chemistry. Chance would give 3.0. They come from 10 different Ben Hixon tracks.
cuming inside → So Many Things · 6A → 7A · +2 BPM · 90 chemistry
72 of the 520 transitions between these catalogues reach 80 chemistry. Chance would give 3.0. They come from 10 different Ben Hixon tracks.
GET IN THE MOOD → Listen · 2A → 2A · −1 BPM · 92 chemistry
55 of the 520 transitions between these catalogues reach 80 chemistry. Chance would give 3.0. They come from 9 different Ben Hixon tracks.
GET IN THE MOOD → Keep On Dreaming - Motion Severn Dub · 2A → 3A · −3 BPM · 89 chemistry
51 of the 377 transitions between these catalogues reach 80 chemistry. Chance would give 2.2. They come from 8 different Ben Hixon tracks.
GET IN THE MOOD → I Have To Leave · 2A → 2A · +1 BPM · 93 chemistry
57 of the 455 transitions between these catalogues reach 80 chemistry. Chance would give 2.6. They come from 9 different Ben Hixon tracks.
cuming inside → Modern Love Affair - Mihai Popoviciu Remix · 6A → 6A · same BPM · 92 chemistry
52 of the 520 transitions between these catalogues reach 80 chemistry. Chance would give 3.0. They come from 9 different Ben Hixon tracks.
Love Crazy → Curfew · 6A → 7A · −1 BPM · 89 chemistry
57 of the 494 transitions between these catalogues reach 80 chemistry. Chance would give 2.8. They come from 10 different Ben Hixon tracks.
Desk #2 → Summed Up Taken Away · 10A → 11A · −1 BPM · 89 chemistry
Chemistry weighs harmonic, rhythmic, energy, groove, mood and vocal compatibility. Tempos are as analysed from the recording — where a genre is habitually detected an octave down, this is how we handle it. Different measurement from the audience-overlap list further down the page.
DJs and producers closest to Ben Hixon by audience overlap — the artists their listeners also play. It’s a taste signal, not a measured key-and-tempo match: good for shortlisting crates when you’re prepping a set around Ben Hixon, then check the chemistry on the pair you actually mix. Eligible names link to their own page.
Similarity data from Last.fm. BPM, key and energy on this page are measured from the recordings in our catalog.
Ben Hixon's tracks in our catalog range from 65 to 154 BPM, with a median of 124 BPM. Across 13 tracks, the most common range falls in the 125–130 BPM bucket.
Ben Hixon's tracks are mostly in minor keys (85% minor across 13 tracks). The most common single key is 6A (G Minor) with 4 tracks.
We scored every transition between Ben Hixon's 13 analysed tracks and every track by 12,460 other artists. 894 catalogues clear the bar by more than chance would give, and Franck Roger, Jack District, Kevin Yost are three of them — listed alphabetically, because the set is reproducible and the order inside it is not. A transition counts at 80 chemistry or above, the same number shown on a track page. One measured example: GET IN THE MOOD into Saxwiz, 2A to 2A, 93 chemistry.
Ben Hixon sits closest to Mejiwahn, Pinty, Footshooter in our catalog. That ranking is audience overlap — the artists their listeners also play — rather than a measured key-and-tempo match, so treat it as a shortlist worth digging through, not a promise that any two tracks will beatmatch. The full list, with track counts, is in the Related artists section above.