Artist profile
Audio Units is a techno producer working in raw, deep, and hypnotic styles. Their work emphasizes stripped-down rhythmic elements and immersive soundscapes characteristic of contemporary underground techno.
Plan a set with Audio Units tracks scored against the rest of the catalog
Audio Units is a moderate-energy with strong groove and drive artist.
Sits right in the typical Techno (Raw / Deep / Hypnotic) pocket.
Across 13 analysed tracks, Audio Units averages 59% energy — harder than 65% of individual Techno (Raw / Deep / Hypnotic) tracks.
Measured against 10,772 Techno (Raw / Deep / Hypnotic) tracks on 11 August 2026.

Missing one of theirs?
We'll add it — the artist is already in the catalogue, so it lands fast
We scored every transition between Audio Units’s 13 analysed tracks and every track by 12,460 other artists. 383 catalogues clear the bar — a transition counts at 80 chemistry or above, the same number you’ll see on any track page. The 8 with the widest margin over chance are below.
Chance is measured, not assumed: 0.573% of transitions between two randomly drawn tracks by different artists in this catalogue reach 80. Listed alphabetically — the set is reproducible, the order inside it is not.
83 of the 416 transitions between these catalogues reach 80 chemistry. Chance would give 2.4. They come from 10 different Audio Units tracks.
Ataraxia → Third Wind · 7A → 8A · −1 BPM · 92 chemistry
66 of the 481 transitions between these catalogues reach 80 chemistry. Chance would give 2.8. They come from 9 different Audio Units tracks.
Future Present → Blind · 6A → 6A · −1 BPM · 92 chemistry
69 of the 520 transitions between these catalogues reach 80 chemistry. Chance would give 3.0. They come from 9 different Audio Units tracks.
89 of the 520 transitions between these catalogues reach 80 chemistry. Chance would give 3.0. They come from 10 different Audio Units tracks.
Ataraxia → Kaos Temple · 7A → 7A · −1 BPM · 93 chemistry
71 of the 520 transitions between these catalogues reach 80 chemistry. Chance would give 3.0. They come from 11 different Audio Units tracks.
A Quark In Time → Steady · 11B → 11B · −2 BPM · 91 chemistry
76 of the 507 transitions between these catalogues reach 80 chemistry. Chance would give 2.9. They come from 11 different Audio Units tracks.
72 of the 520 transitions between these catalogues reach 80 chemistry. Chance would give 3.0. They come from 11 different Audio Units tracks.
Ancient Manifold - Clarence Rise Remix → Resist · 9B → 8B · same BPM · 92 chemistry
Chemistry weighs harmonic, rhythmic, energy, groove, mood and vocal compatibility. Tempos are as analysed from the recording — where a genre is habitually detected an octave down, this is how we handle it. Different measurement from the audience-overlap list further down the page.
DJs and producers closest to Audio Units by audience overlap — the artists their listeners also play. It’s a taste signal, not a measured key-and-tempo match: good for shortlisting crates when you’re prepping a set around Audio Units, then check the chemistry on the pair you actually mix. Eligible names link to their own page.
Similarity data from Last.fm. BPM, key and energy on this page are measured from the recordings in our catalog.
Audio Units's tracks in our catalog range from 86 to 145 BPM, with a median of 138 BPM. Across 13 tracks, the most common range falls in the 140–145 BPM bucket.
Audio Units's tracks are mostly in minor keys (62% minor across 13 tracks). The most common single key is 6A (G Minor) with 3 tracks.
We scored every transition between Audio Units's 13 analysed tracks and every track by 12,460 other artists. 383 catalogues clear the bar by more than chance would give, and Altinbas, ANNĒ, Arnaud Le Texier are three of them — listed alphabetically, because the set is reproducible and the order inside it is not. A transition counts at 80 chemistry or above, the same number shown on a track page. One measured example: Ataraxia into Third Wind, 7A to 8A, 92 chemistry.
Audio Units sits closest to Tvfrom86, Jay West, Manuel Sahagun, Exaudio in our catalog. That ranking is audience overlap — the artists their listeners also play — rather than a measured key-and-tempo match, so treat it as a shortlist worth digging through, not a promise that any two tracks will beatmatch. The full list, with track counts, is in the Related artists section above.