Artist profile
Electro (Classic / Detroit / Modern) producer and DJ.
Plan a set with Annie Hall tracks scored against the rest of the catalog
Annie Hall is a moderate-energy and a bright production — mostly instrumental artist.
Sits right in the typical Electro (Classic / Detroit / Modern) pocket.
Across 10 analysed tracks, Annie Hall averages 55% groove — groovier than 69% of individual Electro (Classic / Detroit / Modern) tracks.
Measured against 4,563 Electro (Classic / Detroit / Modern) tracks on 11 August 2026.

Missing one of theirs?
We'll add it — the artist is already in the catalogue, so it lands fast
We scored every transition between Annie Hall’s 10 analysed tracks and every track by 12,460 other artists. 23 catalogues clear the bar — a transition counts at 80 chemistry or above, the same number you’ll see on any track page. The 8 with the widest margin over chance are below.
Chance is measured, not assumed: 0.573% of transitions between two randomly drawn tracks by different artists in this catalogue reach 80. Listed alphabetically — the set is reproducible, the order inside it is not.
16 of the 340 transitions between these catalogues reach 80 chemistry. Chance would give 1.9. They come from 6 different Annie Hall tracks.
Problematic Tape Recorder → Moksha · 9A → 9A · same BPM · 89 chemistry
21 of the 300 transitions between these catalogues reach 80 chemistry. Chance would give 1.7. They come from 7 different Annie Hall tracks.
Cultivo Heroico → Engines of Creation · 9B → 8B · same BPM · 89 chemistry
14 of the 130 transitions between these catalogues reach 80 chemistry. Chance would give 0.8. They come from 5 different Annie Hall tracks.
Problematic Tape Recorder → Who's In Control · 9A → 8A · same BPM · 87 chemistry
16 of the 260 transitions between these catalogues reach 80 chemistry. Chance would give 1.5. They come from 5 different Annie Hall tracks.
Opti Chrome → Lizard Lick · 10A → 9A · −4 BPM · 87 chemistry
17 of the 190 transitions between these catalogues reach 80 chemistry. Chance would give 1.1. They come from 5 different Annie Hall tracks.
Meiga → Angels Water · 8A → 8A · +1 BPM · 89 chemistry
16 of the 110 transitions between these catalogues reach 80 chemistry. Chance would give 0.6. They come from 6 different Annie Hall tracks.
Problematic Tape Recorder → Information Decay · 9A → 10A · same BPM · 91 chemistry
13 of the 130 transitions between these catalogues reach 80 chemistry. Chance would give 0.8. They come from 5 different Annie Hall tracks.
Opti Chrome → Zenhiser 303 · 10A → 11B · +1 BPM · 84 chemistry
31 of the 340 transitions between these catalogues reach 80 chemistry. Chance would give 1.9. They come from 8 different Annie Hall tracks.
Opti Chrome → Copepods · 10A → 9A · same BPM · 92 chemistry
Chemistry weighs harmonic, rhythmic, energy, groove, mood and vocal compatibility. Tempos are as analysed from the recording — where a genre is habitually detected an octave down, this is how we handle it. Different measurement from the audience-overlap list further down the page.
DJs and producers closest to Annie Hall by audience overlap — the artists their listeners also play. It’s a taste signal, not a measured key-and-tempo match: good for shortlisting crates when you’re prepping a set around Annie Hall, then check the chemistry on the pair you actually mix. Eligible names link to their own page.
Similarity data from Last.fm. BPM, key and energy on this page are measured from the recordings in our catalog.
Annie Hall's tracks in our catalog range from 74 to 143 BPM, with a median of 136 BPM. Across 10 tracks, the most common range falls in the 135–140 BPM bucket.
Annie Hall's tracks are mostly in minor keys (60% minor across 10 tracks). The most common single key is 3A (B♭ Minor) with 1 track.
We scored every transition between Annie Hall's 10 analysed tracks and every track by 12,460 other artists. 23 catalogues clear the bar by more than chance would give, and Calagad 13, Carl Finlow, Detroit In Effect are three of them — listed alphabetically, because the set is reproducible and the order inside it is not. A transition counts at 80 chemistry or above, the same number shown on a track page. One measured example: Problematic Tape Recorder into Moksha, 9A to 9A, 89 chemistry.
Annie Hall sits closest to Le Man Avec Les Lunettes, Artemoltobuffa, Canadians in our catalog. That ranking is audience overlap — the artists their listeners also play — rather than a measured key-and-tempo match, so treat it as a shortlist worth digging through, not a promise that any two tracks will beatmatch. The full list, with track counts, is in the Related artists section above.