Artist profile
Andrea Giuliani
Minimal / Deep Tech producer and DJ.
Sound profile
Andrea Giuliani is a moderate-energy with strong groove and drive artist.
Tracks in catalog
9 total · sortable
Track | BPM · Key | Actions |
|---|---|---|
 Il Cubo Andrea Giuliani, Luca Rossetti | 1228AA Minor | |
Hide Andrea Giuliani, Luca Rossetti | 1219AE Minor | |
 Tantrum - Manuel De Lorenzi Build Up Remix Andrea Giuliani, Luca Rossetti | 1225AC Minor | |
Instrumenz Andrea Giuliani, Luca Rossetti | 1215BE♭ Major | |
 The Shower Scene - Mateo! Remix Andrea Giuliani, Luca Rossetti | 1234BA♭ Major | |
 Worried Andrea Giuliani, Luca Rossetti, Sardu | 12510BD Major | |
 Slums - Mateo! Remix Andrea Giuliani, Luca Rossetti | 1254AF Minor | |
Misfit Andrea Giuliani, Luca Rossetti | 1209AE Minor | |
 Ipnotaiz - Cicuendez Remix Andrea Giuliani, Luca Rossetti | 12212AC♯ Minor |
Related artists
Top 15 by similarityDJs and producers whose tracks blend naturally with Andrea Giuliani’s — similar scenes, adjacent production styles, overlapping audiences. Useful when you’re prepping a set around Andrea Giuliani and need adjacent tracks that won’t feel out of place. Eligible names link to their own page.
FAQ
What BPM does Andrea Giuliani play at?
Andrea Giuliani's tracks in our catalog range from 120 to 125 BPM, with a median of 122 BPM. Across 9 tracks, the most common range falls in the 120–125 BPM bucket.
What key are Andrea Giuliani's tracks in?
Andrea Giuliani's tracks are mostly in minor keys (67% minor across 9 tracks). The most common single key is 9A (E Minor) with 2 tracks.
What artists mix well with Andrea Giuliani?
Based on harmonic compatibility, tempo proximity and artist-cohort context, Andrea Giuliani pairs well with Hinatrip, Jesus Riano, Max D Loved. The full list — with track counts in our catalog and similarity scores — is in the Related Artists section above.
Keep exploring
Plan a set with Andrea Giuliani tracks scored against the rest of the catalog
Andrea Giuliani on Mixgraph
Mixgraph for iOS — chemistry-scored DJ planning.
