Artist profile
501 is a dubstep producer and sound designer working within the genre's bass-heavy electronic framework. Their production approach emphasizes textural sound design and rhythmic precision across releases.
Compare with another artistPlan a set with 501 tracks scored against the rest of the catalog
Mixgraph for iOS — chemistry-scored DJ planning.
501 is a high-energy and a bright production artist.
Sits right in the typical Dubstep pocket.
Across 12 analysed tracks, 501 averages 60% energy — gentler than 65% of individual Dubstep tracks — and 43% groove, straighter than 59%.
Measured against 11,781 Dubstep tracks on 11 August 2026.
Missing one of theirs?
We'll add it — the artist is already in the catalogue, so it lands fast
We scored every transition between 501’s 12 analysed tracks and every track by 12,460 other artists. 203 catalogues clear the bar — a transition counts at 80 chemistry or above, the same number you’ll see on any track page. The 8 with the widest margin over chance are below.
Chance is measured, not assumed: 0.573% of transitions between two randomly drawn tracks by different artists in this catalogue reach 80. Listed alphabetically — the set is reproducible, the order inside it is not.
42 of the 276 transitions between these catalogues reach 80 chemistry. Chance would give 1.6. They come from 9 different 501 tracks.
Feel For You → Victim · 6A → 5A · same BPM · 90 chemistry
49 of the 480 transitions between these catalogues reach 80 chemistry. Chance would give 2.8. They come from 10 different 501 tracks.
HeadRush Ft. Belle Humble - beastboi. Remix → Celestial · 11A → 11A · −1 BPM · 92 chemistry
51 of the 480 transitions between these catalogues reach 80 chemistry. Chance would give 2.8. They come from 9 different 501 tracks.
Night Drive → Feel Good · 4A → 4A · same BPM · 91 chemistry
47 of the 480 transitions between these catalogues reach 80 chemistry. Chance would give 2.8. They come from 9 different 501 tracks.
Show You → When I'm Hot · 4A → 4A · +5 BPM · 89 chemistry
45 of the 468 transitions between these catalogues reach 80 chemistry. Chance would give 2.7. They come from 10 different 501 tracks.
And It Begins → SNARE ALERT !!! · 8A → 8A · half-time · 89 chemistry
57 of the 480 transitions between these catalogues reach 80 chemistry. Chance would give 2.8. They come from 11 different 501 tracks.
51 of the 444 transitions between these catalogues reach 80 chemistry. Chance would give 2.5. They come from 10 different 501 tracks.
Night Drive → Get Down · 4A → 3A · same BPM · 91 chemistry
45 of the 480 transitions between these catalogues reach 80 chemistry. Chance would give 2.8. They come from 9 different 501 tracks.
Night Drive → Wrong House - VIP · 4A → 3B · same BPM · 92 chemistry
Chemistry weighs harmonic, rhythmic, energy, groove, mood and vocal compatibility. Tempos are as analysed from the recording — where a genre is habitually detected an octave down, this is how we handle it. Different measurement from the audience-overlap list further down the page.
DJs and producers closest to 501 by audience overlap — the artists their listeners also play. It’s a taste signal, not a measured key-and-tempo match: good for shortlisting crates when you’re prepping a set around 501, then check the chemistry on the pair you actually mix. Eligible names link to their own page.
Similarity data from Last.fm. BPM, key and energy on this page are measured from the recordings in our catalog.
501's tracks in our catalog range from 87 to 141 BPM, with a median of 140 BPM. Across 12 tracks, the most common range falls in the 140–145 BPM bucket.
501's tracks are mostly in minor keys (92% minor across 12 tracks). The most common single key is 4A (F Minor) with 3 tracks.
We scored every transition between 501's 12 analysed tracks and every track by 12,460 other artists. 203 catalogues clear the bar by more than chance would give, and Chibs, Chime, Datsik are three of them — listed alphabetically, because the set is reproducible and the order inside it is not. A transition counts at 80 chemistry or above, the same number shown on a track page. One measured example: Feel For You into Victim, 6A to 5A, 90 chemistry.
501 sits closest to SKisM, Dodge & Fuski, LAXX in our catalog. That ranking is audience overlap — the artists their listeners also play — rather than a measured key-and-tempo match, so treat it as a shortlist worth digging through, not a promise that any two tracks will beatmatch. The full list, with track counts, is in the Related artists section above.
Our catalog has 501 releases spanning 2012 to 2015, with the most tracks from the 2010s.
