Artist profile
19:26 is a melodic house and techno producer working within contemporary electronic music aesthetics. Their approach emphasizes atmospheric textures and rhythmic precision across the genre's spectrum.
Compare with another artistPlan a set with 19:26 tracks scored against the rest of the catalog
Mixgraph for iOS — chemistry-scored DJ planning.
19:26 is a high-energy with strong groove and drive artist.
Sits right in the typical Melodic House & Techno pocket.
Across 16 analysed tracks, 19:26 averages 74% energy — harder than 71% of individual Melodic House & Techno tracks — and 77% groove, straighter than 63%.
Measured against 19,201 Melodic House & Techno tracks on 11 August 2026.
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We scored every transition between 19:26’s 16 analysed tracks and every track by 12,460 other artists. 580 catalogues clear the bar — a transition counts at 80 chemistry or above, the same number you’ll see on any track page. The 8 with the widest margin over chance are below.
Chance is measured, not assumed: 0.573% of transitions between two randomly drawn tracks by different artists in this catalogue reach 80. Listed alphabetically — the set is reproducible, the order inside it is not.
50 of the 624 transitions between these catalogues reach 80 chemistry. Chance would give 3.6. They come from 14 different 19:26 tracks.
Last Lights From Betelgeuse → Always With You · 10A → 9B · +1 BPM · 91 chemistry
49 of the 640 transitions between these catalogues reach 80 chemistry. Chance would give 3.7. They come from 13 different 19:26 tracks.
Lockdown In Milan → Last Call · 5A → 4B · −1 BPM · 90 chemistry
50 of the 464 transitions between these catalogues reach 80 chemistry. Chance would give 2.7. They come from 14 different 19:26 tracks.
Alone Together → Phoenix · 7A → 8A · same BPM · 90 chemistry
49 of the 576 transitions between these catalogues reach 80 chemistry. Chance would give 3.3. They come from 12 different 19:26 tracks.
Last Lights From Betelgeuse → Shapeshifter · 10A → 10A · same BPM · 92 chemistry
50 of the 640 transitions between these catalogues reach 80 chemistry. Chance would give 3.7. They come from 14 different 19:26 tracks.
Alone Together → Soul Survivor · 7A → 7A · −2 BPM · 91 chemistry
44 of the 640 transitions between these catalogues reach 80 chemistry. Chance would give 3.7. They come from 13 different 19:26 tracks.
Vertigo → Off Gerlach · 6A → 6A · same BPM · 93 chemistry
48 of the 640 transitions between these catalogues reach 80 chemistry. Chance would give 3.7. They come from 11 different 19:26 tracks.
Last Lights From Betelgeuse → Run (Extended) · 10A → 9B · −1 BPM · 92 chemistry
58 of the 592 transitions between these catalogues reach 80 chemistry. Chance would give 3.4. They come from 10 different 19:26 tracks.
Alone Together → Talking To Myself (feat. Pôngo) · 7A → 7A · same BPM · 93 chemistry
Chemistry weighs harmonic, rhythmic, energy, groove, mood and vocal compatibility. Tempos are as analysed from the recording — where a genre is habitually detected an octave down, this is how we handle it. Different measurement from the audience-overlap list further down the page.
DJs and producers closest to 19:26 by audience overlap — the artists their listeners also play. It’s a taste signal, not a measured key-and-tempo match: good for shortlisting crates when you’re prepping a set around 19:26, then check the chemistry on the pair you actually mix. Eligible names link to their own page.
Similarity data from Last.fm. BPM, key and energy on this page are measured from the recordings in our catalog.
19:26's tracks in our catalog range from 93 to 130 BPM, with a median of 125 BPM. Across 16 tracks, the most common range falls in the 125–130 BPM bucket.
19:26's tracks are mostly in minor keys (56% minor across 16 tracks). The most common single key is 9B (G Major) with 3 tracks.
We scored every transition between 19:26's 16 analysed tracks and every track by 12,460 other artists. 580 catalogues clear the bar by more than chance would give, and ANII, Hidden Empire, Kevin de Vries are three of them — listed alphabetically, because the set is reproducible and the order inside it is not. A transition counts at 80 chemistry or above, the same number shown on a track page. One measured example: Last Lights From Betelgeuse into Always With You, 10A to 9B, 91 chemistry.
19:26 sits closest to David Lindmer, Son of Son, Øostil in our catalog. That ranking is audience overlap — the artists their listeners also play — rather than a measured key-and-tempo match, so treat it as a shortlist worth digging through, not a promise that any two tracks will beatmatch. The full list, with track counts, is in the Related artists section above.
