Mixing from 6A to 6B

How to mix this transition

Because both keys share the same three flats, harmonic clashes are minimal; focus on the *feel* transition rather than fighting dissonance. Bring in the new track during a breakdown or phrase boundary in the outgoing track, allowing the minor tonality to fade before the major chords land—a 16–32 bar blend works well. Use a high-pass filter kill on the incoming track's low end during the overlap, then restore it once the major key is established, so the bass doesn't muddy the modal shift. Avoid stacking this move on a kick swap or BPM change; let the tonal flip do the work alone.