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Tracks/Distractions
Distractions album art

Bass / Club · 2021

Distractions

Blaise Fielding

160

BPM

6A

G Minor

Sustainer

Energy

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Previews courtesy ofListen on Apple Music

Mixes well with this track

Scoring the top mixing matches.

Checking key, tempo, energy, groove, mood and vocals.

Why these tracks?

Every recommendation is scored across six dimensions — harmonic key, BPM, energy, texture, mood and vocal compatibility — then refined by 5,000 community-rated transitions from real DJs. That's why each match has a chemistry number and a reason, not just a list of tracks in the same key.

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About this track.

Distractions by Blaise Fielding is a bass-heavy Bass / Club / Juke / Footwork track at 160 BPM with low drive and balanced groove. At 50% energy, it works as a mid-set sustainer — enough momentum to keep the floor moving.

Released 15 Oct 2021 · 4:35 · 29% mood · -11 dB loudness

The feel

Groovebalanced
Bass weightheavy
Driverestrained
Warmthbalanced

The bass weight is the story here — 88% puts it in the top tier of the catalog. Lead with it.

Where it lives in a set

WARM-UPBUILDPEAKCOOL

50% energy places it in the build — the stretch where you're winning the floor, not rewarding it yet.

Quick answers.

What BPM is Distractions?

160 BPM — squarely in bass / club territory, mixable within roughly 155–165 BPM without pitch artefacts.

What key is Distractions in?

G Minor — 6A on the Camelot wheel. Harmonically compatible with 6B, 5A and 7A.

What mixes well with Distractions?

Tracks in 6A, 6B, 5A or 7A between ~155–165 BPM.

Where does Distractions fit in a DJ set?

Groove sustainer — 50% energy with a steady groove keeps momentum without forcing the energy up. Ideal in the stretches between peaks.

Explore: 160 BPM tracks · 6A tracks · 6A → 6B key pair · Harmonic mixing guide

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Album artwork via Spotify® and Beatport

Music previews provided courtesy of iTunes · Listen on Apple Music

Mixes well with this track

387 tracks in its harmonic window.

Every candidate scored on key, tempo, energy, groove, mood and vocals — the top 5, ranked.

Show differentPro
92

Vincenzo

Toma Kami

160 BPM · 6A · Bass / Club

Same key · same BPM — seamless blend

87

BangOut

Aggy

160 BPM · 5A · Bass / Club

Adjacent key · same BPM — seamless blend

86

Spirit Rush

Fonzo

160 BPM · 5A · Bass / Club

Adjacent key · same BPM — seamless blend

90

Asid Groove

DJ Earl

160 BPM · 5A · Bass / Club

Adjacent key · same BPM — seamless blend

89

Bruce Dat Ass

DJ Solo

160 BPM · 6A · Bass / Club

Same key · same BPM — seamless blend

Mixing out of this track.

Now160 BPM · 6A→ three ways forward
Hold the groove

6A → 6A

Same key, ±2 BPM. With 46% groove and heavy bass, long blends work — cut the incoming bass until the switch.

Vincenzo

Toma Kami · 160 BPM · 6A

92 chemistry

Push the energy

6A → 6B

Relative major — brighter key, same tonal centre. Pair it with a higher-energy record and the floor keeps moving.

Change direction

6A → 5A · 7A

Adjacent keys through a breakdown. This one runs 4:35 — the outro gives you a full phrase to work with.

Asid Groove

DJ Earl · 160 BPM · 5A

90 chemistry

More around 160 BPM in compatible keys.

Stay Schemin

Drake · 162 BPM · 6A

It Was A Good Day (Edited)

Ice Cube · 165 BPM · 6A

Ex's & Oh's

Elle King · 160 BPM · 6A

No Balance - Extended Mix

Holy Priest · 160 BPM · 6A

Boom Boom Boom - Extended Mix

Technoboy · 162 BPM · 6A

Die Tonight

KUKO · 155 BPM · 6A