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Get Up album art

Dubstep · 2019

Get Up

Ray Volpe

150

BPM

7A

D Minor

Peak time

Energy

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Checking key, tempo, energy, groove, mood and vocals.

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Every recommendation is scored across six dimensions — harmonic key, BPM, energy, texture, mood and vocal compatibility — then refined by 5,000 community-rated transitions from real DJs. That's why each match has a chemistry number and a reason, not just a list of tracks in the same key.

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About this track.

Get Up by Ray Volpe is a bass-heavy Dubstep track at 150 BPM with moderate drive and balanced groove. At 75% energy, it delivers peak-time intensity.

Released 1 Mar 2019 · 3:49 · 53% mood · -10 dB loudness

The feel

Groovebalanced
Bass weightheavy
Drivemoderate
Warmthcool-toned

The bass weight is the story here — 79% puts it in the upper tier of the catalog. Lead with it.

Where it lives in a set

WARM-UPBUILDPEAKCOOL

75% energy places it in the peak — the top of the night — full commitment, the room is already yours.

About Ray Volpe.

Ray Volpe is a dubstep producer and DJ known for his work within the bass music community. His productions span the dubstep spectrum, engaging with both the technical and atmospheric dimensions of the genre.

147

Median BPM

2A

Top key

2014–2026

Active

68

Tracks

View Ray Volpe’s profile

Quick answers.

What BPM is Get Up?

150 BPM — squarely in dubstep territory, mixable within roughly 145–155 BPM without pitch artefacts.

What key is Get Up in?

D Minor — 7A on the Camelot wheel. Harmonically compatible with 7B, 6A and 8A.

What mixes well with Get Up?

Tracks in 7A, 7B, 6A or 8A between ~145–155 BPM.

Where does Get Up fit in a DJ set?

Peak-time weapon — 75% energy with a steady groove hits hard and holds the floor. Drop it when the room is already yours.

Explore: 150 BPM tracks · 7A tracks · 7A → 7B key pair · Harmonic mixing guide

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Mixes well with this track

526 tracks in its harmonic window.

Every candidate scored on key, tempo, energy, groove, mood and vocals — the top 5, ranked.

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Same key · same BPM — seamless blend

Mixing out of this track.

Now150 BPM · 7A→ three ways forward
Hold the groove

7A → 7A

Same key, ±2 BPM. With 49% groove and heavy bass, long blends work — cut the incoming bass until the switch.

All My Demons

Kai Wachi · 150 BPM · 7A

93 chemistry

Push the energy

7A → 7B

Relative major — brighter key, same tonal centre. Pair it with a higher-energy record and the floor keeps moving.

Meme Graveyard

BARELY ALIVE · 150 BPM · 7B

88 chemistry

Change direction

7A → 6A · 8A

Adjacent keys through a breakdown. This one runs 3:49 — the outro gives you a full phrase to work with.

Crusher

Calcium · 150 BPM · 8A

90 chemistry

More around 150 BPM in compatible keys.

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