Mixes well with this track
Checking key, tempo, energy, groove, mood and vocals.
Every recommendation is scored across six dimensions — harmonic key, BPM, energy, texture, mood and vocal compatibility — then refined by community-rated transitions from real DJs. That's why each match has a chemistry number and a reason, not just a list of tracks in the same key.
Sad B*tch (Ivory Remix) by IVORY, Borgore, Tima Dee is a bass-heavy Dubstep track at 145 BPM with moderate drive and strong groove. At 70% energy, it delivers peak-time intensity.
Released 5 Feb 2021 · 3:22 · 53% mood · -10 dB loudness
The feel
The bass weight is the story here — 82% puts it in the top tier of the catalog. Lead with it.
Where it lives in a set
70% energy places it in the peak — the top of the night — full commitment, the room is already yours.
IVORY is a dubstep producer known for atmospheric and textural approaches to the genre. Their work emphasizes intricate sound design and deep bass architecture within electronic music frameworks.
140
Median BPM
10B
Top key
2005–2026
Active
71
Tracks
145 BPM — squarely in dubstep territory, mixable within roughly 140–150 BPM without pitch artefacts.
C Minor — 5A on the Camelot wheel. Harmonically compatible with 5B, 4A and 6A.
Tracks in 5A, 5B, 4A or 6A between ~140–150 BPM.
Peak-time weapon — 70% energy with strong groove hits hard and holds the floor. Drop it when the room is already yours.
Explore: 145 BPM tracks · 5A tracks · 5A → 5B key pair · Harmonic mixing guide
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Mixes well with this track
Every candidate scored on key, tempo, energy, groove, mood and vocals — the top 5, ranked.
Enemy (with Shane Told of Silverstein)
Silverstein
145 BPM · 5A · Dubstep
Same key · same BPM — seamless blend
Purple Haze
G-Rex
145 BPM · 5A · Dubstep
Same key · same BPM — seamless blend
Shouting At Traffic
Megalodon
145 BPM · 4A · Dubstep
Adjacent key · same BPM — seamless blend
Gone
LOUDPVCK
144 BPM · 5A · Dubstep
Same key · -1 BPM — seamless blend
So Baked
Virtual Riot
145 BPM · 4A · Dubstep
Adjacent key · same BPM — seamless blend
5A → 5A
Same key, ±2 BPM. With 67% groove and heavy bass, long blends work — cut the incoming bass until the switch.
Enemy (with Shane Told of Silverstein)
Silverstein · 145 BPM · 5A
93 chemistry
5A → 5B
Relative major — brighter key, same tonal centre. Pair it with a higher-energy record and the floor keeps moving.
Hekate
VAMPA · 145 BPM · 5B
87 chemistry
5A → 4A · 6A
Adjacent keys through a breakdown. This one runs 3:22 — the outro gives you a full phrase to work with.
Shouting At Traffic
Megalodon · 145 BPM · 4A
90 chemistry