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Tracks/Gone
Gone album art

Dubstep · 2017

Gone

LOUDPVCK

144

BPM

5A

C Minor

Builder

Energy

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Previews courtesy ofListen on Apple Music

Mixes well with this track

Scoring the top mixing matches.

Checking key, tempo, energy, groove, mood and vocals.

Why these tracks?

Every recommendation is scored across six dimensions — harmonic key, BPM, energy, texture, mood and vocal compatibility — then refined by community-rated transitions from real DJs. That's why each match has a chemistry number and a reason, not just a list of tracks in the same key.

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About this track.

Gone by LOUDPVCK is a bass-forward Dubstep track at 144 BPM with moderate drive and balanced groove. At 69% energy, it works as an energy builder — pushing the floor forward without peaking.

Released 31 Mar 2017 · 3:10 · 47% mood · -11 dB loudness

The feel

Groovebalanced
Bass weightforward
Drivemoderate
Warmthwarm

The bass weight is the story here — 71% puts it in the upper tier of the catalog. Lead with it.

Where it lives in a set

WARM-UPBUILDPEAKCOOL

69% energy places it in the build — the stretch where you're winning the floor, not rewarding it yet.

Quick answers.

What BPM is Gone?

144 BPM — squarely in dubstep territory, mixable within roughly 139–149 BPM without pitch artefacts.

What key is Gone in?

C Minor — 5A on the Camelot wheel. Harmonically compatible with 5B, 4A and 6A.

What mixes well with Gone?

Tracks in 5A, 5B, 4A or 6A between ~139–149 BPM.

Where does Gone fit in a DJ set?

Mid-set energy builder — 69% energy with a steady groove pushes the floor forward without peaking. Save peak-time slots for higher-drive records.

Explore: 144 BPM tracks · 5A tracks · 5A → 5B key pair · Harmonic mixing guide

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Album artwork via Spotify® and Beatport

Music previews provided courtesy of iTunes · Listen on Apple Music

Mixes well with this track

539 tracks in its harmonic window.

Every candidate scored on key, tempo, energy, groove, mood and vocals — the top 5, ranked.

Show differentPro
91

Enemy (with Shane Told of Silverstein)

Silverstein

145 BPM · 5A · Dubstep

Same key · +1 BPM — seamless blend

90

Shouting At Traffic

Megalodon

145 BPM · 4A · Dubstep

Adjacent key · +1 BPM — seamless blend

88

Purple Haze

G-Rex

145 BPM · 5A · Dubstep

Same key · +1 BPM — seamless blend

87

DEAD DAW

HOL!

146 BPM · 4A · Dubstep

Adjacent key · +2 BPM — seamless blend

89

So Baked

Virtual Riot

145 BPM · 4A · Dubstep

Adjacent key · +1 BPM — seamless blend

Mixing out of this track.

Now144 BPM · 5A→ three ways forward
Hold the groove

5A → 5A

Same key, ±2 BPM. With 59% groove and heavy bass, long blends work — cut the incoming bass until the switch.

Enemy (with Shane Told of Silverstein)

Silverstein · 145 BPM · 5A

91 chemistry

Push the energy

5A → 5B

Relative major — brighter key, same tonal centre. Pair it with a higher-energy record and the floor keeps moving.

Change direction

5A → 4A · 6A

Adjacent keys through a breakdown. This one runs 3:10 — the outro gives you a full phrase to work with.

Shouting At Traffic

Megalodon · 145 BPM · 4A

90 chemistry

More around 144 BPM in compatible keys.

Body

Don Toliver · 146 BPM · 5A

Toxic

Britney Spears · 143 BPM · 5A

Illegal

PinkPantheress · 142 BPM · 5A

Low Life

Future · 144 BPM · 5A

a lot

21 Savage · 146 BPM · 5A

Low

SZA · 145 BPM · 5A