Mixes well with this track
Checking key, tempo, energy, groove, mood and vocals.
Every recommendation is scored across six dimensions — harmonic key, BPM, energy, texture, mood and vocal compatibility — then refined by community-rated transitions from real DJs. That's why each match has a chemistry number and a reason, not just a list of tracks in the same key.
Gone by LOUDPVCK is a bass-forward Dubstep track at 144 BPM with moderate drive and balanced groove. At 69% energy, it works as an energy builder — pushing the floor forward without peaking.
Released 31 Mar 2017 · 3:10 · 47% mood · -11 dB loudness
The feel
The bass weight is the story here — 71% puts it in the upper tier of the catalog. Lead with it.
Where it lives in a set
69% energy places it in the build — the stretch where you're winning the floor, not rewarding it yet.
144 BPM — squarely in dubstep territory, mixable within roughly 139–149 BPM without pitch artefacts.
C Minor — 5A on the Camelot wheel. Harmonically compatible with 5B, 4A and 6A.
Tracks in 5A, 5B, 4A or 6A between ~139–149 BPM.
Mid-set energy builder — 69% energy with a steady groove pushes the floor forward without peaking. Save peak-time slots for higher-drive records.
Explore: 144 BPM tracks · 5A tracks · 5A → 5B key pair · Harmonic mixing guide
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Mixes well with this track
Every candidate scored on key, tempo, energy, groove, mood and vocals — the top 5, ranked.
Enemy (with Shane Told of Silverstein)
Silverstein
145 BPM · 5A · Dubstep
Same key · +1 BPM — seamless blend
Shouting At Traffic
Megalodon
145 BPM · 4A · Dubstep
Adjacent key · +1 BPM — seamless blend
Purple Haze
G-Rex
145 BPM · 5A · Dubstep
Same key · +1 BPM — seamless blend
DEAD DAW
HOL!
146 BPM · 4A · Dubstep
Adjacent key · +2 BPM — seamless blend
So Baked
Virtual Riot
145 BPM · 4A · Dubstep
Adjacent key · +1 BPM — seamless blend
5A → 5A
Same key, ±2 BPM. With 59% groove and heavy bass, long blends work — cut the incoming bass until the switch.
Enemy (with Shane Told of Silverstein)
Silverstein · 145 BPM · 5A
91 chemistry
5A → 5B
Relative major — brighter key, same tonal centre. Pair it with a higher-energy record and the floor keeps moving.
5A → 4A · 6A
Adjacent keys through a breakdown. This one runs 3:10 — the outro gives you a full phrase to work with.
Shouting At Traffic
Megalodon · 145 BPM · 4A
90 chemistry