Pop · 2010
Mixes well with this track
Checking key, tempo, energy, groove, mood and vocals.
Every recommendation is scored across six dimensions — harmonic key, BPM, energy, texture, mood and vocal compatibility — then refined by community-rated transitions from real DJs. That's why each match has a chemistry number and a reason, not just a list of tracks in the same key.
Won't Go Quietly by Example is a bass-heavy Pop track at 125 BPM with moderate drive and strong groove. At 52% energy, it works as a mid-set sustainer — enough momentum to keep the floor moving.
Released 12 Nov 2010 · 4:02 · 48% mood · -10 dB loudness
The feel
The bass weight is the story here — 82% puts it in the top tier of the catalog. Lead with it.
Where it lives in a set
52% energy places it in the build — the stretch where you're winning the floor, not rewarding it yet.
Bass House producer and DJ.
125
Median BPM
8A
Top key
2010–2023
Active
14
Tracks
125 BPM — squarely in pop territory, mixable within roughly 120–130 BPM without pitch artefacts.
G Minor — 6A on the Camelot wheel. Harmonically compatible with 6B, 5A and 7A.
Tracks in 6A, 6B, 5A or 7A between ~120–130 BPM.
Groove sustainer — 52% energy with strong groove keeps momentum without forcing the energy up. Ideal in the stretches between peaks.
Explore: 125 BPM tracks · 6A tracks · 6A → 6B key pair · Harmonic mixing guide · Pop mixing guide
Mixgraph for iPhone and Android — preview and plan sets on the go.
Mixes well with this track
Every candidate scored on key, tempo, energy, groove, mood and vocals — the top 5, ranked.
Rock That Body
The Black Eyed Peas
125 BPM · 7A · Pop
Adjacent key · same BPM — seamless blend
Love Me Again (Again)
John Newman
126 BPM · 6A · Pop
Same key · +1 BPM — seamless blend
Hung Up
Madonna
125 BPM · 7A · Pop
Adjacent key · same BPM — seamless blend
I Like to Move It
will.i.am
127 BPM · 5A · Pop
Adjacent key · +2 BPM — seamless blend
Hangover
Flo Rida
128 BPM · 5B · Pop
Key jump · +3 BPM — seamless blend
6A → 6A
Same key, ±2 BPM. With 71% groove and heavy bass, long blends work — cut the incoming bass until the switch.
Love Me Again (Again)
John Newman · 126 BPM · 6A
90 chemistry
6A → 6B
Relative major — brighter key, same tonal centre. Pair it with a higher-energy record and the floor keeps moving.
Lost
Frank Ocean · 123 BPM · 6B
82 chemistry
6A → 5A · 7A
Adjacent keys through a breakdown. This one runs 4:02 — the outro gives you a full phrase to work with.
Rock That Body
The Black Eyed Peas · 125 BPM · 7A
88 chemistry