Pop · 2008
Mixes well with this track
Checking key, tempo, energy, groove, mood and vocals.
Every recommendation is scored across six dimensions — harmonic key, BPM, energy, texture, mood and vocal compatibility — then refined by 4,300 community-rated transitions from real DJs. That's why each match has a chemistry number and a reason, not just a list of tracks in the same key.
I Like to Move It by will.i.am is a bass-forward Pop track at 127 BPM with moderate drive and balanced groove. At 55% energy, it works as a mid-set sustainer — enough momentum to keep the floor moving.
Released 1 Jan 2008 · 3:41 · 43% mood · -10 dB loudness
The feel
The warmth is the story here — 100% puts it in the top tier of the catalog. Lead with it.
Where it lives in a set
55% energy places it in the build — the stretch where you're winning the floor, not rewarding it yet.
will.i.am is an American rapper, singer, and producer best known for his work with the Black Eyed Peas, the hip-hop group that achieved major commercial success in the 2000s.
127
Median BPM
10B
Top key
2005–2013
Active
10
Tracks
127 BPM — squarely in pop territory, mixable within roughly 122–132 BPM without pitch artefacts.
C Minor — 5A on the Camelot wheel. Harmonically compatible with 5B, 4A and 6A.
Tracks in 5A, 5B, 4A or 6A between ~122–132 BPM.
Groove sustainer — 55% energy with a steady groove keeps momentum without forcing the energy up. Ideal in the stretches between peaks.
Explore: 127 BPM tracks · 5A tracks · 5A → 5B key pair · Harmonic mixing guide · Pop mixing guide
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Mixes well with this track
Every candidate scored on key, tempo, energy, groove, mood and vocals — the top 5, ranked.
Glad You Came
The Wanted
127 BPM · 6A · Pop
Adjacent key · same BPM — seamless blend
Hangover
Flo Rida
128 BPM · 5B · Pop
Relative key · +1 BPM — seamless blend
Lights On - Single Mix
Katy B
128 BPM · 4A · Pop
Adjacent key · +1 BPM — seamless blend
Where Have You Been - Album Version
Rihanna
128 BPM · 5A · Pop
Same key · +1 BPM — seamless blend
Outta Here
Esmée Denters
126 BPM · 5B · Pop
Relative key · -1 BPM — seamless blend
5A → 5A
Same key, ±2 BPM. With 62% groove and heavy bass, long blends work — cut the incoming bass until the switch.
Something To Hold On To (feat. Clementine Douglas) - Extended
David Guetta · 127 BPM · 5A
86 chemistry
5A → 5B
Relative major — brighter key, same tonal centre. Pair it with a higher-energy record and the floor keeps moving.
Outta Here
Esmée Denters · 126 BPM · 5B
85 chemistry
5A → 4A · 6A
Adjacent keys through a breakdown. This one runs 3:41 — the outro gives you a full phrase to work with.
Lights On - Single Mix
Katy B · 128 BPM · 4A
85 chemistry