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The Miracle album art

Electronica · 2014

The Miracle

Djrum

130

BPM

7A

D Minor

Warm-up

Energy

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Checking key, tempo, energy, groove, mood and vocals.

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Every recommendation is scored across six dimensions — harmonic key, BPM, energy, texture, mood and vocal compatibility — then refined by 5,100 community-rated transitions from real DJs. That's why each match has a chemistry number and a reason, not just a list of tracks in the same key.

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About this track.

The Miracle by Djrum is a bass-forward Electronica track at 130 BPM with moderate drive and subtle groove. At 11% energy, it suits warm-up and opening slots, setting the tone before the energy climbs.

Released 14 Apr 2014 · 15:21 · 46% mood · -25 dB loudness

The feel

Groovesubtle
Bass weightforward
Drivemoderate
Warmthwarm

The warmth is the story here — 100% puts it in the top tier of the catalog. Lead with it.

Where it lives in a set

WARM-UPBUILDPEAKCOOL

11% energy places it in the warm-up — setting the room up before the climb.

About Djrum.

Djrum is a bass and club music producer working across deep house, garage, and experimental electronic styles. His work emphasizes intricate rhythmic textures and atmospheric production within the contemporary UK…

108

Median BPM

2A

Top key

2012–2025

Active

23

Tracks

View Djrum’s profile

Quick answers.

What BPM is The Miracle?

130 BPM — squarely in electronica territory, mixable within roughly 125–135 BPM without pitch artefacts.

What key is The Miracle in?

D Minor — 7A on the Camelot wheel. Harmonically compatible with 7B, 6A and 8A.

What mixes well with The Miracle?

Tracks in 7A, 7B, 6A or 8A between ~125–135 BPM.

Where does The Miracle fit in a DJ set?

Warm-up and opener — 11% energy sets the tone before the energy climbs.

Explore: 130 BPM tracks · 7A tracks · 7A → 7B key pair · Harmonic mixing guide

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Album artwork via Spotify® and Beatport

Music previews provided courtesy of iTunes · Listen on Apple Music

Mixes well with this track

84 tracks in its harmonic window.

Every candidate scored on key, tempo, energy, groove, mood and vocals — the top 5, ranked.

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Key jump · -2 BPM — seamless blend

85

My Mother Said

da fuck

128 BPM · 8B · Electronica

Key jump · -2 BPM — seamless blend

83

Come Let Us

Mark Pritchard

130 BPM · 8A · Electronica

Adjacent key · same BPM — seamless blend

83

A Delicate Hesitation

Andrew Heath

127 BPM · 7B · Electronica

Relative key · -3 BPM — seamless blend

82

A1

Jonathan Scherk

132 BPM · 7B · Electronica

Relative key · +2 BPM — seamless blend

Mixing out of this track.

Now130 BPM · 7A→ three ways forward
Hold the groove

7A → 7A

Same key, ±2 BPM. With 17% groove and heavy bass, long blends work — cut the incoming bass until the switch.

Illuminator

UR · 129 BPM · 7A

79 chemistry

Push the energy

7A → 7B

Relative major — brighter key, same tonal centre. Pair it with a higher-energy record and the floor keeps moving.

A Delicate Hesitation

Andrew Heath · 127 BPM · 7B

83 chemistry

Change direction

7A → 6A · 8A

Adjacent keys through a breakdown. This one runs 15:21 — the outro gives you a full phrase to work with.

Come Let Us

Mark Pritchard · 130 BPM · 8A

83 chemistry

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