Mixes well with this track
Checking key, tempo, energy, groove, mood and vocals.
Every recommendation is scored across six dimensions — harmonic key, BPM, energy, texture, mood and vocal compatibility — then refined by 5,100 community-rated transitions from real DJs. That's why each match has a chemistry number and a reason, not just a list of tracks in the same key.
Come Let Us by Mark Pritchard, Gregory Whitehead is a bass-heavy Electronica track at 130 BPM with moderate drive and subtle groove. At 23% energy, it suits warm-up and opening slots, setting the tone before the energy climbs.
Released 8 Feb 2018 · 2:53 · 47% mood · -20 dB loudness
The feel
The warmth is the story here — 100% puts it in the top tier of the catalog. Lead with it.
Where it lives in a set
23% energy places it in the warm-up — setting the room up before the climb.
Mark Pritchard is an electronic music producer working in ambient and experimental electronica. His work is characterized by intricate sound design and atmospheric textures.
133
Median BPM
8A
Top key
2018
Active
7
Tracks
130 BPM — squarely in electronica territory, mixable within roughly 125–135 BPM without pitch artefacts.
A Minor — 8A on the Camelot wheel. Harmonically compatible with 8B, 7A and 9A.
Tracks in 8A, 8B, 7A or 9A between ~125–135 BPM.
Warm-up and opener — 23% energy sets the tone before the energy climbs.
Explore: 130 BPM tracks · 8A tracks · 8A → 8B key pair · Harmonic mixing guide
Mixgraph for iPhone and Android — preview and plan sets on the go.
Mixes well with this track
Every candidate scored on key, tempo, energy, groove, mood and vocals — the top 5, ranked.
Strange Clouds
Passepartout Duo
132 BPM · 8A · Electronica
Same key · +2 BPM — seamless blend

Prologue
St. Andrew
131 BPM · 8A · Electronica
Same key · +1 BPM — seamless blend
Sinking Sun
Savvas
130 BPM · 7A · Electronica
Adjacent key · same BPM — seamless blend

Exaltación featuring Darkduction
DARKDUCTION
130 BPM · 7B · Electronica
Key jump · same BPM — seamless blend
Left In The Dark
Galcher Lustwerk
128 BPM · 7A · Electronica
Adjacent key · -2 BPM — seamless blend
8A → 8A
Same key, ±2 BPM. With 4% groove and heavy bass, long blends work — cut the incoming bass until the switch.
Prologue
St. Andrew · 131 BPM · 8A
93 chemistry
8A → 8B
Relative major — brighter key, same tonal centre. Pair it with a higher-energy record and the floor keeps moving.
Nacht, Fluss, Grille, Auto, Frosch, Eule, Mucke
Shed · 132 BPM · 8B
85 chemistry
8A → 7A · 9A
Adjacent keys through a breakdown. This one runs 2:53 — the outro gives you a full phrase to work with.
Sinking Sun
Savvas · 130 BPM · 7A
91 chemistry