What BPM is Trap (hip-hop)?

Trap (hip-hop) has a median tempo of 142 BPM. Half of all trap (hip-hop) sits between 140 and 150 BPM, measured across 125 analysed tracks. The genre's editorial range is 130–150 BPM; our catalog measures slightly tighter.

Hip-hop / Soul · 2000s Atlanta — present

Measured 13 August 2026 from 125 trap (hip-hop) tracks in our catalog. 15 tempo outliers removed by a Tukey IQR fence. 29 tracks were detected at half tempo and corrected to their written BPM. 28 tracks (22.4%) carry a tempo our detectors flagged for review; they are included in these figures.

Method: how we correct half-time BPM detection — why fast genres get stored at half speed, and the rule we apply before publishing a median.

Median BPM

142

Middle half

140–150

9 in 10

130–153

Mean

143

Tracks measured

125

BPM distribution

125 tracks · median 142 BPM · most of the catalog sits between 140 and 150 BPM · 15 outliers removed by IQR filter.

Median Middle half (Q1–Q3) Edge of range

How tightly does trap (hip-hop) hold its tempo?

Half of all trap (hip-hop) sits inside a 10 BPM window, 140 to 150. Widen to nine tracks in ten and the band runs 130–153 BPM. No hip-hop / soul genre charted below holds a tighter middle half — Hip-hop spreads over 38 BPM.

10th percentile 130 · lower quartile 140 · median 142 · upper quartile 150 · 90th percentile 153 BPM

Why this tempo?

Trap's 130–150 BPM range emerged from Atlanta's 2000s production culture, where 808-driven beats were engineered for half-time listening—the genre's defining perceptual anchor. At ~70 BPM felt-time, the sub-bass hits land with physical weight on dancefloors and in headphone listening, while the written tempo accommodates rapid hi-hat rolls (16th-note or 32nd-note subdivisions) that define the genre's textural signature. The tempo sits above crunk and below drum-and-bass, a deliberate middle ground that lets producers layer complex percussion without losing the low-end thump that became trap's sonic DNA. Equipment constraints—the 808's analog slowness, sampler memory limits in early 2000s hardware—naturally favored this sweet spot for both production workflow and club playback.

Where your track fits

Three reference points along the BPM axis for trap (hip-hop), with what the position implies about the track.

140BPM

Groovy side

Lower quartile — patient builds, deeper grooves, long blends.

142BPM

Genre centre

Median — what most tracks in the catalog actually sound like.

150BPM

Peak-time edge

Upper quartile — pushes the floor, bridges into faster neighbours.

Where trap (hip-hop) sits on the tempo axis

Median BPM of trap (hip-hop) compared to neighbouring genres in the same family. Closer medians mean easier cross-genre transitions.

104108112116120124128132136140144

Popular trap (hip-hop) tracks at the median BPM

Catalog tracks within ±2 BPM of 142, sorted by popularity.

Top trap (hip-hop) artists in the catalog

Names you’ll meet often when building trap (hip-hop) sets.

Dominant Camelot keys

Where trap (hip-hop) producers cluster harmonically. 55% minor · 45% major

Producing trap (hip-hop) — tempo notes

  • Write kick and 808 patterns at 140 BPM with a half-time feel: your kick hits every 2 beats (felt at 70 BPM), giving the sub-bass room to resonate without muddiness.
  • Lock hi-hat rolls to 16th-note or 32nd-note subdivisions at 140 BPM; the written speed creates perceived rhythmic density without destabilizing the half-time pocket.
  • Use sidechain compression on bass and pad layers keyed to the kick at 140 BPM; the slow felt-time (70 BPM) means longer attack/release windows prevent pumping artifacts.

Mixing trap (hip-hop) sets — tempo notes

  • When beatmatching trap tracks, sync to the written BPM (130–150) not the felt tempo; most DJ software defaults to written tempo, and half-time perception is automatic on playback.
  • Blend trap tracks over 16–32 bars at the written BPM to preserve phrase boundaries; shorter blends risk losing the sub-bass weight that defines the genre's low-end signature.
  • EQ incoming trap tracks: shelve lows at 60–80 Hz to prevent 808 phase issues when layering multiple tracks; trap's sub-bass sits deeper than house or techno.
All 142 BPM tracks EDM genre BPM chart BPM for every genre

FAQ

What BPM is Trap (hip-hop)?
Trap (hip-hop) has a median tempo of 142 BPM. Half of all trap (hip-hop) sits between 140 and 150 BPM, measured across 125 analysed tracks. The genre's editorial range is 130–150 BPM; our catalog measures slightly tighter.
Has trap (hip-hop)'s BPM changed over time?
We don't have enough year-stamped catalog tracks yet to draw a confident evolution curve. The current median is 142 BPM.
At what BPM should I produce a trap (hip-hop) track?
Anchor your kick at 142 BPM for the genre centre. 150 BPM is the upper-quartile edge if you're producing for peak-time. Below 140 BPM you're outside the middle half of what we measured.
What Camelot keys are most common in trap (hip-hop)?
The dominant Camelot keys in our trap (hip-hop) catalog are 7A, 10B, 2A. 55% of tracks are in minor keys (A); 45% major (B).

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