58 electronic genres, sortable by tempo, family or popularity. Pairs the conventional BPM range with the actual median BPM and track count from the Mixgraph catalog — so you can see where each genre actually lives, not just where theory says it should.
Live data from 63,568 catalog matches across 58 genres.
| Where it sits | |||||
|---|---|---|---|---|---|
| Ambient | Ambient / Downtempo | 60–100 | — | — | |
| R&B | Hip-hop / Soul | 70–100 | 109 | 359 | |
| Downtempo | Ambient / Downtempo | 70–100 | 110 | 5 | |
| Chillout | Ambient / Downtempo | 70–100 | — | — | |
| Hip-hop | Hip-hop / Soul | 80–100 | — | — | |
| Trip-hop | Ambient / Downtempo | 80–100 | — | — | |
| Synthwave | Other | 80–110 | — | — | |
| Reggaeton | Other | 88–100 | 97 | 99 | |
| Funk | Disco / Funk | 90–110 | 120 | 9 | |
| Afrobeats | Other | 95–115 | 110 | 185 | |
| Pop | Other | 95–130 | 120 | 355 | |
| Amapiano | Other | 108–115 | 113 | 2,264 | |
| Disco | Disco / Funk | 110–130 | 123 | 2 | |
| Nu-disco | Disco / Funk | 110–125 | 122 | 20 | |
| Deep house | House | 118–125 | 123 | 7,003 | |
| Melodic house | House | 118–126 | 124 | 176 | |
| Afro house | House | 118–126 | 122 | 2,302 | |
| Acid house | House | 118–128 | — | — | |
| Disco house | House | 118–126 | — | — | |
| Soulful house | House | 118–125 | — | — | |
| Dub techno | Techno | 118–128 | — | — | |
| House | House | 120–128 | 125 | 5,732 | |
| Melodic techno | Techno | 120–128 | 125 | 94 | |
| Electro | Other | 120–130 | — | — | |
| Tech house | House | 122–130 | 125 | 8,579 | |
| Progressive house | House | 122–130 | 123 | 7,279 | |
| Tribal house | House | 122–130 | — | — | |
| Bass house | House | 124–132 | 127 | 2,208 | |
| Garage house | House | 124–130 | — | — | |
| Minimal techno | Techno | 124–130 | — | — | |
| Detroit techno | Techno | 125–135 | — | — | |
| Progressive trance | Trance | 128–138 | 126 | 134 | |
| Techno | Techno | 130–140 | 130 | 10 | |
| Industrial techno | Techno | 130–145 | — | — | |
| Acid techno | Techno | 130–140 | — | — | |
| Trance | Trance | 130–145 | 137 | 33 | |
| Breakbeat | Bass / Breaks | 130–150 | — | — | |
| UK garage | Bass / Breaks | 130–138 | — | — | |
| Trap (hip-hop)half-time feel | Hip-hop / Soul | 130–150 | 140 | 60 | |
| Vocal trance | Trance | 132–138 | 138 | 431 | |
| Psytrance | Trance | 138–148 | — | — | |
| Uplifting trance | Trance | 138–145 | 138 | 581 | |
| Tech trance | Trance | 138–145 | 138 | 432 | |
| Dubstephalf-time feel | Bass / Breaks | 138–142 | 140 | 7,550 | |
| Hard techno | Techno | 140–160 | 136 | 5,778 | |
| Brostephalf-time feel | Bass / Breaks | 140–150 | — | — | |
| Future bass | Bass / Breaks | 140–160 | — | — | |
| Trap (EDM)half-time feel | Bass / Breaks | 140–150 | 140 | 60 | |
| Hardstyle | Hardstyle / Hardcore | 148–155 | 153 | 988 | |
| Rawstyle | Hardstyle / Hardcore | 150–160 | — | — | |
| Jungle | Bass / Breaks | 160–180 | 87 | 192 | |
| Hardcore (gabber) | Hardstyle / Hardcore | 160–200 | — | — | |
| Happy hardcore | Hardstyle / Hardcore | 160–175 | — | — | |
| UK hardcore | Hardstyle / Hardcore | 165–175 | — | — | |
| Drum & bass | Bass / Breaks | 170–180 | 87 | 10,401 | |
| Liquid DnB | Bass / Breaks | 170–176 | 87 | 229 | |
| Neurofunk | Bass / Breaks | 174–180 | — | — | |
| Frenchcore | Hardstyle / Hardcore | 200–220 | 100 | 18 |
Click any row for the full description, era, top keys in the catalog, and a link to the mixing guide where one exists. Sort by any column header.
Conventional BPM ranges are the brackets a genre is meant to live in — they get used by Beatport when categorising releases, by DJs when prepping crates, and by producers when deciding what tempo to write at. The ranges in this chart are the ones the working scene actually uses, not the absolute outer limits any track might fall into.
The catalog median is more interesting. House tracks have a stated 120-128 range, but the median in our catalog sits around 124-125 — most house lands a touch above the centre of the bracket. Tech house does the same at 126-128, almost entirely avoiding the lower end. Drum & bass at 174-176 is so tightly clustered that the 7-BPM theoretical range is almost a polite fiction — practically every track is 174 or 175 with rounding.
Half-time-feel genres deserve special attention. Dubstep, brostep and EDM trap are written at 140-150 BPM but felt at half. The chart flags these because mixing across the half-time bridge is one of the most powerful moves in modern DJing — pairing a 140 dubstep with a 70 hip-hop track, or a 174 drum & bass with an 87 trap track, sounds locked because the kicks align.
The "BPM range" column shows the conventional range a genre is associated with — house at 120-128, drum & bass at 170-180. Producers and DJs treat these as the working brackets. The "Median (catalog)" column shows where the actual middle of that genre lives in our 162,000-track catalog — useful because real distributions often lean to one end of the theoretical range. House tracks median around 124, not 124-128 evenly; drum & bass medians around 174, with most tracks clustering at 174-176.
It reflects what's actually in the Mixgraph catalog. House and tech house dominate because they dominate the modern dancefloor and modern releases. Genres like frenchcore, dub techno or amapiano have smaller representation because they're smaller scenes — but every track is scored across the same six dimensions, so the data is consistent. The track count tells you how much depth the catalog has for finding tracks in that genre.
Some genres are written at one BPM but felt at half. Dubstep is written at 140 BPM (the beat grid your DAW reads), but the kick-and-snare pattern lands at 70 BPM intervals — so the genre feels half-time. Trap (the EDM kind) does the same. The "half-time feel" tag flags this so you don't mistakenly try to mix a 140-BPM dubstep track against a 140-BPM trance track without accounting for the very different perceived tempo.
They're not in this chart — every entry has one canonical family. But some genres have legitimate cousins in other families. Trap exists in two forms: hip-hop trap (slower, more vocal-led) and EDM trap (festival-scale, sub-driven). Bass house bridges House and Bass / Breaks. We pick the most accurate parent family for each entry and note the relationships in the descriptions; for the full taxonomy and how genres branch, see the music genre tree.
Yes — the BPM ranges tell you which genres can plausibly mix without pitch-shifting either track. House at 124 lives next to tech house at 126, which lives next to melodic techno at 122-128. Half-time bridges work across the chart: hip-hop at 87 pairs with drum & bass at 174, dubstep felt at 70 pairs with trap. For chemistry-scored transitions across genres, the Mashup Finder uses our six-dimension engine to rank candidates that work — including cross-genre.
Plan a chemistry-scored set across genres