EDM Genre BPM Chart

58 electronic genres, sortable by tempo, family or popularity. Pairs the conventional BPM range with the actual median BPM and track count from the Mixgraph catalog — so you can see where each genre actually lives, not just where theory says it should.

Live data from 325,000 catalog matches across 58 genres.

BPM range — visual scale
6080100120140160180200220
Where it sits
AmbientAmbient / Downtempo60–100
1111,096
R&BHip-hop / Soul70–100
108775
DowntempoAmbient / Downtempo70–100
1051,617
ChilloutAmbient / Downtempo70–100
——
Hip-hopHip-hop / Soul80–100
1051,062
Trip-hopAmbient / Downtempo80–100
——
SynthwaveOther80–110
——
ReggaetonOther88–100
95301
FunkDisco / Funk90–110
11821
AfrobeatsOther95–115
110242
PopOther95–130
1201,825
AmapianoOther108–115
1136,130
DiscoDisco / Funk110–130
1227,326
Nu-discoDisco / Funk110–125
12218
Deep houseHouse118–125
12421,421
Melodic houseHouse118–126
1241,438
Afro houseHouse118–126
12212,599
Acid houseHouse118–128
126149
Disco houseHouse118–126
——
Soulful houseHouse118–125
124298
Dub technoTechno118–128
125182
HouseHouse120–128
12520,705
Melodic technoTechno120–128
125629
ElectroOther120–130
1323,953
Tech houseHouse122–130
12625,862
Progressive houseHouse122–130
12318,996
Tribal houseHouse122–130
13064
Bass houseHouse124–132
1265,746
Garage houseHouse124–130
——
Minimal technoTechno124–130
12722,222
Detroit technoTechno125–135
——
Progressive tranceTrance128–138
128614
TechnoTechno130–140
13344,145
Industrial technoTechno130–145
——
Acid technoTechno130–140
——
TranceTrance130–145
13824,773
BreakbeatBass / Breaks130–150
13014,134
UK garageBass / Breaks130–138
1327,466
Trap (hip-hop)half-time feelHip-hop / Soul130–150
142147
Vocal tranceTrance132–138
138709
PsytranceTrance138–148
14212,848
Uplifting tranceTrance138–145
1381,536
Tech tranceTrance138–145
140846
Dubstephalf-time feelBass / Breaks138–142
1459,973
Hard technoTechno140–160
1469,951
Brostephalf-time feelBass / Breaks140–150
——
Future bassBass / Breaks140–160
1408,367
Trap (EDM)half-time feelBass / Breaks140–150
142147
HardstyleHardstyle / Hardcore148–155
1552,260
RawstyleHardstyle / Hardcore150–160
——
JungleBass / Breaks160–180
172359
Hardcore (gabber)Hardstyle / Hardcore160–200
15511,296
Happy hardcoreHardstyle / Hardcore160–175
170532
UK hardcoreHardstyle / Hardcore165–175
170532
Drum & bassBass / Breaks170–180
17419,155
Liquid DnBBass / Breaks170–176
174438
NeurofunkBass / Breaks174–180
——
FrenchcoreHardstyle / Hardcore200–220
20095

Click any row for the full description, era, top keys in the catalog, and a link to the mixing guide where one exists. Sort by any column header.

How often the conventional range is actually right

The left column is the range the scene quotes. The right column is what 47 of these genres actually measure across the tracks we hold. Mostly the quoted range holds up: 39 of 47 medians land inside it.

8 land outside, and 7 of the 8 land high. If you prep by the quoted range on one of these, you will be reaching for the pitch fader more than you expected.

Genres whose measured median falls outside their conventional BPM range
GenreConventionalMeasuredTracks
Hardcore (gabber)160–200155 ↓11,296
Dubstep138–142145 ↑9,973
Electro120–130132 ↑3,953
Downtempo70–100105 ↑1,617
Ambient60–100111 ↑1,096
Hip-hop80–100105 ↑1,062
R&B70–100108 ↑775
Funk90–110118 ↑21

Medians are half-time corrected. 31,094 tracks across 23 genres are stored at the pulse you feel rather than the tempo they are written at — drum & bass alone accounts for 18,490 of them, which is why an uncorrected chart reports it at half speed. Tracks are doubled only when more than 5% of the genre sits under 95 BPM and the doubled figure lands inside that genre’s own range — both halves matter, and under that rule hip-hop, R&B, reggaeton and downtempo take zero corrections. The full method note is here. After correction an outlier fence trims the tails, so the track count above is what the median is taken over rather than everything tagged with the genre.

How to read this chart

Conventional BPM ranges are the brackets a genre is meant to live in — they get used by Beatport when categorising releases, by DJs when prepping crates, and by producers when deciding what tempo to write at. The ranges in this chart are the ones the working scene actually uses, not the absolute outer limits any track might fall into.

The catalog median is more interesting. House tracks have a stated 120-128 range, but the median in our catalog sits around 124-125 — most house lands a touch above the centre of the bracket. Tech house does the same at 126-128, almost entirely avoiding the lower end. Drum & bass at 174-176 is so tightly clustered that the 7-BPM theoretical range is almost a polite fiction — practically every track is 174 or 175 with rounding.

Half-time-feel genres deserve special attention. Dubstep, brostep and EDM trap are written at 140-150 BPM but felt at half. The chart flags these because mixing across the half-time bridge is one of the most powerful moves in modern DJing — pairing a 140 dubstep with a 70 hip-hop track, or a 174 drum & bass with an 87 trap track, sounds locked because the kicks align.

FAQ

What's the difference between theoretical and median BPM?

The "BPM range" column shows the conventional range a genre is associated with — house at 120-128, drum & bass at 170-180. Producers and DJs treat these as the working brackets. The "Median (catalog)" column shows where the actual middle of that genre lives in our 440,000+ track catalog — useful because real distributions often lean to one end of the theoretical range. House tracks median around 124, not 124-128 evenly; drum & bass medians around 174, with most tracks clustering at 174-176.

Why is "tracks" different across genres?

It reflects what's actually in the Mixgraph catalog. House and tech house dominate because they dominate the modern dancefloor and modern releases. Genres like frenchcore, dub techno or amapiano have smaller representation because they're smaller scenes — but every track is scored across the same six dimensions, so the data is consistent. The track count tells you how much depth the catalog has for finding tracks in that genre.

What does "half-time feel" mean?

Some genres are written at one BPM but felt at half. Dubstep is written at 140 BPM (the beat grid your DAW reads), but the kick-and-snare pattern lands at 70 BPM intervals — so the genre feels half-time. Trap (the EDM kind) does the same. The "half-time feel" tag flags this so you don't mistakenly try to mix a 140-BPM dubstep track against a 140-BPM trance track without accounting for the very different perceived tempo.

Why are some genres in multiple families?

They're not in this chart — every entry has one canonical family. But some genres have legitimate cousins in other families. Trap exists in two forms: hip-hop trap (slower, more vocal-led) and EDM trap (festival-scale, sub-driven). Bass house bridges House and Bass / Breaks. We pick the most accurate parent family for each entry and note the relationships in the descriptions; for the full taxonomy and how genres branch, see the music genre tree.

Can I use this chart to plan transitions across genres?

Yes — the BPM ranges tell you which genres can plausibly mix without pitch-shifting either track. House at 124 lives next to tech house at 126, which lives next to melodic techno at 122-128. Half-time bridges work across the chart: hip-hop at 87 pairs with drum & bass at 174, dubstep felt at 70 pairs with trap. For chemistry-scored transitions across genres, the Mashup Finder uses our six-dimension engine to rank candidates that work — including cross-genre.

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