EDM Genre BPM Chart

58 electronic genres, sortable by tempo, family or popularity. Pairs the conventional BPM range with the actual median BPM and track count from the Mixgraph catalog — so you can see where each genre actually lives, not just where theory says it should.

Live data from 315,675 catalog matches across 58 genres.

BPM range — visual scale
6080100120140160180200220
Where it sits
AmbientAmbient / Downtempo60100
1111,075
R&BHip-hop / Soul70100
108716
DowntempoAmbient / Downtempo70100
1051,601
ChilloutAmbient / Downtempo70100
Hip-hopHip-hop / Soul80100
105900
Trip-hopAmbient / Downtempo80100
SynthwaveOther80110
ReggaetonOther88100
95281
FunkDisco / Funk90110
11918
AfrobeatsOther95115
110234
PopOther95130
1201,098
AmapianoOther108115
1135,864
DiscoDisco / Funk110130
1227,252
Nu-discoDisco / Funk110125
12218
Deep houseHouse118125
12420,814
Melodic houseHouse118126
1241,219
Afro houseHouse118126
12211,888
Acid houseHouse118128
125133
Disco houseHouse118126
Soulful houseHouse118125
124282
Dub technoTechno118128
125179
HouseHouse120128
12519,990
Melodic technoTechno120128
125581
ElectroOther120130
1323,916
Tech houseHouse122130
12625,048
Progressive houseHouse122130
12318,369
Tribal houseHouse122130
13058
Bass houseHouse124132
1265,642
Garage houseHouse124130
Minimal technoTechno124130
12721,566
Detroit technoTechno125135
Progressive tranceTrance128138
128586
TechnoTechno130140
13343,114
Industrial technoTechno130145
Acid technoTechno130140
TranceTrance130145
13824,092
BreakbeatBass / Breaks130150
13013,969
UK garageBass / Breaks130138
1327,379
Trap (hip-hop)half-time feelHip-hop / Soul130150
142127
Vocal tranceTrance132138
138678
PsytranceTrance138148
14212,709
Uplifting tranceTrance138145
1381,473
Tech tranceTrance138145
140825
Dubstephalf-time feelBass / Breaks138142
1459,884
Hard technoTechno140160
1469,830
Brostephalf-time feelBass / Breaks140150
Future bassBass / Breaks140160
1408,276
Trap (EDM)half-time feelBass / Breaks140150
142127
HardstyleHardstyle / Hardcore148155
1552,228
RawstyleHardstyle / Hardcore150160
JungleBass / Breaks160180
172339
Hardcore (gabber)Hardstyle / Hardcore160200
15511,132
Happy hardcoreHardstyle / Hardcore160175
170531
UK hardcoreHardstyle / Hardcore165175
170531
Drum & bassBass / Breaks170180
17418,576
Liquid DnBBass / Breaks170176
174432
NeurofunkBass / Breaks174180
FrenchcoreHardstyle / Hardcore200220
20095

Click any row for the full description, era, top keys in the catalog, and a link to the mixing guide where one exists. Sort by any column header.

How often the conventional range is actually right

The left column is the range the scene quotes. The right column is what 47 of these genres actually measure across the tracks we hold. Mostly the quoted range holds up: 39 of 47 medians land inside it.

8 land outside, and 7 of the 8 land high. If you prep by the quoted range on one of these, you will be reaching for the pitch fader more than you expected.

Genres whose measured median falls outside their conventional BPM range
GenreConventionalMeasuredTracks
Hardcore (gabber)160–200155 11,132
Dubstep138–142145 9,884
Electro120–130132 3,916
Downtempo70–100105 1,601
Ambient60–100111 1,075
Hip-hop80–100105 900
R&B70–100108 716
Funk90–110119 18

Medians are half-time corrected. 30,324 tracks across 22 genres are stored at the pulse you feel rather than the tempo they are written at — drum & bass alone accounts for 17,912 of them, which is why an uncorrected chart reports it at half speed. Tracks are doubled only when more than 5% of the genre sits under 95 BPM and the doubled figure lands inside that genre’s own range — both halves matter, and under that rule hip-hop, R&B, reggaeton and downtempo take zero corrections. The full method note is here. After correction an outlier fence trims the tails, so the track count above is what the median is taken over rather than everything tagged with the genre.

How to read this chart

Conventional BPM ranges are the brackets a genre is meant to live in — they get used by Beatport when categorising releases, by DJs when prepping crates, and by producers when deciding what tempo to write at. The ranges in this chart are the ones the working scene actually uses, not the absolute outer limits any track might fall into.

The catalog median is more interesting. House tracks have a stated 120-128 range, but the median in our catalog sits around 124-125 — most house lands a touch above the centre of the bracket. Tech house does the same at 126-128, almost entirely avoiding the lower end. Drum & bass at 174-176 is so tightly clustered that the 7-BPM theoretical range is almost a polite fiction — practically every track is 174 or 175 with rounding.

Half-time-feel genres deserve special attention. Dubstep, brostep and EDM trap are written at 140-150 BPM but felt at half. The chart flags these because mixing across the half-time bridge is one of the most powerful moves in modern DJing — pairing a 140 dubstep with a 70 hip-hop track, or a 174 drum & bass with an 87 trap track, sounds locked because the kicks align.

FAQ

What's the difference between theoretical and median BPM?

The "BPM range" column shows the conventional range a genre is associated with — house at 120-128, drum & bass at 170-180. Producers and DJs treat these as the working brackets. The "Median (catalog)" column shows where the actual middle of that genre lives in our 440,000+ track catalog — useful because real distributions often lean to one end of the theoretical range. House tracks median around 124, not 124-128 evenly; drum & bass medians around 174, with most tracks clustering at 174-176.

Why is "tracks" different across genres?

It reflects what's actually in the Mixgraph catalog. House and tech house dominate because they dominate the modern dancefloor and modern releases. Genres like frenchcore, dub techno or amapiano have smaller representation because they're smaller scenes — but every track is scored across the same six dimensions, so the data is consistent. The track count tells you how much depth the catalog has for finding tracks in that genre.

What does "half-time feel" mean?

Some genres are written at one BPM but felt at half. Dubstep is written at 140 BPM (the beat grid your DAW reads), but the kick-and-snare pattern lands at 70 BPM intervals — so the genre feels half-time. Trap (the EDM kind) does the same. The "half-time feel" tag flags this so you don't mistakenly try to mix a 140-BPM dubstep track against a 140-BPM trance track without accounting for the very different perceived tempo.

Why are some genres in multiple families?

They're not in this chart — every entry has one canonical family. But some genres have legitimate cousins in other families. Trap exists in two forms: hip-hop trap (slower, more vocal-led) and EDM trap (festival-scale, sub-driven). Bass house bridges House and Bass / Breaks. We pick the most accurate parent family for each entry and note the relationships in the descriptions; for the full taxonomy and how genres branch, see the music genre tree.

Can I use this chart to plan transitions across genres?

Yes — the BPM ranges tell you which genres can plausibly mix without pitch-shifting either track. House at 124 lives next to tech house at 126, which lives next to melodic techno at 122-128. Half-time bridges work across the chart: hip-hop at 87 pairs with drum & bass at 174, dubstep felt at 70 pairs with trap. For chemistry-scored transitions across genres, the Mashup Finder uses our six-dimension engine to rank candidates that work — including cross-genre.

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