Artist profile
Spenda C is a trap and future bass producer working within experimental electronic production. Their work emphasizes atmospheric textures and rhythmic complexity characteristic of contemporary underground electronic music.
Compare with another artistPlan a set with Spenda C tracks scored against the rest of the catalog
Mixgraph for iOS — chemistry-scored DJ planning.
Spenda C is a moderate-energy — mostly instrumental artist.
Sits right in the typical Trap / Future Bass pocket.
Across 11 analysed tracks, Spenda C averages 51% energy — gentler than 71% of individual Trap / Future Bass tracks — and 50% groove, groovier than 68%.
Measured against 8,278 Trap / Future Bass tracks on 11 August 2026.
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We scored every transition between Spenda C’s 11 analysed tracks and every track by 12,460 other artists. 28 catalogues clear the bar — a transition counts at 80 chemistry or above, the same number you’ll see on any track page. The 8 with the widest margin over chance are below.
Chance is measured, not assumed: 0.573% of transitions between two randomly drawn tracks by different artists in this catalogue reach 80. Listed alphabetically — the set is reproducible, the order inside it is not.
17 of the 319 transitions between these catalogues reach 80 chemistry. Chance would give 1.8. They come from 6 different Spenda C tracks.
Killa → Old School · 9B → 9A · −1 BPM · 88 chemistry
12 of the 143 transitions between these catalogues reach 80 chemistry. Chance would give 0.8. They come from 5 different Spenda C tracks.
22 of the 330 transitions between these catalogues reach 80 chemistry. Chance would give 1.9. They come from 7 different Spenda C tracks.
14 of the 440 transitions between these catalogues reach 80 chemistry. Chance would give 2.5. They come from 6 different Spenda C tracks.
Cigarettes - Senor Roar Dub → Pokies · 8A → 8A · −3 BPM · 90 chemistry
13 of the 165 transitions between these catalogues reach 80 chemistry. Chance would give 0.9. They come from 5 different Spenda C tracks.
In The Back → FOCUS · 11B → 12B · −1 BPM · 87 chemistry
21 of the 440 transitions between these catalogues reach 80 chemistry. Chance would give 2.5. They come from 8 different Spenda C tracks.
16 of the 242 transitions between these catalogues reach 80 chemistry. Chance would give 1.4. They come from 7 different Spenda C tracks.
13 of the 209 transitions between these catalogues reach 80 chemistry. Chance would give 1.2. They come from 8 different Spenda C tracks.
My Type → Put Em On A Shirt · 11A → 11A · +7 BPM · 88 chemistry
Chemistry weighs harmonic, rhythmic, energy, groove, mood and vocal compatibility. Tempos are as analysed from the recording — where a genre is habitually detected an octave down, this is how we handle it. Different measurement from the audience-overlap list further down the page.
DJs and producers closest to Spenda C by audience overlap — the artists their listeners also play. It’s a taste signal, not a measured key-and-tempo match: good for shortlisting crates when you’re prepping a set around Spenda C, then check the chemistry on the pair you actually mix. Eligible names link to their own page.
Similarity data from Last.fm. BPM, key and energy on this page are measured from the recordings in our catalog.
Spenda C's tracks in our catalog range from 80 to 145 BPM, with a median of 126 BPM. Across 11 tracks, the most common range falls in the 125–130 BPM bucket.
Spenda C's tracks are mostly in minor keys (73% minor across 11 tracks). The most common single key is 8A (A Minor) with 2 tracks.
We scored every transition between Spenda C's 11 analysed tracks and every track by 12,460 other artists. 28 catalogues clear the bar by more than chance would give, and Fabian Mazur, Gawtbass, Lil Wayne are three of them — listed alphabetically, because the set is reproducible and the order inside it is not. A transition counts at 80 chemistry or above, the same number shown on a track page. One measured example: Killa into Old School, 9B to 9A, 88 chemistry.
Spenda C sits closest to Smookie Illson, 8Er$, Brillz in our catalog. That ranking is audience overlap — the artists their listeners also play — rather than a measured key-and-tempo match, so treat it as a shortlist worth digging through, not a promise that any two tracks will beatmatch. The full list, with track counts, is in the Related artists section above.
Our catalog has Spenda C releases spanning 2015 to 2016, with the most tracks from the 2010s.
