Artist profile
Oski is a trap and future bass producer known for atmospheric, bass-heavy production that blends elements of dubstep and electronic music. His work emphasizes intricate sound design and dynamic arrangements within the broader context of contemporary electronic and trap production.
Compare with another artistPlan a set with Oski tracks scored against the rest of the catalog
Mixgraph for iOS — chemistry-scored DJ planning.
Oski is a high-energy and a bright production artist.
Sits right in the typical Trap / Future Bass pocket.
Across 16 analysed tracks, Oski averages 61% energy — harder than 64% of individual Trap / Future Bass tracks — and 36% groove, straighter than 62%.
Measured against 8,278 Trap / Future Bass tracks on 11 August 2026.
Most tracks sit between 80–150 BPM with a median of 142 · predominantly minor keys (69% minor) · most common key: 4A (F Minor) with 2 tracks.
How Oski’s production has shifted across their catalog. The radar overlays earlier and recent eras as one shape, the year-by-year chart shows every metric move, and the tempo trend tracks the BPM migration against the typical Trap / Future Bass tempo.
Across Oski's catalog, groove has deepened.
Missing one of theirs?
We'll add it — the artist is already in the catalogue, so it lands fast
We scored every transition between Oski’s 16 analysed tracks and every track by 12,460 other artists. 177 catalogues clear the bar — a transition counts at 80 chemistry or above, the same number you’ll see on any track page. The 8 with the widest margin over chance are below.
Chance is measured, not assumed: 0.573% of transitions between two randomly drawn tracks by different artists in this catalogue reach 80. Listed alphabetically — the set is reproducible, the order inside it is not.
30 of the 640 transitions between these catalogues reach 80 chemistry. Chance would give 3.7. They come from 13 different Oski tracks.
Go My Way → Sand Storm feat. Odalisk · 8A → 7B · same BPM · 88 chemistry
28 of the 640 transitions between these catalogues reach 80 chemistry. Chance would give 3.7. They come from 8 different Oski tracks.
31 of the 640 transitions between these catalogues reach 80 chemistry. Chance would give 3.7. They come from 11 different Oski tracks.
Destroy All Humans → Experience Points · 4A → 4A · same BPM · 90 chemistry
28 of the 640 transitions between these catalogues reach 80 chemistry. Chance would give 3.7. They come from 7 different Oski tracks.
BUMP N BANG → Vital · 9A → 9A · −1 BPM · 86 chemistry
32 of the 464 transitions between these catalogues reach 80 chemistry. Chance would give 2.7. They come from 8 different Oski tracks.
31 of the 640 transitions between these catalogues reach 80 chemistry. Chance would give 3.7. They come from 8 different Oski tracks.
BUMP N BANG → Pass That feat. Azzeration · 9A → 9A · same BPM · 90 chemistry
27 of the 496 transitions between these catalogues reach 80 chemistry. Chance would give 2.8. They come from 10 different Oski tracks.
BUMP N BANG → Barricadence · 9A → 9A · same BPM · 89 chemistry
25 of the 240 transitions between these catalogues reach 80 chemistry. Chance would give 1.4. They come from 10 different Oski tracks.
BUMP N BANG → Trippy · 9A → 9A · same BPM · 90 chemistry
Chemistry weighs harmonic, rhythmic, energy, groove, mood and vocal compatibility. Tempos are as analysed from the recording — where a genre is habitually detected an octave down, this is how we handle it. Different measurement from the audience-overlap list further down the page.
DJs and producers closest to Oski by audience overlap — the artists their listeners also play. It’s a taste signal, not a measured key-and-tempo match: good for shortlisting crates when you’re prepping a set around Oski, then check the chemistry on the pair you actually mix. Eligible names link to their own page.
Similarity data from Last.fm. BPM, key and energy on this page are measured from the recordings in our catalog.
Oski's tracks in our catalog range from 80 to 150 BPM, with a median of 142 BPM. Across 16 tracks, the most common range falls in the 140–145 BPM bucket.
Oski's tracks are mostly in minor keys (69% minor across 16 tracks). The most common single key is 4A (F Minor) with 2 tracks.
We scored every transition between Oski's 16 analysed tracks and every track by 12,460 other artists. 177 catalogues clear the bar by more than chance would give, and Apashe, Aweminus, Chime are three of them — listed alphabetically, because the set is reproducible and the order inside it is not. A transition counts at 80 chemistry or above, the same number shown on a track page. One measured example: Go My Way into Sand Storm feat. Odalisk, 8A to 7B, 88 chemistry.
Oski sits closest to Just A Gent, NIVIRO, Sheppard in our catalog. That ranking is audience overlap — the artists their listeners also play — rather than a measured key-and-tempo match, so treat it as a shortlist worth digging through, not a promise that any two tracks will beatmatch. The full list, with track counts, is in the Related artists section above.
Our catalog has Oski releases spanning 2016 to 2023, with the most tracks from the 2010s.
