Artist profile
Mark Slee is an electronic music producer working in electronica and experimental electronic sound design. His work explores textural and atmospheric approaches to digital composition.
Compare with another artistPlan a set with Mark Slee tracks scored against the rest of the catalog
Mark Slee is a moderate-energy with strong groove — mostly instrumental artist.
Sits right in the typical Deep House pocket.
Across 11 analysed tracks, Mark Slee averages 41% energy — gentler than 71% of individual Deep House tracks.
Measured against 22,124 Deep House tracks on 11 August 2026.
Missing one of theirs?
We'll add it — the artist is already in the catalogue, so it lands fast
We scored every transition between Mark Slee’s 11 analysed tracks and every track by 12,460 other artists. 826 catalogues clear the bar — a transition counts at 80 chemistry or above, the same number you’ll see on any track page. The 8 with the widest margin over chance are below.
Chance is measured, not assumed: 0.573% of transitions between two randomly drawn tracks by different artists in this catalogue reach 80. Listed alphabetically — the set is reproducible, the order inside it is not.
47 of the 440 transitions between these catalogues reach 80 chemistry. Chance would give 2.5. They come from 8 different Mark Slee tracks.
Bitter Flower → Goodbye Yesterday · 5A → 5A · same BPM · 93 chemistry
39 of the 418 transitions between these catalogues reach 80 chemistry. Chance would give 2.4. They come from 9 different Mark Slee tracks.
Westvine → Speed of Sound · 6A → 6A · −3 BPM · 92 chemistry
40 of the 440 transitions between these catalogues reach 80 chemistry. Chance would give 2.5. They come from 9 different Mark Slee tracks.
Eiderdown → The Love Joint · 5A → 5A · same BPM · 91 chemistry
41 of the 440 transitions between these catalogues reach 80 chemistry. Chance would give 2.5. They come from 8 different Mark Slee tracks.
Chameleon - Nick Warren + Nicolas Rada Remix → Stay A Little While · 7B → 6B · +1 BPM · 90 chemistry
42 of the 440 transitions between these catalogues reach 80 chemistry. Chance would give 2.5. They come from 7 different Mark Slee tracks.
Eiderdown → Brought To Bare - Deetron Remix · 5A → 6A · −1 BPM · 89 chemistry
38 of the 418 transitions between these catalogues reach 80 chemistry. Chance would give 2.4. They come from 7 different Mark Slee tracks.
40 of the 440 transitions between these catalogues reach 80 chemistry. Chance would give 2.5. They come from 8 different Mark Slee tracks.
Chameleon - Nick Warren + Nicolas Rada Remix → Moving Light feat. Lisa Shaw - Deep Feels Dub · 7B → 8A · +1 BPM · 90 chemistry
49 of the 352 transitions between these catalogues reach 80 chemistry. Chance would give 2.0. They come from 8 different Mark Slee tracks.
Eiderdown → Way Too Many · 5A → 6A · −1 BPM · 91 chemistry
Chemistry weighs harmonic, rhythmic, energy, groove, mood and vocal compatibility. Tempos are as analysed from the recording — where a genre is habitually detected an octave down, this is how we handle it. Different measurement from the audience-overlap list further down the page.
DJs and producers closest to Mark Slee by audience overlap — the artists their listeners also play. It’s a taste signal, not a measured key-and-tempo match: good for shortlisting crates when you’re prepping a set around Mark Slee, then check the chemistry on the pair you actually mix. Eligible names link to their own page.
Similarity data from Last.fm. BPM, key and energy on this page are measured from the recordings in our catalog.
Mark Slee's tracks in our catalog range from 119 to 126 BPM, with a median of 121 BPM. Across 11 tracks, the most common range falls in the 120–125 BPM bucket.
Mark Slee's tracks are mostly in minor keys (64% minor across 11 tracks). The most common single key is 5A (C Minor) with 4 tracks.
We scored every transition between Mark Slee's 11 analysed tracks and every track by 12,460 other artists. 826 catalogues clear the bar by more than chance would give, and Death on the Balcony, El Mundo, Franck Roger are three of them — listed alphabetically, because the set is reproducible and the order inside it is not. A transition counts at 80 chemistry or above, the same number shown on a track page. One measured example: Bitter Flower into Goodbye Yesterday, 5A to 5A, 93 chemistry.
Mark Slee sits closest to Jose Vizcaino, atish in our catalog. That ranking is audience overlap — the artists their listeners also play — rather than a measured key-and-tempo match, so treat it as a shortlist worth digging through, not a promise that any two tracks will beatmatch. The full list, with track counts, is in the Related artists section above.
Our catalog has Mark Slee releases spanning 2016 to 2020, with the most tracks from the 2010s.