Artist profile
London Grammar is a British electronic music project known for atmospheric, synth-driven dance compositions. The group's sound blends ethereal vocals with layered production and rhythmic elements rooted in contemporary electronic music.
Compare with another artistPlan a set with London Grammar tracks scored against the rest of the catalog
Mixgraph for iOS — chemistry-scored DJ planning.
London Grammar is a moderate-energy with strong groove and drive artist.
Sits right in the typical Dance pocket.
Across 18 analysed tracks, London Grammar averages 63% groove — straighter than 71% of individual Dance tracks.
Measured against 14,418 Dance tracks on 11 August 2026.
How London Grammar’s production has shifted across their catalog. The radar overlays earlier and recent eras as one shape, the year-by-year chart shows every metric move, and the tempo trend tracks the BPM migration against the typical Dance tempo.
Across London Grammar's catalog, vocal content has thinned; production has brightened.
![How Does It Feel (Paul Woolford Remix) [Extended] album art](https://i.scdn.co/image/ab67616d0000b273cbaf4d54f93011d24f39e009)
![Lord It's a Feeling (High Contrast Remix) [Extended] album art](https://i.scdn.co/image/ab67616d0000b273b5438b4debca886301f4d02a)
![Baby It's You (Kölsch Version) [Extended] album art](https://i.scdn.co/image/ab67616d0000b273dfe540bed65ddebce14311c8)
Missing one of theirs?
We'll add it — the artist is already in the catalogue, so it lands fast
We scored every transition between London Grammar’s 18 analysed tracks and every track by 12,460 other artists. 350 catalogues clear the bar — a transition counts at 80 chemistry or above, the same number you’ll see on any track page. The 8 with the widest margin over chance are below.
Chance is measured, not assumed: 0.573% of transitions between two randomly drawn tracks by different artists in this catalogue reach 80. Listed alphabetically — the set is reproducible, the order inside it is not.
24 of the 720 transitions between these catalogues reach 80 chemistry. Chance would give 4.1. They come from 7 different London Grammar tracks.
Sights - Dennis Ferrer Remix → Higher - Kolter Remix · 2A → 2A · +4 BPM · 88 chemistry
28 of the 720 transitions between these catalogues reach 80 chemistry. Chance would give 4.1. They come from 3 different London Grammar tracks.
If You Wait - Jamie Jones 4Z Extended Remix → Facelift · 9A → 9A · −1 BPM · 91 chemistry
24 of the 720 transitions between these catalogues reach 80 chemistry. Chance would give 4.1. They come from 7 different London Grammar tracks.
Hey Now - Arty Remix → NEEDIN' U 2024 · 8B → 8B · same BPM · 90 chemistry
23 of the 720 transitions between these catalogues reach 80 chemistry. Chance would give 4.1. They come from 5 different London Grammar tracks.
Sights - Dennis Ferrer Remix → Saxwiz · 2A → 2A · +1 BPM · 93 chemistry
23 of the 648 transitions between these catalogues reach 80 chemistry. Chance would give 3.7. They come from 5 different London Grammar tracks.
Baby It's You - Dot Major Extended Remix → A Sign of Salvation · 12B → 1A · −1 BPM · 90 chemistry
23 of the 720 transitions between these catalogues reach 80 chemistry. Chance would give 4.1. They come from 5 different London Grammar tracks.
If You Wait - Jamie Jones 4Z Extended Remix → V Gets Jazzy - Todd Terry Mix · 9A → 8A · +1 BPM · 89 chemistry
25 of the 612 transitions between these catalogues reach 80 chemistry. Chance would give 3.5. They come from 5 different London Grammar tracks.
Lose Your Head - CamelPhat Extended Remix → Utopia · 1A → 1A · −1 BPM · 91 chemistry
26 of the 576 transitions between these catalogues reach 80 chemistry. Chance would give 3.3. They come from 6 different London Grammar tracks.
Sights - Dennis Ferrer Remix → Dusk · 2A → 3A · −2 BPM · 89 chemistry
Chemistry weighs harmonic, rhythmic, energy, groove, mood and vocal compatibility. Tempos are as analysed from the recording — where a genre is habitually detected an octave down, this is how we handle it. Different measurement from the audience-overlap list further down the page.
DJs and producers closest to London Grammar by audience overlap — the artists their listeners also play. It’s a taste signal, not a measured key-and-tempo match: good for shortlisting crates when you’re prepping a set around London Grammar, then check the chemistry on the pair you actually mix. Eligible names link to their own page.
Similarity data from Last.fm. BPM, key and energy on this page are measured from the recordings in our catalog.
London Grammar's tracks in our catalog range from 87 to 128 BPM, with a median of 123 BPM. Across 18 tracks, the most common range falls in the 125–130 BPM bucket.
London Grammar's tracks are mostly in minor keys (61% minor across 18 tracks). The most common single key is 9A (E Minor) with 3 tracks.
We scored every transition between London Grammar's 18 analysed tracks and every track by 12,460 other artists. 350 catalogues clear the bar by more than chance would give, and Black Loops, Daniel Steinberg, David Morales are three of them — listed alphabetically, because the set is reproducible and the order inside it is not. A transition counts at 80 chemistry or above, the same number shown on a track page. One measured example: Sights - Dennis Ferrer Remix into Higher - Kolter Remix, 2A to 2A, 88 chemistry.
London Grammar sits closest to Freya Ridings, Birdy, Broods in our catalog. That ranking is audience overlap — the artists their listeners also play — rather than a measured key-and-tempo match, so treat it as a shortlist worth digging through, not a promise that any two tracks will beatmatch. The full list, with track counts, is in the Related artists section above.
Our catalog has London Grammar releases spanning 2014 to 2024, with the most tracks from the 2010s.