Artist profile
UK Garage / Bassline producer and DJ.
Compare with another artistPlan a set with Edward White tracks scored against the rest of the catalog
Edward White is a moderate-energy — mostly instrumental artist.
Sits right in the typical UK Garage / Bassline pocket.
Across 11 analysed tracks, Edward White averages 59% energy — harder than 78% of individual UK Garage / Bassline tracks — and 52% groove, straighter than 63%.
Measured against 7,890 UK Garage / Bassline tracks on 11 August 2026.

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We scored every transition between Edward White’s 11 analysed tracks and every track by 12,460 other artists. 98 catalogues clear the bar — a transition counts at 80 chemistry or above, the same number you’ll see on any track page. The 8 with the widest margin over chance are below.
Chance is measured, not assumed: 0.573% of transitions between two randomly drawn tracks by different artists in this catalogue reach 80. Listed alphabetically — the set is reproducible, the order inside it is not.
33 of the 440 transitions between these catalogues reach 80 chemistry. Chance would give 2.5. They come from 5 different Edward White tracks.
28 of the 440 transitions between these catalogues reach 80 chemistry. Chance would give 2.5. They come from 9 different Edward White tracks.
32 of the 440 transitions between these catalogues reach 80 chemistry. Chance would give 2.5. They come from 4 different Edward White tracks.
S.O.A.K. → You Got The One · 8A → 8A · −4 BPM · 87 chemistry
24 of the 440 transitions between these catalogues reach 80 chemistry. Chance would give 2.5. They come from 9 different Edward White tracks.
28 of the 440 transitions between these catalogues reach 80 chemistry. Chance would give 2.5. They come from 6 different Edward White tracks.
S.O.A.K. → Drop In The Drums · 8A → 7B · same BPM · 91 chemistry
23 of the 341 transitions between these catalogues reach 80 chemistry. Chance would give 2.0. They come from 7 different Edward White tracks.
I Get Cake → Times Up - Remix · 3A → 3A · −4 BPM · 89 chemistry
27 of the 440 transitions between these catalogues reach 80 chemistry. Chance would give 2.5. They come from 10 different Edward White tracks.
I Get Cake → Listen · 3A → 4A · +1 BPM · 91 chemistry
24 of the 440 transitions between these catalogues reach 80 chemistry. Chance would give 2.5. They come from 4 different Edward White tracks.
The Things U Make Me Do → Overtone To The Sun - Bubble Couple Remix · 5A → 5A · +1 BPM · 89 chemistry
Chemistry weighs harmonic, rhythmic, energy, groove, mood and vocal compatibility. Tempos are as analysed from the recording — where a genre is habitually detected an octave down, this is how we handle it. Different measurement from the audience-overlap list further down the page.
DJs and producers closest to Edward White by audience overlap — the artists their listeners also play. It’s a taste signal, not a measured key-and-tempo match: good for shortlisting crates when you’re prepping a set around Edward White, then check the chemistry on the pair you actually mix. Eligible names link to their own page.
Similarity data from Last.fm. BPM, key and energy on this page are measured from the recordings in our catalog.
Edward White's tracks in our catalog range from 130 to 137 BPM, with a median of 134 BPM. Across 11 tracks, the most common range falls in the 135–140 BPM bucket.
Edward White's tracks are mostly in minor keys (64% minor across 11 tracks). The most common single key is 3A (B♭ Minor) with 2 tracks.
We scored every transition between Edward White's 11 analysed tracks and every track by 12,460 other artists. 98 catalogues clear the bar by more than chance would give, and Basstyler, Bowser, Digital Base are three of them — listed alphabetically, because the set is reproducible and the order inside it is not. A transition counts at 80 chemistry or above, the same number shown on a track page. One measured example: S.O.A.K. into Glasses, 8A to 8A, 92 chemistry.
Edward White sits closest to Vivian Ellis, Cy Payne, Steve Race in our catalog. That ranking is audience overlap — the artists their listeners also play — rather than a measured key-and-tempo match, so treat it as a shortlist worth digging through, not a promise that any two tracks will beatmatch. The full list, with track counts, is in the Related artists section above.