Artist profile
UK Garage / Bassline producer and DJ.
Plan a set with Deadly Habitz tracks scored against the rest of the catalog
Deadly Habitz is a moderate-energy and a bright production — mostly instrumental artist.
Unusually low groove for UK Garage / Bassline.
Across 13 analysed tracks, Deadly Habitz averages 37% groove — straighter than 85% of individual UK Garage / Bassline tracks.
Measured against 7,890 UK Garage / Bassline tracks on 11 August 2026.

Missing one of theirs?
We'll add it — the artist is already in the catalogue, so it lands fast
We scored every transition between Deadly Habitz’s 13 analysed tracks and every track by 12,460 other artists. 71 catalogues clear the bar — a transition counts at 80 chemistry or above, the same number you’ll see on any track page. The 8 with the widest margin over chance are below.
Chance is measured, not assumed: 0.573% of transitions between two randomly drawn tracks by different artists in this catalogue reach 80. Listed alphabetically — the set is reproducible, the order inside it is not.
25 of the 273 transitions between these catalogues reach 80 chemistry. Chance would give 1.6. They come from 9 different Deadly Habitz tracks.
Afterparty → Tears · 4A → 4A · −4 BPM · 86 chemistry
26 of the 520 transitions between these catalogues reach 80 chemistry. Chance would give 3.0. They come from 8 different Deadly Habitz tracks.
Afterparty → Way Back When · 4A → 4A · −4 BPM · 92 chemistry
25 of the 520 transitions between these catalogues reach 80 chemistry. Chance would give 3.0. They come from 11 different Deadly Habitz tracks.
Joy → All That I Could · 9B → 10A · −4 BPM · 86 chemistry
21 of the 221 transitions between these catalogues reach 80 chemistry. Chance would give 1.3. They come from 11 different Deadly Habitz tracks.
90's Vibe → Hollow Man · 2A → 1A · +1 BPM · 89 chemistry
26 of the 403 transitions between these catalogues reach 80 chemistry. Chance would give 2.3. They come from 10 different Deadly Habitz tracks.
90's Vibe → Talk Too Much · 2A → 2A · same BPM · 86 chemistry
24 of the 520 transitions between these catalogues reach 80 chemistry. Chance would give 3.0. They come from 7 different Deadly Habitz tracks.
Chemical Love → Perfect · 8A → 8A · +1 BPM · 90 chemistry
21 of the 312 transitions between these catalogues reach 80 chemistry. Chance would give 1.8. They come from 8 different Deadly Habitz tracks.
Henney & Coke → Yush · 6A → 6A · +2 BPM · 89 chemistry
25 of the 351 transitions between these catalogues reach 80 chemistry. Chance would give 2.0. They come from 8 different Deadly Habitz tracks.
Feelings → Who Got The Funk · 10B → 10B · +1 BPM · 91 chemistry
Chemistry weighs harmonic, rhythmic, energy, groove, mood and vocal compatibility. Tempos are as analysed from the recording — where a genre is habitually detected an octave down, this is how we handle it. Different measurement from the audience-overlap list further down the page.
DJs and producers closest to Deadly Habitz by audience overlap — the artists their listeners also play. It’s a taste signal, not a measured key-and-tempo match: good for shortlisting crates when you’re prepping a set around Deadly Habitz, then check the chemistry on the pair you actually mix. Eligible names link to their own page.
Similarity data from Last.fm. BPM, key and energy on this page are measured from the recordings in our catalog.
Deadly Habitz's tracks in our catalog range from 86 to 136 BPM, with a median of 133 BPM. Across 13 tracks, the most common range falls in the 135–140 BPM bucket.
Deadly Habitz's tracks are mostly in minor keys (69% minor across 13 tracks). The most common single key is 12A (C♯ Minor) with 2 tracks.
We scored every transition between Deadly Habitz's 13 analysed tracks and every track by 12,460 other artists. 71 catalogues clear the bar by more than chance would give, and BWK Project, Daffy, DJ Q are three of them — listed alphabetically, because the set is reproducible and the order inside it is not. A transition counts at 80 chemistry or above, the same number shown on a track page. One measured example: Afterparty into Tears, 4A to 4A, 86 chemistry.
Deadly Habitz sits closest to George IV, Tower Block Dreams, Kobe JT in our catalog. That ranking is audience overlap — the artists their listeners also play — rather than a measured key-and-tempo match, so treat it as a shortlist worth digging through, not a promise that any two tracks will beatmatch. The full list, with track counts, is in the Related artists section above.