Artist profile
Buju Banton is a Jamaican dancehall and reggae artist known for his work in roots reggae and dancehall styles. His catalog spans multiple decades of Caribbean music production, contributing to the broader landscape of Jamaican popular music.
Compare with another artistPlan a set with Buju Banton tracks scored against the rest of the catalog
Buju Banton is a moderate-energy and a balanced bright/warm production — mostly instrumental artist.
Sits right in the typical Caribbean pocket.
Across 14 analysed tracks, Buju Banton averages 57% groove — groovier than 63% of individual Caribbean tracks.
Measured against 681 Caribbean tracks on 11 August 2026.
Most tracks sit between 80–146 BPM with a median of 94 · predominantly minor keys (86% minor) · most common key: 6A (G Minor) with 3 tracks.
How Buju Banton’s production has shifted across their catalog. The radar overlays earlier and recent eras as one shape, the year-by-year chart shows every metric move, and the tempo trend tracks the BPM migration against the typical Caribbean tempo.
Across Buju Banton's catalog, warmth has receded; tempos have climbed from ~92 to ~113 BPM; groove has thinned.
Missing one of theirs?
We'll add it — the artist is already in the catalogue, so it lands fast
We scored every transition between Buju Banton’s 14 analysed tracks and every track by 12,460 other artists. 8 catalogues clear the bar — a transition counts at 80 chemistry or above, the same number you’ll see on any track page. The 8 with the widest margin over chance are below.
Chance is measured, not assumed: 0.573% of transitions between two randomly drawn tracks by different artists in this catalogue reach 80. Listed alphabetically — the set is reproducible, the order inside it is not.
35 of the 308 transitions between these catalogues reach 80 chemistry. Chance would give 1.8. They come from 10 different Buju Banton tracks.
21 of the 266 transitions between these catalogues reach 80 chemistry. Chance would give 1.5. They come from 9 different Buju Banton tracks.
Big It Up → I Shot The Sheriff · 6A → 6A · −6 BPM · 86 chemistry
12 of the 168 transitions between these catalogues reach 80 chemistry. Chance would give 1.0. They come from 8 different Buju Banton tracks.
Such Man Party → Come Over [Missing You] · 6A → 5B · −5 BPM · 88 chemistry
18 of the 238 transitions between these catalogues reach 80 chemistry. Chance would give 1.4. They come from 9 different Buju Banton tracks.
SI MI CLEAN → La Vecinita · 11A → 11A · −2 BPM · 87 chemistry
10 of the 546 transitions between these catalogues reach 80 chemistry. Chance would give 3.1. They come from 6 different Buju Banton tracks.
18 of the 182 transitions between these catalogues reach 80 chemistry. Chance would give 1.0. They come from 9 different Buju Banton tracks.
12 of the 182 transitions between these catalogues reach 80 chemistry. Chance would give 1.0. They come from 7 different Buju Banton tracks.
Such Man Party → So Mi Like It · 6A → 6A · −5 BPM · 88 chemistry
15 of the 182 transitions between these catalogues reach 80 chemistry. Chance would give 1.0. They come from 6 different Buju Banton tracks.
SI MI CLEAN → Pegao · 11A → 10B · same BPM · 86 chemistry
Chemistry weighs harmonic, rhythmic, energy, groove, mood and vocal compatibility. Tempos are as analysed from the recording — where a genre is habitually detected an octave down, this is how we handle it. Different measurement from the audience-overlap list further down the page.
DJs and producers closest to Buju Banton by audience overlap — the artists their listeners also play. It’s a taste signal, not a measured key-and-tempo match: good for shortlisting crates when you’re prepping a set around Buju Banton, then check the chemistry on the pair you actually mix. Eligible names link to their own page.
Similarity data from Last.fm. BPM, key and energy on this page are measured from the recordings in our catalog.
Buju Banton's tracks in our catalog range from 80 to 146 BPM, with a median of 94 BPM. Across 14 tracks, the most common range falls in the 95–100 BPM bucket.
Buju Banton's tracks are mostly in minor keys (86% minor across 14 tracks). The most common single key is 6A (G Minor) with 3 tracks.
We scored every transition between Buju Banton's 14 analysed tracks and every track by 12,460 other artists. 8 catalogues clear the bar by more than chance would give, and Beenie Man, Bob Marley & The Wailers, Busy Signal are three of them — listed alphabetically, because the set is reproducible and the order inside it is not. A transition counts at 80 chemistry or above, the same number shown on a track page. One measured example: Champion into Who Am I, 8A to 9A, 87 chemistry.
Buju Banton sits closest to Capleton, Sizzla, Beres Hammond in our catalog. That ranking is audience overlap — the artists their listeners also play — rather than a measured key-and-tempo match, so treat it as a shortlist worth digging through, not a promise that any two tracks will beatmatch. The full list, with track counts, is in the Related artists section above.
Our catalog has Buju Banton releases spanning 1993 to 2026, with the most tracks from the 1990s.