Artist profile
Blue Hour is a techno artist working in deep, hypnotic styles. Their sound emphasizes raw, immersive production within the contemporary electronic underground.
Compare with another artistPlan a set with Blue Hour tracks scored against the rest of the catalog
Mixgraph for iOS — chemistry-scored DJ planning.
Blue Hour is a moderate-energy with strong groove and drive artist.
Sits right in the typical Techno (Raw / Deep / Hypnotic) pocket.
Across 20 analysed tracks, Blue Hour sits within a few points of the Techno (Raw / Deep / Hypnotic) median on energy and groove.
Measured against 10,772 Techno (Raw / Deep / Hypnotic) tracks on 11 August 2026.
Most tracks sit between 91–148 BPM with a median of 135 · predominantly minor keys (65% minor) · most common key: 9A (E Minor) with 5 tracks.
Missing one of theirs?
We'll add it — the artist is already in the catalogue, so it lands fast
We scored every transition between Blue Hour’s 20 analysed tracks and every track by 12,460 other artists. 627 catalogues clear the bar — a transition counts at 80 chemistry or above, the same number you’ll see on any track page. The 8 with the widest margin over chance are below.
Chance is measured, not assumed: 0.573% of transitions between two randomly drawn tracks by different artists in this catalogue reach 80. Listed alphabetically — the set is reproducible, the order inside it is not.
84 of the 800 transitions between these catalogues reach 80 chemistry. Chance would give 4.6. They come from 13 different Blue Hour tracks.
Front - D.Dan Remix → Flipping Out · 5B → 5B · −1 BPM · 90 chemistry
86 of the 800 transitions between these catalogues reach 80 chemistry. Chance would give 4.6. They come from 13 different Blue Hour tracks.
87 of the 580 transitions between these catalogues reach 80 chemistry. Chance would give 3.3. They come from 13 different Blue Hour tracks.
The Midnight Sun → Notification feat. Gotshell · 9A → 8A · same BPM · 90 chemistry
105 of the 780 transitions between these catalogues reach 80 chemistry. Chance would give 4.5. They come from 14 different Blue Hour tracks.
Common Ground - Mark Broom Remix → Retsticka · 8A → 8A · +3 BPM · 92 chemistry
93 of the 800 transitions between these catalogues reach 80 chemistry. Chance would give 4.6. They come from 14 different Blue Hour tracks.
Common Ground - Mark Broom Remix → Afterglow · 8A → 7A · −1 BPM · 91 chemistry
108 of the 780 transitions between these catalogues reach 80 chemistry. Chance would give 4.5. They come from 15 different Blue Hour tracks.
Common Ground - Mark Broom Remix → Jungle House · 8A → 8A · −2 BPM · 93 chemistry
89 of the 800 transitions between these catalogues reach 80 chemistry. Chance would give 4.6. They come from 15 different Blue Hour tracks.
81 of the 720 transitions between these catalogues reach 80 chemistry. Chance would give 4.1. They come from 15 different Blue Hour tracks.
Common Ground - Mark Broom Remix → Long Night · 8A → 8A · +2 BPM · 91 chemistry
Chemistry weighs harmonic, rhythmic, energy, groove, mood and vocal compatibility. Tempos are as analysed from the recording — where a genre is habitually detected an octave down, this is how we handle it. Different measurement from the audience-overlap list further down the page.
DJs and producers closest to Blue Hour by audience overlap — the artists their listeners also play. It’s a taste signal, not a measured key-and-tempo match: good for shortlisting crates when you’re prepping a set around Blue Hour, then check the chemistry on the pair you actually mix. Eligible names link to their own page.
Similarity data from Last.fm. BPM, key and energy on this page are measured from the recordings in our catalog.
Blue Hour's tracks in our catalog range from 91 to 148 BPM, with a median of 135 BPM. Across 20 tracks, the most common range falls in the 135–140 BPM bucket.
Blue Hour's tracks are mostly in minor keys (65% minor across 20 tracks). The most common single key is 9A (E Minor) with 5 tracks.
We scored every transition between Blue Hour's 20 analysed tracks and every track by 12,460 other artists. 627 catalogues clear the bar by more than chance would give, and Cari Lekebusch, Inigo Kennedy, Jeroen Search are three of them — listed alphabetically, because the set is reproducible and the order inside it is not. A transition counts at 80 chemistry or above, the same number shown on a track page. One measured example: Front - D.Dan Remix into Flipping Out, 5B to 5B, 90 chemistry.
Blue Hour sits closest to Dold, Rove Ranger, Hector Oaks in our catalog. That ranking is audience overlap — the artists their listeners also play — rather than a measured key-and-tempo match, so treat it as a shortlist worth digging through, not a promise that any two tracks will beatmatch. The full list, with track counts, is in the Related artists section above.
