Artist profile
After Hours is a breaks and UK bass producer working within the darker, more technical end of breakbeat culture. Their sound emphasizes fractured rhythms and atmospheric depth characteristic of the genre's experimental underground.
Plan a set with After Hours tracks scored against the rest of the catalog
Mixgraph for iOS — chemistry-scored DJ planning.
After Hours is a high-energy — mostly instrumental artist.
Sits right in the typical Breaks / Breakbeat / UK Bass pocket.
Across 5 analysed tracks, After Hours averages 67% energy — harder than 86% of individual Breaks / Breakbeat / UK Bass tracks — and 54% groove, groovier than 68%.
Measured against 16,260 Breaks / Breakbeat / UK Bass tracks on 11 August 2026.
Missing one of theirs?
We'll add it — the artist is already in the catalogue, so it lands fast
DJs and producers closest to After Hours by audience overlap — the artists their listeners also play. It’s a taste signal, not a measured key-and-tempo match: good for shortlisting crates when you’re prepping a set around After Hours, then check the chemistry on the pair you actually mix. Eligible names link to their own page.
Similarity data from Last.fm. BPM, key and energy on this page are measured from the recordings in our catalog.
After Hours's tracks in our catalog range from 135 to 141 BPM, with a median of 140 BPM. Across 5 tracks, the most common range falls in the 140–145 BPM bucket.
After Hours's tracks are mostly in minor keys (80% minor across 5 tracks). The most common single key is 9A (E Minor) with 2 tracks.
After Hours sits closest to Pink Cream 69, Mcauley Schenker Group, Heartland in our catalog. That ranking is audience overlap — the artists their listeners also play — rather than a measured key-and-tempo match, so treat it as a shortlist worth digging through, not a promise that any two tracks will beatmatch. The full list, with track counts, is in the Related artists section above.