Artist profile
After Hours is a breaks and UK bass producer working within the darker, more technical end of breakbeat culture. Their sound emphasizes fractured rhythms and atmospheric depth characteristic of the genre's experimental underground.
Plan a set with After Hours tracks scored against the rest of the catalog
Mixgraph for iOS — chemistry-scored DJ planning.
Track | BPM · Key | Actions |
|---|---|---|
 Any Minute After Hours, Mushkilla | 1406AG Minor | |
 Losing My Mind After Hours, Raybee | 1369AE Minor | |
 Elysium After Hours | 1351AA♭ Minor | |
 Walk In Like feat. Treks After Hours, Treks | 1401BB Major | |
 The Lights After Hours, Charlie Shell | 1419AE Minor |
Missing a After Hours track?
Search for it and we'll add it to the catalog.
DJs and producers whose tracks blend naturally with After Hours’s — similar scenes, adjacent production styles, overlapping audiences. Useful when you’re prepping a set around After Hours and need adjacent tracks that won’t feel out of place. Eligible names link to their own page.
After Hours is a high-energy — mostly instrumental artist.
Sits right in the typical Breaks / Breakbeat / UK Bass pocket.
After Hours's tracks in our catalog range from 135 to 141 BPM, with a median of 140 BPM. Across 5 tracks, the most common range falls in the 140–145 BPM bucket.
After Hours's tracks are mostly in minor keys (80% minor across 5 tracks). The most common single key is 9A (E Minor) with 2 tracks.
Based on harmonic compatibility, tempo proximity and artist-cohort context, After Hours pairs well with Pink Cream 69, Mcauley Schenker Group, Heartland. The full list — with track counts in our catalog and similarity scores — is in the Related Artists section above.