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Artist profile

After Hours

After Hours is a breaks and UK bass producer working within the darker, more technical end of breakbeat culture. Their sound emphasizes fractured rhythms and atmospheric depth characteristic of the genre's experimental underground.

5 tracksBreaks / Breakbeat / UK Bass
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Album artwork via Spotify® and Beatport

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Sound profile

EnergyDriveGrooveBrightnessWarmthVocal

After Hours is a high-energy — mostly instrumental artist.

This artistTypical Breaks / Breakbeat / UK Bass
Signature sound

Sits right in the typical Breaks / Breakbeat / UK Bass pocket.

How this compares to Breaks / Breakbeat / UK Bass

Across 5 analysed tracks, After Hours averages 67% energy — harder than 86% of individual Breaks / Breakbeat / UK Bass tracks — and 54% groove, groovier than 68%.

Measured against 16,260 Breaks / Breakbeat / UK Bass tracks on 11 August 2026.

Key & BPM profile

Most tracks sit between 135–141 BPM with a median of 140 · predominantly minor keys (80% minor) · most common key: 9A (E Minor) with 2 tracks.

BPM spread
135–139
2
140–144
3
Key distribution
1A11B12A2B3A3B4A4B5A5B6A16B7A7B8A8B9A29B10A10B11A11B12A12B

Tracks in catalog

5 total · sortable
Any Minute album art
Any Minute
After Hours, Mushkilla
140 BPM · 6A · UK Garage / Bassline · 71% Peak time
UK Garage / Bassline
140
6A · G min
71%Peak time
—
Losing My Mind album art
Losing My Mind
After Hours, Raybee
136 BPM · 9A · Breaks / Breakbeat / UK Bass · 58% Builder
Breaks / Breakbeat / UK Bass
136
9A · E min
58%Builder
—
Elysium album art
Elysium
After Hours
135 BPM · 1A · Breaks / Breakbeat / UK Bass · 86% Peak time
Breaks / Breakbeat / UK Bass
135
1A · A♭ min
86%Peak time
—
Walk In Like feat. Treks album art
Walk In Like feat. Treks
After Hours, Treks
140 BPM · 1B · Bass / Club · 64% Builder
Bass / Club
140
1B · B maj
64%Builder
—
The Lights album art
The Lights
After Hours, Charlie Shell
141 BPM · 9A · UK Garage / Bassline · 56% Builder
UK Garage / Bassline
141
9A · E min
56%Builder
—

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Related artists

Top 15 by similarity

DJs and producers closest to After Hours by audience overlap — the artists their listeners also play. It’s a taste signal, not a measured key-and-tempo match: good for shortlisting crates when you’re prepping a set around After Hours, then check the chemistry on the pair you actually mix. Eligible names link to their own page.

Pink Cream 69
100%
Not in our catalog yet
Mcauley Schenker Group
59%
Not in our catalog yet
Brother Firetribe
51%
Not in our catalog yet
Revolution Saints
49%
Not in our catalog yet
Heat
47%
Not in our catalog yet
Harem Scarem
43%
Not in our catalog yet
The Poodles
41%
Not in our catalog yet
Airkraft
40%
Not in our catalog yet
Joe Lynn Turner
37%
Not in our catalog yet
Y&t
37%
Not in our catalog yet
Bonfire
36%
Not in our catalog yet
FM
35%
2 tracks in catalog · Psy-Trance · no artist page yet
Shy
33%
Not in our catalog yet
Great White
32%
Not in our catalog yet
Treat
32%
Not in our catalog yet

Similarity data from Last.fm. BPM, key and energy on this page are measured from the recordings in our catalog.

FAQ

What BPM does After Hours play at?+

After Hours's tracks in our catalog range from 135 to 141 BPM, with a median of 140 BPM. Across 5 tracks, the most common range falls in the 140–145 BPM bucket.

What key are After Hours's tracks in?+

After Hours's tracks are mostly in minor keys (80% minor across 5 tracks). The most common single key is 9A (E Minor) with 2 tracks.

Which artists share an audience with After Hours?+

After Hours sits closest to Pink Cream 69, Mcauley Schenker Group, Brother Firetribe in our catalog. That ranking is audience overlap — the artists their listeners also play — rather than a measured key-and-tempo match, so treat it as a shortlist worth digging through, not a promise that any two tracks will beatmatch. The full list, with track counts, is in the Related artists section above.