Electronica · 2022
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Mixes well with this track
Checking key, tempo, energy, groove, mood and vocals.
Every recommendation is scored across six dimensions — harmonic key, BPM, energy, texture, mood and vocal compatibility — then refined by 5,000 community-rated transitions from real DJs. That's why each match has a chemistry number and a reason, not just a list of tracks in the same key.
Wadda Day by To-Ka Project is a bass-heavy Electronica track at 110 BPM with moderate drive and balanced groove. At 36% energy, it works as a mid-set sustainer — enough momentum to keep the floor moving.
Released 5 Aug 2022 · 6:42 · 37% mood · -14 dB loudness
The feel
The bass weight is the story here — 86% puts it in the top tier of the catalog. Lead with it.
Where it lives in a set
36% energy places it in the build — the stretch where you're winning the floor, not rewarding it yet.
Deep House producer and DJ.
117
Median BPM
2A
Top key
4
Tracks
110 BPM — squarely in electronica territory, mixable within roughly 105–115 BPM without pitch artefacts.
D Minor — 7A on the Camelot wheel. Harmonically compatible with 7B, 6A and 8A.
Tracks in 7A, 7B, 6A or 8A between ~105–115 BPM.
Groove sustainer — 36% energy with a steady groove keeps momentum without forcing the energy up. Ideal in the stretches between peaks.
Explore: 110 BPM tracks · 7A tracks · 7A → 7B key pair · Harmonic mixing guide
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Mixes well with this track
Every candidate scored on key, tempo, energy, groove, mood and vocals — the top 5, ranked.
First Light
Kidnap
108 BPM · 7A · Electronica
Same key · -2 BPM — seamless blend
Man on the Run
Be Svendsen
110 BPM · 8A · Electronica
Adjacent key · same BPM — seamless blend
Held
Kiasmos
112 BPM · 6A · Electronica
Adjacent key · +2 BPM — seamless blend
Bubble & Slide - Nightmares On Wax Remix
The Sabres Of Paradise
110 BPM · 6A · Electronica
Adjacent key · same BPM — seamless blend
Tone Ring
Danny Daze
110 BPM · 7A · Electronica
Same key · same BPM — seamless blend
7A → 7A
Same key, ±2 BPM. With 49% groove and heavy bass, long blends work — cut the incoming bass until the switch.
First Light
Kidnap · 108 BPM · 7A
90 chemistry
7A → 7B
Relative major — brighter key, same tonal centre. Pair it with a higher-energy record and the floor keeps moving.
7A → 6A · 8A
Adjacent keys through a breakdown. This one runs 6:42 — the outro gives you a full phrase to work with.
Man on the Run
Be Svendsen · 110 BPM · 8A
88 chemistry