Pop · 2023
Jung Kook
Mixes well with this track
Checking key, tempo, energy, groove, mood and vocals.
Every recommendation is scored across six dimensions — harmonic key, BPM, energy, texture, mood and vocal compatibility — then refined by community-rated transitions from real DJs. That's why each match has a chemistry number and a reason, not just a list of tracks in the same key.
Standing Next to You by Jung Kook is a bass-forward, groove-locked Pop track at 106 BPM with moderate drive and strong groove. At 44% energy, it works as a mid-set sustainer — enough momentum to keep the floor moving.
Released 4 Nov 2023 · 3:26 · 57% mood · -11 dB loudness
The feel
The warmth is the story here — 100% puts it in the top tier of the catalog. Lead with it.
Where it lives in a set
44% energy places it in the build — the stretch where you're winning the floor, not rewarding it yet.
106 BPM — squarely in pop territory, mixable within roughly 101–111 BPM without pitch artefacts.
D Minor — 7A on the Camelot wheel. Harmonically compatible with 7B, 6A and 8A.
Tracks in 7A, 7B, 6A or 8A between ~101–111 BPM.
Groove sustainer — 44% energy with strong groove keeps momentum without forcing the energy up. Ideal in the stretches between peaks.
Explore: 106 BPM tracks · 7A tracks · 7A → 7B key pair · Harmonic mixing guide · Pop mixing guide
Mixgraph for iPhone and Android — preview and plan sets on the go.
Mixes well with this track
Every candidate scored on key, tempo, energy, groove, mood and vocals — the top 5, ranked.
Lost In Japan
Shawn Mendes
105 BPM · 6A · Pop
Adjacent key · -1 BPM — seamless blend
I Just Might
Bruno Mars
103 BPM · 7A · Pop
Same key · -3 BPM — seamless blend
Fall
Davido
106 BPM · 7B · Pop
Relative key · same BPM — seamless blend
Dance Hall Days
Wang Chung
103 BPM · 8B · Pop
Key jump · -3 BPM — seamless blend
WE LA - EAST LA Remix
will.i.am
105 BPM · 8A · Pop
Adjacent key · -1 BPM — seamless blend
7A → 7A
Same key, ±2 BPM. With 78% groove and heavy bass, long blends work — cut the incoming bass until the switch.
I Just Might
Bruno Mars · 103 BPM · 7A
86 chemistry
7A → 7B
Relative major — brighter key, same tonal centre. Pair it with a higher-energy record and the floor keeps moving.
Fall
Davido · 106 BPM · 7B
86 chemistry
7A → 6A · 8A
Adjacent keys through a breakdown. This one runs 3:26 — the outro gives you a full phrase to work with.
Lost In Japan
Shawn Mendes · 105 BPM · 6A
90 chemistry