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Tracks/Let's Go Dancing - Solomun Remix
Let's Go Dancing - Solomun Remix album art

Electronica · 2020

Let's Go Dancing - Solomun Remix

Tiga, Audion

125

BPM

6A

G Minor

Peak time

Energy

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Previews courtesy ofListen on Apple Music

Mixes well with this track

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Checking key, tempo, energy, groove, mood and vocals.

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About this track.

Let's Go Dancing - Solomun Remix by Tiga, Audion is a bass-heavy, groove-locked Electronica track at 125 BPM with moderate drive and strong groove. At 79% energy, it delivers peak-time intensity.

Released 29 May 2020 · 7:34 · 41% mood · -12 dB loudness

The feel

Groovelocked in
Bass weightheavy
Drivemoderate
Warmthcool-toned

The groove is the story here — 99% puts it in the top tier of the catalog. Lead with it.

Where it lives in a set

WARM-UPBUILDPEAKCOOL

79% energy places it in the peak — the top of the night — full commitment, the room is already yours.

About Tiga.

Tiga is a Canadian electronic music producer and DJ known for his work in indie dance and techno. His productions and DJ sets have been fixtures in underground and alternative dance music scenes since the early 2000s,…

126

Median BPM

9B

Top key

2001–2026

Active

86

Tracks

View Tiga’s profile

Quick answers.

What BPM is Let's Go Dancing - Solomun Remix?

125 BPM — squarely in electronica territory, mixable within roughly 120–130 BPM without pitch artefacts.

What key is Let's Go Dancing - Solomun Remix in?

G Minor — 6A on the Camelot wheel. Harmonically compatible with 6B, 5A and 7A.

What mixes well with Let's Go Dancing - Solomun Remix?

Tracks in 6A, 6B, 5A or 7A between ~120–130 BPM.

Where does Let's Go Dancing - Solomun Remix fit in a DJ set?

Peak-time weapon — 79% energy with strong groove hits hard and holds the floor. Drop it when the room is already yours.

Explore: 125 BPM tracks · 6A tracks · 6A → 6B key pair · Harmonic mixing guide

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Album artwork via Spotify® and Beatport

Music previews provided courtesy of iTunes · Listen on Apple Music

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Push the energy

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Change direction

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Adjacent keys through a breakdown. This one runs 7:34 — the outro gives you a full phrase to work with.

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