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Tracks/Face To Face feat. INF1N1TE
Face To Face feat. INF1N1TE album art

Dubstep · 2021

Face To Face feat. INF1N1TE

Spag Heddy, INF1N1TE

150

BPM

9A

E Minor

Peak time

Energy

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About this track.

Face To Face feat. INF1N1TE by Spag Heddy, INF1N1TE is a bass-heavy Dubstep track at 150 BPM with moderate drive and balanced groove. At 92% energy, it delivers peak-time intensity.

Released 5 Feb 2021 · 3:10 · 50% mood · -10 dB loudness

The feel

Groovebalanced
Bass weightheavy
Drivemoderate
Warmthcool-toned

The bass weight is the story here — 75% puts it in the upper tier of the catalog. Lead with it.

Where it lives in a set

WARM-UPBUILDPEAKCOOL

92% energy places it in the peak — the top of the night — full commitment, the room is already yours.

About Spag Heddy.

Spag Heddy is a dubstep producer known for heavy, bass-driven sound design and intricate production techniques. His work spans the darker and more experimental territories of the genre, with releases that emphasize…

145

Median BPM

4A

Top key

2013–2024

Active

78

Tracks

View Spag Heddy’s profile

Quick answers.

What BPM is Face To Face feat. INF1N1TE?

150 BPM — squarely in dubstep territory, mixable within roughly 145–155 BPM without pitch artefacts.

What key is Face To Face feat. INF1N1TE in?

E Minor — 9A on the Camelot wheel. Harmonically compatible with 9B, 8A and 10A.

What mixes well with Face To Face feat. INF1N1TE?

Tracks in 9A, 9B, 8A or 10A between ~145–155 BPM.

Where does Face To Face feat. INF1N1TE fit in a DJ set?

Peak-time weapon — 92% energy with a steady groove hits hard and holds the floor. Drop it when the room is already yours.

Explore: 150 BPM tracks · 9A tracks · 9A → 9B key pair · Harmonic mixing guide

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Album artwork via Spotify® and Beatport

Music previews provided courtesy of iTunes · Listen on Apple Music

Mixes well with this track

174 tracks in its harmonic window.

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Mixing out of this track.

Now150 BPM · 9A→ three ways forward
Hold the groove

9A → 9A

Same key, ±2 BPM. With 61% groove and heavy bass, long blends work — cut the incoming bass until the switch.

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Push the energy

9A → 9B

Relative major — brighter key, same tonal centre. Pair it with a higher-energy record and the floor keeps moving.

Change direction

9A → 8A · 10A

Adjacent keys through a breakdown. This one runs 3:10 — the outro gives you a full phrase to work with.

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