Trap / Future Bass · 2020
SouthsideMarshmelloGiggsSAINt JHN
Mixes well with this track
Checking key, tempo, energy, groove, mood and vocals.
Every recommendation is scored across six dimensions — harmonic key, BPM, energy, texture, mood and vocal compatibility — then refined by 5,000 community-rated transitions from real DJs. That's why each match has a chemistry number and a reason, not just a list of tracks in the same key.
Been Thru This Before (with Giggs & SAINt JHN) by Southside, Marshmello, Giggs, SAINt JHN is a bass-heavy Trap / Future Bass track at 130 BPM with moderate drive and subtle groove. At 50% energy, it works as a mid-set sustainer — enough momentum to keep the floor moving.
Released 3 Apr 2020 · 3:27 · 55% mood · -9 dB loudness
The feel
The bass weight is the story here — 76% puts it in the upper tier of the catalog. Lead with it.
Where it lives in a set
50% energy places it in the build — the stretch where you're winning the floor, not rewarding it yet.
Southside is a trap and future bass producer working within contemporary electronic music. Their work explores the intersection of atmospheric production and rhythmic intensity characteristic of modern trap aesthetics.
130
Median BPM
10B
Top key
2020
Active
3
Tracks
130 BPM — squarely in trap / future bass territory, mixable within roughly 125–135 BPM without pitch artefacts.
B♭ Minor — 3A on the Camelot wheel. Harmonically compatible with 3B, 2A and 4A.
Tracks in 3A, 3B, 2A or 4A between ~125–135 BPM.
Groove sustainer — 50% energy keeps momentum without forcing the energy up. Ideal in the stretches between peaks.
Explore: 130 BPM tracks · 3A tracks · 3A → 3B key pair · Harmonic mixing guide
Mixgraph for iPhone and Android — preview and plan sets on the go.
Mixes well with this track
Every candidate scored on key, tempo, energy, groove, mood and vocals — the top 5, ranked.
BOP
DaBaby
127 BPM · 2A · Trap / Future Bass
Adjacent key · -3 BPM — seamless blend
Bum Bum Tam Tam
Juan Magan
130 BPM · 4A · Trap / Future Bass
Adjacent key · same BPM — seamless blend
Undo U
Ninajirachi
130 BPM · 3A · Trap / Future Bass
Same key · same BPM — seamless blend
To the Max feat. MC Kekel, Lil Debbie, Bok Nero and MC Gustta
Yellow Claw
130 BPM · 3A · Trap / Future Bass
Same key · same BPM — seamless blend
Extendo
Lil Uzi Vert
133 BPM · 2A · Trap / Future Bass
Adjacent key · +3 BPM — seamless blend
3A → 3A
Same key, ±2 BPM. With 32% groove and heavy bass, long blends work — cut the incoming bass until the switch.
Undo U
Ninajirachi · 130 BPM · 3A
86 chemistry
3A → 3B
Relative major — brighter key, same tonal centre. Pair it with a higher-energy record and the floor keeps moving.
3A → 2A · 4A
Adjacent keys through a breakdown. This one runs 3:27 — the outro gives you a full phrase to work with.
BOP
DaBaby · 127 BPM · 2A
91 chemistry