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Tracks/Been Thru This Before (with Giggs & SAINt JHN)
Been Thru This Before (with Giggs & SAINt JHN) album art

Trap / Future Bass · 2020

Been Thru This Before (with Giggs & SAINt JHN)

Southside, Marshmello, Giggs, SAINt JHN

130

BPM

3A

B♭ Minor

Sustainer

Energy

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Mixes well with this track

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Checking key, tempo, energy, groove, mood and vocals.

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Every recommendation is scored across six dimensions — harmonic key, BPM, energy, texture, mood and vocal compatibility — then refined by 5,000 community-rated transitions from real DJs. That's why each match has a chemistry number and a reason, not just a list of tracks in the same key.

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About this track.

Been Thru This Before (with Giggs & SAINt JHN) by Southside, Marshmello, Giggs, SAINt JHN is a bass-heavy Trap / Future Bass track at 130 BPM with moderate drive and subtle groove. At 50% energy, it works as a mid-set sustainer — enough momentum to keep the floor moving.

Released 3 Apr 2020 · 3:27 · 55% mood · -9 dB loudness

The feel

Groovesubtle
Bass weightheavy
Drivemoderate
Warmthwarm

The bass weight is the story here — 76% puts it in the upper tier of the catalog. Lead with it.

Where it lives in a set

WARM-UPBUILDPEAKCOOL

50% energy places it in the build — the stretch where you're winning the floor, not rewarding it yet.

About Southside.

Southside is a trap and future bass producer working within contemporary electronic music. Their work explores the intersection of atmospheric production and rhythmic intensity characteristic of modern trap aesthetics.

130

Median BPM

10B

Top key

2020

Active

3

Tracks

View Southside’s profile

Quick answers.

What BPM is Been Thru This Before (with Giggs & SAINt JHN)?

130 BPM — squarely in trap / future bass territory, mixable within roughly 125–135 BPM without pitch artefacts.

What key is Been Thru This Before (with Giggs & SAINt JHN) in?

B♭ Minor — 3A on the Camelot wheel. Harmonically compatible with 3B, 2A and 4A.

What mixes well with Been Thru This Before (with Giggs & SAINt JHN)?

Tracks in 3A, 3B, 2A or 4A between ~125–135 BPM.

Where does Been Thru This Before (with Giggs & SAINt JHN) fit in a DJ set?

Groove sustainer — 50% energy keeps momentum without forcing the energy up. Ideal in the stretches between peaks.

Explore: 130 BPM tracks · 3A tracks · 3A → 3B key pair · Harmonic mixing guide

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Music previews provided courtesy of iTunes · Listen on Apple Music

Mixes well with this track

683 tracks in its harmonic window.

Every candidate scored on key, tempo, energy, groove, mood and vocals — the top 5, ranked.

Show differentPro
91

BOP

DaBaby

127 BPM · 2A · Trap / Future Bass

Adjacent key · -3 BPM — seamless blend

85

Bum Bum Tam Tam

Juan Magan

130 BPM · 4A · Trap / Future Bass

Adjacent key · same BPM — seamless blend

86

Undo U

Ninajirachi

130 BPM · 3A · Trap / Future Bass

Same key · same BPM — seamless blend

86

To the Max feat. MC Kekel, Lil Debbie, Bok Nero and MC Gustta

Yellow Claw

130 BPM · 3A · Trap / Future Bass

Same key · same BPM — seamless blend

85

Extendo

Lil Uzi Vert

133 BPM · 2A · Trap / Future Bass

Adjacent key · +3 BPM — seamless blend

Mixing out of this track.

Now130 BPM · 3A→ three ways forward
Hold the groove

3A → 3A

Same key, ±2 BPM. With 32% groove and heavy bass, long blends work — cut the incoming bass until the switch.

Undo U

Ninajirachi · 130 BPM · 3A

86 chemistry

Push the energy

3A → 3B

Relative major — brighter key, same tonal centre. Pair it with a higher-energy record and the floor keeps moving.

Change direction

3A → 2A · 4A

Adjacent keys through a breakdown. This one runs 3:27 — the outro gives you a full phrase to work with.

BOP

DaBaby · 127 BPM · 2A

91 chemistry

More around 130 BPM in compatible keys.

That's What I Like

Bruno Mars · 134 BPM · 3A

Clocks

Coldplay · 131 BPM · 3A

National Treasures

Drake · 129 BPM · 3A

Sugar On My Tongue

Tyler, The Creator · 126 BPM · 3A

Lady - Hear Me Tonight

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Todo De Ti

Rauw Alejandro · 128 BPM · 3A