Rock · 2003
Mixes well with this track
Checking key, tempo, energy, groove, mood and vocals.
Every recommendation is scored across six dimensions — harmonic key, BPM, energy, texture, mood and vocal compatibility — then refined by community-rated transitions from real DJs. That's why each match has a chemistry number and a reason, not just a list of tracks in the same key.
Clocks by Coldplay is a bass-forward Rock track at 131 BPM with moderate drive and balanced groove. At 36% energy, it works as a mid-set sustainer — enough momentum to keep the floor moving.
Released 28 Feb 2003 · 5:07 · 42% mood · -12 dB loudness
The feel
The warmth is the story here — 100% puts it in the top tier of the catalog. Lead with it.
Where it lives in a set
36% energy places it in the build — the stretch where you're winning the floor, not rewarding it yet.
Coldplay is a British rock band from London formed in the late 1990s. Their debut album Parachutes (2000) established their signature sound of melodic alternative rock, and they achieved major international success with…
127
Median BPM
10B
Top key
2006–2017
Active
9
Tracks
131 BPM — squarely in rock territory, mixable within roughly 126–136 BPM without pitch artefacts.
B♭ Minor — 3A on the Camelot wheel. Harmonically compatible with 3B, 2A and 4A.
Tracks in 3A, 3B, 2A or 4A between ~126–136 BPM.
Groove sustainer — 36% energy with a steady groove keeps momentum without forcing the energy up. Ideal in the stretches between peaks.
Explore: 131 BPM tracks · 3A tracks · 3A → 3B key pair · Harmonic mixing guide
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Mixes well with this track
Every candidate scored on key, tempo, energy, groove, mood and vocals — the top 5, ranked.
Nothin' But A Good Time - Remastered 2006
POISON
129 BPM · 4B · Rock
Key jump · -2 BPM — seamless blend
Fergalicious
will.i.am
129 BPM · 3A · Hip-Hop
Same key · -2 BPM — energy stays level
Shake It Up feat. Beatnuts
Stanton Warriors
130 BPM · 3A · Breaks / Breakbeat / UK Bass
Same key · -1 BPM — energy stays level
CrasH
Schoolboy Q
132 BPM · 3A · Trap / Future Bass
Same key · +1 BPM — energy stays level
Realise
Jeremy Sylvester
130 BPM · 3A · UK Garage / Bassline
Same key · -1 BPM — energy stays level
3A → 3A
Same key, ±2 BPM. With 61% groove and heavy bass, long blends work — cut the incoming bass until the switch.
Shake It Up feat. Beatnuts
Stanton Warriors · 130 BPM · 3A
80 chemistry
3A → 3B
Relative major — brighter key, same tonal centre. Pair it with a higher-energy record and the floor keeps moving.
3A → 2A · 4A
Adjacent keys through a breakdown. This one runs 5:07 — the outro gives you a full phrase to work with.