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Tracks/Bright Lights Fading
Bright Lights Fading album art

Tech House · 2004

Bright Lights Fading

Slam, Billie Ray Martin

129

BPM

10A

B Minor

Warm-up

Energy

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About this track.

Bright Lights Fading by Slam, Billie Ray Martin is a bass-forward Tech House track at 129 BPM with moderate drive and balanced groove. At 15% energy, it suits warm-up and opening slots, setting the tone before the energy climbs.

Released 28 Jun 2004 · 5:41 · 53% mood · -21 dB loudness

The feel

Groovebalanced
Bass weightforward
Drivemoderate
Warmthwarm

The warmth is the story here — 100% puts it in the top tier of the catalog. Lead with it.

Where it lives in a set

WARM-UPBUILDPEAKCOOL

15% energy places it in the warm-up — setting the room up before the climb.

About Slam.

Slam is a techno producer and DJ known for peak-time, driving techno. The artist has built a substantial body of work within the genre, establishing a presence in electronic music through production and performance.

131

Median BPM

8A

Top key

1991–2025

Active

142

Tracks

View Slam’s profile

Quick answers.

What BPM is Bright Lights Fading?

129 BPM — squarely in tech house territory, mixable within roughly 124–134 BPM without pitch artefacts.

What key is Bright Lights Fading in?

B Minor — 10A on the Camelot wheel. Harmonically compatible with 10B, 9A and 11A.

What mixes well with Bright Lights Fading?

Tracks in 10A, 10B, 9A or 11A between ~124–134 BPM.

Where does Bright Lights Fading fit in a DJ set?

Warm-up and opener — 15% energy with a steady groove sets the tone before the energy climbs.

Explore: 129 BPM tracks · 10A tracks · 10A → 10B key pair · Harmonic mixing guide · Tech House mixing guide

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Mixes well with this track

235 tracks in its harmonic window.

Every candidate scored on key, tempo, energy, groove, mood and vocals — the top 5, ranked.

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128 BPM · 11A · Tech House

Adjacent key · -1 BPM — seamless blend

79

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130 BPM · 9A · Tech House

Adjacent key · +1 BPM — seamless blend

80

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130 BPM · 9A · Tech House

Adjacent key · +1 BPM — seamless blend

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Hani

126 BPM · 11B · Tech House

Key jump · -3 BPM — seamless blend

Mixing out of this track.

Now129 BPM · 10A→ three ways forward
Hold the groove

10A → 10A

Same key, ±2 BPM. With 50% groove and heavy bass, long blends work — cut the incoming bass until the switch.

Jerry Lewis On Acid - Mayday Mix

Carl Craig · 127 BPM · 10A

79 chemistry

Push the energy

10A → 10B

Relative major — brighter key, same tonal centre. Pair it with a higher-energy record and the floor keeps moving.

Change direction

10A → 9A · 11A

Adjacent keys through a breakdown. This one runs 5:41 — the outro gives you a full phrase to work with.

Get House

Calisto · 128 BPM · 11A

85 chemistry

More around 129 BPM in compatible keys.

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Michael Jackson · 127 BPM · 10A

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LUNCH

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