
Mixes well with this track
Checking key, tempo, energy, groove, mood and vocals.
Every recommendation is scored across six dimensions — harmonic key, BPM, energy, texture, mood and vocal compatibility — then refined by 5,000 community-rated transitions from real DJs. That's why each match has a chemistry number and a reason, not just a list of tracks in the same key.
Bright Lights Fading by Slam, Billie Ray Martin is a bass-forward Tech House track at 129 BPM with moderate drive and balanced groove. At 15% energy, it suits warm-up and opening slots, setting the tone before the energy climbs.
Released 28 Jun 2004 · 5:41 · 53% mood · -21 dB loudness
The feel
The warmth is the story here — 100% puts it in the top tier of the catalog. Lead with it.
Where it lives in a set
15% energy places it in the warm-up — setting the room up before the climb.
Slam is a techno producer and DJ known for peak-time, driving techno. The artist has built a substantial body of work within the genre, establishing a presence in electronic music through production and performance.
131
Median BPM
8A
Top key
1991–2025
Active
142
Tracks
129 BPM — squarely in tech house territory, mixable within roughly 124–134 BPM without pitch artefacts.
B Minor — 10A on the Camelot wheel. Harmonically compatible with 10B, 9A and 11A.
Tracks in 10A, 10B, 9A or 11A between ~124–134 BPM.
Warm-up and opener — 15% energy with a steady groove sets the tone before the energy climbs.
Explore: 129 BPM tracks · 10A tracks · 10A → 10B key pair · Harmonic mixing guide · Tech House mixing guide
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Mixes well with this track
Every candidate scored on key, tempo, energy, groove, mood and vocals — the top 5, ranked.
Beau Mot Plage
Isolee
128 BPM · 10A · Tech House
Same key · -1 BPM — seamless blend
Get House
Calisto
128 BPM · 11A · Tech House
Adjacent key · -1 BPM — seamless blend
This World - Extended
Slam
130 BPM · 9A · Tech House
Adjacent key · +1 BPM — seamless blend
Fast Lane
Slam
130 BPM · 9A · Tech House
Adjacent key · +1 BPM — seamless blend
Just Acieed!
Hani
126 BPM · 11B · Tech House
Key jump · -3 BPM — seamless blend
10A → 10A
Same key, ±2 BPM. With 50% groove and heavy bass, long blends work — cut the incoming bass until the switch.
Jerry Lewis On Acid - Mayday Mix
Carl Craig · 127 BPM · 10A
79 chemistry
10A → 10B
Relative major — brighter key, same tonal centre. Pair it with a higher-energy record and the floor keeps moving.
10A → 9A · 11A
Adjacent keys through a breakdown. This one runs 5:41 — the outro gives you a full phrase to work with.
Get House
Calisto · 128 BPM · 11A
85 chemistry