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Tracks/Jerry Lewis On Acid - Mayday Mix
Jerry Lewis On Acid - Mayday Mix album art

Tech House · 2005

Jerry Lewis On Acid - Mayday Mix

Carl Craig, Paperclip People

127

BPM

10A

B Minor

Warm-up

Energy

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About this track.

Jerry Lewis On Acid - Mayday Mix by Carl Craig, Paperclip People is a bass-heavy Tech House track at 127 BPM with moderate drive and strong groove. At 20% energy, it suits warm-up and opening slots, setting the tone before the energy climbs.

Released 3 Mar 2005 · 6:15 · 35% mood · -18 dB loudness

The feel

Groovestrong
Bass weightheavy
Drivemoderate
Warmthcool-toned

The bass weight is the story here — 98% puts it in the top tier of the catalog. Lead with it.

Where it lives in a set

WARM-UPBUILDPEAKCOOL

20% energy places it in the warm-up — setting the room up before the climb.

About Carl Craig.

Carl Craig is a Detroit-based techno producer and DJ known for his contributions to the city's electronic music scene. His work spans peak-time techno and deeper explorations of the genre, released across various…

125

Median BPM

4A

Top key

1991–2026

Active

70

Tracks

View Carl Craig’s profile

Quick answers.

What BPM is Jerry Lewis On Acid - Mayday Mix?

127 BPM — squarely in tech house territory, mixable within roughly 122–132 BPM without pitch artefacts.

What key is Jerry Lewis On Acid - Mayday Mix in?

B Minor — 10A on the Camelot wheel. Harmonically compatible with 10B, 9A and 11A.

What mixes well with Jerry Lewis On Acid - Mayday Mix?

Tracks in 10A, 10B, 9A or 11A between ~122–132 BPM.

Where does Jerry Lewis On Acid - Mayday Mix fit in a DJ set?

Warm-up and opener — 20% energy with strong groove sets the tone before the energy climbs.

Explore: 127 BPM tracks · 10A tracks · 10A → 10B key pair · Harmonic mixing guide · Tech House mixing guide

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Mixes well with this track

547 tracks in its harmonic window.

Every candidate scored on key, tempo, energy, groove, mood and vocals — the top 5, ranked.

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Adjacent key · same BPM — seamless blend

Mixing out of this track.

Now127 BPM · 10A→ three ways forward
Hold the groove

10A → 10A

Same key, ±2 BPM. With 72% groove and heavy bass, long blends work — cut the incoming bass until the switch.

Beau Mot Plage

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91 chemistry

Push the energy

10A → 10B

Relative major — brighter key, same tonal centre. Pair it with a higher-energy record and the floor keeps moving.

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Josh Wink · 128 BPM · 10B

83 chemistry

Change direction

10A → 9A · 11A

Adjacent keys through a breakdown. This one runs 6:15 — the outro gives you a full phrase to work with.

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Robag Wruhme · 127 BPM · 11A

86 chemistry

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