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Leave The Light On album art

House · 2001

Leave The Light On

Pound Boys

125

BPM

11A

F♯ Minor

Warm-up

Energy

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Every recommendation is scored across six dimensions — harmonic key, BPM, energy, texture, mood and vocal compatibility — then refined by 5,000 community-rated transitions from real DJs. That's why each match has a chemistry number and a reason, not just a list of tracks in the same key.

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About this track.

Leave The Light On by Pound Boys is a bass-heavy, groove-locked House track at 125 BPM with moderate drive and strong groove. At 19% energy, it suits warm-up and opening slots, setting the tone before the energy climbs.

Released 2 Sep 2001 · 7:34 · 39% mood · -19 dB loudness

The feel

Groovelocked in
Bass weightheavy
Drivemoderate
Warmthcool-toned

The bass weight is the story here — 97% puts it in the top tier of the catalog. Lead with it.

Where it lives in a set

WARM-UPBUILDPEAKCOOL

19% energy places it in the warm-up — setting the room up before the climb.

About Pound Boys.

House producer and DJ.

125

Median BPM

11A

Top key

2015

Active

5

Tracks

View Pound Boys’s profile

Quick answers.

What BPM is Leave The Light On?

125 BPM — squarely in house territory, mixable within roughly 120–130 BPM without pitch artefacts.

What key is Leave The Light On in?

F♯ Minor — 11A on the Camelot wheel. Harmonically compatible with 11B, 10A and 12A.

What mixes well with Leave The Light On?

Tracks in 11A, 11B, 10A or 12A between ~120–130 BPM.

Where does Leave The Light On fit in a DJ set?

Warm-up and opener — 19% energy with strong groove sets the tone before the energy climbs.

Explore: 125 BPM tracks · 11A tracks · 11A → 11B key pair · Harmonic mixing guide · House mixing guide

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Album artwork via Spotify® and Beatport

Music previews provided courtesy of iTunes · Listen on Apple Music

Mixes well with this track

554 tracks in its harmonic window.

Every candidate scored on key, tempo, energy, groove, mood and vocals — the top 5, ranked.

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Mixing out of this track.

Now125 BPM · 11A→ three ways forward
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Same key, ±2 BPM. With 82% groove and heavy bass, long blends work — cut the incoming bass until the switch.

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Adjacent keys through a breakdown. This one runs 7:34 — the outro gives you a full phrase to work with.

B2F

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