Mixes well with this track
Checking key, tempo, energy, groove, mood and vocals.
Every recommendation is scored across six dimensions — harmonic key, BPM, energy, texture, mood and vocal compatibility — then refined by community-rated transitions from real DJs. That's why each match has a chemistry number and a reason, not just a list of tracks in the same key.
Hits by JayKode is a bass-heavy Dubstep track at 150 BPM with moderate drive and balanced groove. At 63% energy, it works as an energy builder — pushing the floor forward without peaking.
Released 7 Jun 2019 · 4:00 · 48% mood · -7 dB loudness
The feel
The bass weight is the story here — 82% puts it in the top tier of the catalog. Lead with it.
Where it lives in a set
63% energy places it in the build — the stretch where you're winning the floor, not rewarding it yet.
Trap / Future Bass producer and DJ.
150
Median BPM
9A
Top key
2015–2019
Active
9
Tracks
150 BPM — squarely in dubstep territory, mixable within roughly 145–155 BPM without pitch artefacts.
G Minor — 6A on the Camelot wheel. Harmonically compatible with 6B, 5A and 7A.
Tracks in 6A, 6B, 5A or 7A between ~145–155 BPM.
Mid-set energy builder — 63% energy with a steady groove pushes the floor forward without peaking. Save peak-time slots for higher-drive records.
Explore: 150 BPM tracks · 6A tracks · 6A → 6B key pair · Harmonic mixing guide
Mixgraph for iPhone and Android — preview and plan sets on the go.
Mixes well with this track
Every candidate scored on key, tempo, energy, groove, mood and vocals — the top 5, ranked.
Nothing Left (feat. RUNN)
William Black
150 BPM · 7A · Dubstep
Adjacent key · same BPM — seamless blend
KIll Em - Holly Remix
Zeds Dead
150 BPM · 6A · Dubstep
Same key · same BPM — seamless blend
Every Single Time
Whales
150 BPM · 6A · Dubstep
Same key · same BPM — seamless blend
NO FEAR
Shaquille O'Neal
150 BPM · 6A · Dubstep
Same key · same BPM — seamless blend
Flatline
Kai Wachi
150 BPM · 7A · Dubstep
Adjacent key · same BPM — seamless blend
6A → 6A
Same key, ±2 BPM. With 54% groove and heavy bass, long blends work — cut the incoming bass until the switch.
KIll Em - Holly Remix
Zeds Dead · 150 BPM · 6A
93 chemistry
6A → 6B
Relative major — brighter key, same tonal centre. Pair it with a higher-energy record and the floor keeps moving.
6A → 5A · 7A
Adjacent keys through a breakdown. This one runs 4:00 — the outro gives you a full phrase to work with.
Nothing Left (feat. RUNN)
William Black · 150 BPM · 7A
90 chemistry