Big Room · 2015
Gancci
Mixes well with this track
Checking key, tempo, energy, groove, mood and vocals.
Every recommendation is scored across six dimensions — harmonic key, BPM, energy, texture, mood and vocal compatibility — then refined by 5,000 community-rated transitions from real DJs. That's why each match has a chemistry number and a reason, not just a list of tracks in the same key.
Looking For Love by Gancci is a bass-heavy Big Room track at 128 BPM with moderate drive and subtle groove. At 77% energy, it delivers peak-time intensity.
Released 17 Aug 2015 · 5:08 · 52% mood · -10 dB loudness
The feel
The bass weight is the story here — 81% puts it in the top tier of the catalog. Lead with it.
Where it lives in a set
77% energy places it in the peak — the top of the night — full commitment, the room is already yours.
128 BPM — squarely in big room territory, mixable within roughly 123–133 BPM without pitch artefacts.
B♭ Minor — 3A on the Camelot wheel. Harmonically compatible with 3B, 2A and 4A.
Tracks in 3A, 3B, 2A or 4A between ~123–133 BPM.
Peak-time weapon — 77% energy hits hard and holds the floor. Drop it when the room is already yours.
Explore: 128 BPM tracks · 3A tracks · 3A → 3B key pair · Harmonic mixing guide
Mixgraph for iPhone and Android — preview and plan sets on the go.
Mixes well with this track
Every candidate scored on key, tempo, energy, groove, mood and vocals — the top 5, ranked.
Virus (How About Now)
Martin Garrix
128 BPM · 4A · Big Room
Adjacent key · same BPM — seamless blend
Last Chance - Extended
Kaskade
128 BPM · 2B · Big Room
Key jump · same BPM — seamless blend
Girlz Wanna Have Fun - Dimitri Vegas & Like Mike Remix - Extended Mix
Stavros Martina
128 BPM · 2A · Mainstage
Adjacent key · same BPM — seamless blend
Lay It All on Me - Sultan + Shepard Remix
Ed Sheeran
125 BPM · 2B · Big Room
Key jump · -3 BPM — seamless blend
Born To Die - BLK RSE Extended Mix
KAAZE
127 BPM · 3A · Mainstage
Same key · -1 BPM — seamless blend
3A → 3A
Same key, ±2 BPM. With 27% groove and heavy bass, long blends work — cut the incoming bass until the switch.
Lost in Your Charade feat. Natalie Major
Natalie Major · 128 BPM · 3A
89 chemistry
3A → 3B
Relative major — brighter key, same tonal centre. Pair it with a higher-energy record and the floor keeps moving.
3A → 2A · 4A
Adjacent keys through a breakdown. This one runs 5:08 — the outro gives you a full phrase to work with.
Amanaska
Iván Reich · 128 BPM · 4A
91 chemistry