Mixes well with this track
Checking key, tempo, energy, groove, mood and vocals.
Every recommendation is scored across six dimensions — harmonic key, BPM, energy, texture, mood and vocal compatibility — then refined by 5,000 community-rated transitions from real DJs. That's why each match has a chemistry number and a reason, not just a list of tracks in the same key.
Lost in Your Charade feat. Natalie Major by Natalie Major, Benny J, BIGMOO is a bass-heavy Mainstage / Big Room track at 128 BPM with moderate drive and subtle groove. At 73% energy, it delivers peak-time intensity.
Released 20 Nov 2018 · 4:07 · 50% mood · -10 dB loudness
The feel
The bass weight is the story here — 78% puts it in the upper tier of the catalog. Lead with it.
Where it lives in a set
73% energy places it in the peak — the top of the night — full commitment, the room is already yours.
Big Room producer and DJ.
128
Median BPM
10A
Top key
2020
Active
5
Tracks
128 BPM — squarely in mainstage territory, mixable within roughly 123–133 BPM without pitch artefacts.
B♭ Minor — 3A on the Camelot wheel. Harmonically compatible with 3B, 2A and 4A.
Tracks in 3A, 3B, 2A or 4A between ~123–133 BPM.
Peak-time weapon — 73% energy hits hard and holds the floor. Drop it when the room is already yours.
Explore: 128 BPM tracks · 3A tracks · 3A → 3B key pair · Harmonic mixing guide
Mixgraph for iPhone and Android — preview and plan sets on the go.
Mixes well with this track
Every candidate scored on key, tempo, energy, groove, mood and vocals — the top 5, ranked.
Something
Martin Garrix
128 BPM · 2A · Mainstage
Adjacent key · same BPM — seamless blend
We Like to Party
Showtek
128 BPM · 2A · Mainstage
Adjacent key · same BPM — seamless blend
Boomshakalaka - Bassjackers Extended Remix
Camilo
128 BPM · 2A · Mainstage
Adjacent key · same BPM — seamless blend
Virus (How About Now)
Martin Garrix
128 BPM · 4A · Big Room
Adjacent key · same BPM — seamless blend
Last Chance - Extended
Kaskade
128 BPM · 2B · Big Room
Key jump · same BPM — seamless blend
3A → 3A
Same key, ±2 BPM. With 14% groove and heavy bass, long blends work — cut the incoming bass until the switch.
Walking On Air - Extended Mix
Dino · 128 BPM · 3A
91 chemistry
3A → 3B
Relative major — brighter key, same tonal centre. Pair it with a higher-energy record and the floor keeps moving.
3A → 2A · 4A
Adjacent keys through a breakdown. This one runs 4:07 — the outro gives you a full phrase to work with.
Something
Martin Garrix · 128 BPM · 2A
91 chemistry