Songs that mix well with Why Are We Here? by Christian Smith | Mixgraph

Tracks/Why Are We Here?

Why Are We Here? album art

Why Are We Here?

Christian SmithDrunken Kong

BPM130 Key10AB MinorEnergyPeak timeTechno (Peak Time / Driving)

30-second preview0:00 / 0:30

Preview provided courtesy of iTunes

Listen on Apple Music

Preview via Apple Music

Score with another

Listen on Spotify Find on Beatport Apple Music

7:41·Released 2019·

Where does this track fit in a set?

Get AI-powered advice on how to use Why Are We Here? by Christian Smith — what comes before, what follows, and where it hits hardest.

Sign up to ask the AI

Mix this track in Mixgraph

Find tracks that mix with this one. Build a set around it.

Flow Builder scores transitions across six dimensions. Live Mode hands you the next track in real time. Both are free forever.

Chemistry-scored matches

Harmonic, BPM, energy, groove, mood, vocal — every transition rated.

Live Mode

Real-time next-track recs that adapt to where you're taking the room.

Pro: more, faster, smarter

Unlimited matches, slot options, AI set builder, Rekordbox import.

See Pro plans →

No credit card required · Cancel anytime

About This Track

Why Are We Here? by Christian Smith, Drunken Kong is a bass-heavy Techno (Peak Time / Driving) track at 130 BPM with high drive and strong groove. At 85% energy, it delivers peak-time intensity.

Harmonic Context

At 10A, this track opens up harmonic mixing with adjacent keys, enabling smooth melodic transitions.

Rhythmic Foundation

At 130 BPM, this Techno (Peak Time / Driving) track is built for peak time — high intensity, full commitment.

Energy Profile

With 85% energy and high drive, heavy bass weight, this track hits hard and keeps pressure on the floor.

Track Character

Energy85%

Drive71%

Groove68%

Brightness53%

Bass Weight87%

Tempo130 BPM

Key10A

Minor · 11

7:41

Duration

45%

Mood

-11 dB

Loudness

About this artist

Christian Smith

Christian Smith is a techno producer and DJ known for peak-time, driving techno. He has established himself as a significant figure in the genre through consistent production and DJ work.

Median BPM: 126
Top key: 7B · F Major
Active: 2003–2026
Tracks: 108

View Christian Smith’s profile

Preview and plan sets on the go

Mixgraph for iOS and Android. Build flows, preview tracks, and plan sets on the go.

Learn about mixing: harmonic mixing · energy flow

Mixgraph

Built for every DJ, from bedroom to booth

Product

Flow Builder
Live Mode
Discovery Weekly
AI Set Builder
Track Library
Artists
Browse by BPM
Browse by Key
Pricing

Learn

All Guides
Camelot Wheel Guide
Energy Flow Guide
Vocal Mixing Guide
BPM Guide
Major vs Minor Keys

Mixing Guide
Genre Transition Guide
Key Transition Guides
BPM by Genre

Tools

All Tools
Score My Transition
Camelot Wheel
BPM Compatibility
Energy Arc Planner

Company

About
How It Works
Contact
Privacy
Terms

Get the app

Built for DJs, by DJs

© 2026 Mixgraph · NC Digital Limited (16413452)

Album artwork via Spotify® and Beatport

Music previews provided courtesy of iTunes · Listen on Apple Music

Songs That Mix Well With "Why Are We Here?" by Christian Smith

Discover harmonic, tempo, and energy-matched tracks that blend smoothly with this Techno (Peak Time / Driving) tune. Every match below is DJ-ready and scored for mix compatibility.

Tune recommendations

Why Are We Here?

Why Are We Here?

Christian Smith, Drunken Kong

13010A

Techno (Peak Time / Driving)

Show differentPro

Score shows mix compatibility · Order includes artist, era & genre context

String Theory

HI-LO, Reinier Zonneveld, Oliver Heldens

130 BPM·10A·Techno (Peak Time / Driving)

Tempo lockSame keyRelated artistPopular

Same key (10a), keeps the same energy, high drive on both — consider a breather, vibe stays consistent — seamless blend

Does this mix work?

130 BPM·10A·Techno (Peak Time / Driving)

Tempo lockSame keyRelated artist

Same key (10a), keeps the same energy, similar matched brightness and warm tonal match — smooth blend, vibe stays consistent — seamless blend

Does this mix work?

Torn Clouds

Bart Skils, Weska

133 BPM·9B·Techno (Peak Time / Driving)

+3 BPMRelated artistPopular

Creative key move – mix quickly or use effects, keeps the same energy, similar matched brightness and warm tonal match — smooth blend, minor tempo adjustment needed — seamless blend

Does this mix work?

Life Moves Fast

Life Moves Fast

Layton Giordani

130 BPM·9B·Techno (Peak Time / Driving)

Tempo lockPopularRelated artist

Creative key move – mix quickly or use effects, keeps the same energy, warm tonal match, vibe stays consistent — seamless blend

Does this mix work?

Shake It

130 BPM·10A·Techno (Peak Time / Driving)

Tempo lockSame keyRelated artist

Same key (10a), keeps the same energy, similar matched brightness and warm tonal match — smooth blend, takes it darker — seamless blend

Does this mix work?

Why these tracks?

Every recommendation above is scored across six dimensions — harmonic key, BPM, energy, texture, mood, and vocal compatibility — then refined by community-rated transitions from real DJs. That's why each match has a number and a reason, not just a list of tracks in the same key.

Flow Builder

Plan your sets visually. See chemistry scores between tracks and build your flow before you play.

Live Mode

Real-time suggestions while you play. Sub-200ms response with energy control and phrasing awareness.

6-Dimension Scoring

Analysis

Always Improving

Algorithm

<200ms

Response

Learn more about how Mixgraph works →

Tracks in 10A near 130 BPM

P.Y.T. (Pretty Young Thing)

P.Y.T. (Pretty Young Thing)

Michael Jackson

Ain't No Mountain High Enough

Ain't No Mountain High Enough

Marvin Gaye, Tammi Terrell

Disturbia

LUNCH

Bad Habits

Mr. Know It All

Mr. Know It All