Hip-Hop · 2013
Mixes well with this track
Checking key, tempo, energy, groove, mood and vocals.
Every recommendation is scored across six dimensions — harmonic key, BPM, energy, texture, mood and vocal compatibility — then refined by community-rated transitions from real DJs. That's why each match has a chemistry number and a reason, not just a list of tracks in the same key.
Money Trees by Jay Rock, Kendrick Lamar is a bass-heavy Hip-Hop track at 144 BPM with moderate drive and subtle groove. At 45% energy, it works as a mid-set sustainer — enough momentum to keep the floor moving.
Released 1 Jan 2013 · 6:26 · 44% mood · -11 dB loudness
The feel
The bass weight is the story here — 87% puts it in the top tier of the catalog. Lead with it.
Where it lives in a set
45% energy places it in the build — the stretch where you're winning the floor, not rewarding it yet.
Jay Rock is a rapper and producer working in trap and hip-hop, known for his contributions to West Coast rap. His sound blends heavy production with introspective lyricism across releases that span the 2010s.
113
Median BPM
10A
Top key
2012–2020
Active
4
Tracks
144 BPM — squarely in hip-hop territory, mixable within roughly 139–149 BPM without pitch artefacts.
E Minor — 9A on the Camelot wheel. Harmonically compatible with 9B, 8A and 10A.
Tracks in 9A, 9B, 8A or 10A between ~139–149 BPM.
Groove sustainer — 45% energy keeps momentum without forcing the energy up. Ideal in the stretches between peaks.
Explore: 144 BPM tracks · 9A tracks · 9A → 9B key pair · Harmonic mixing guide
Mixgraph for iPhone and Android — preview and plan sets on the go.
Mixes well with this track
Every candidate scored on key, tempo, energy, groove, mood and vocals — the top 5, ranked.
WHATS POPPIN
Jack Harlow
145 BPM · 9A · Hip-Hop
Same key · +1 BPM — seamless blend
Crank That (Soulja Boy)
Soulja Boy Tell'em
70 BPM · 8B · Hip-Hop
Key jump · half-time — seamless blend
Super Gremlin
Kodak Black
146 BPM · 9A · Hip-Hop
Same key · +2 BPM — seamless blend
act ii: date @ 8 (feat. Drake)
Drake
136 BPM · 9A · R&B
Same key · -8 BPM — seamless blend
After Dark
Drake
142 BPM · 8A · Hip-Hop
Adjacent key · -2 BPM — seamless blend
9A → 9A
Same key, ±2 BPM. With 30% groove and heavy bass, long blends work — cut the incoming bass until the switch.
WHATS POPPIN
Jack Harlow · 145 BPM · 9A
89 chemistry
9A → 9B
Relative major — brighter key, same tonal centre. Pair it with a higher-energy record and the floor keeps moving.
9A → 8A · 10A
Adjacent keys through a breakdown. This one runs 6:26 — the outro gives you a full phrase to work with.
After Dark
Drake · 142 BPM · 8A
87 chemistry