Mixing from 4B to 4B

How to mix this transition

Since both tracks share the same key signature and tonic root, you can overlap them generously—often 16 to 32 bars—without clashing. Bring the incoming track in during a phrase boundary or breakdown, using high-pass filtering on the outgoing track to carve space for new elements (synths, strings, or vocal layers). Avoid EQ kills on the low end unless you're deliberately thinning the outgoing track; instead, use mid-range cuts to prevent mud. The main risk is monotony: lean on arrangement contrast (drums, texture, or melodic variation) to justify the extended blend and keep the mix evolving.