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Tracks/Lost Twilight
Lost Twilight album art

Electronica · 2018

Lost Twilight

Zenzizenz

113

BPM

10B

D Major

Warm-up

Energy

Score with another track
Previews courtesy ofListen on Apple Music

Mixes well with this track

Scoring the top mixing matches.

Checking key, tempo, energy, groove, mood and vocals.

Why these tracks?

Every recommendation is scored across six dimensions — harmonic key, BPM, energy, texture, mood and vocal compatibility — then refined by 5,000 community-rated transitions from real DJs. That's why each match has a chemistry number and a reason, not just a list of tracks in the same key.

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About this track.

Lost Twilight by Zenzizenz is a bass-heavy Electronica track at 113 BPM with moderate drive and subtle groove. At 27% energy, it suits warm-up and opening slots, setting the tone before the energy climbs.

Released 7 Dec 2018 · 5:22 · 49% mood · -19 dB loudness

The feel

Groovesubtle
Bass weightheavy
Drivemoderate
Warmthwarm

The warmth is the story here — 91% puts it in the top tier of the catalog. Lead with it.

Where it lives in a set

WARM-UPBUILDPEAKCOOL

27% energy places it in the warm-up — setting the room up before the climb.

About Zenzizenz.

Electronica producer and DJ.

117

Median BPM

10B

Top key

3

Tracks

View Zenzizenz’s profile

Quick answers.

What BPM is Lost Twilight?

113 BPM — squarely in electronica territory, mixable within roughly 108–118 BPM without pitch artefacts.

What key is Lost Twilight in?

D Major — 10B on the Camelot wheel. Harmonically compatible with 10A, 9B and 11B.

What mixes well with Lost Twilight?

Tracks in 10B, 10A, 9B or 11B between ~108–118 BPM.

Where does Lost Twilight fit in a DJ set?

Warm-up and opener — 27% energy sets the tone before the energy climbs.

Explore: 113 BPM tracks · 10B tracks · 10B → 10A key pair · Harmonic mixing guide

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Album artwork via Spotify® and Beatport

Music previews provided courtesy of iTunes · Listen on Apple Music

Mixes well with this track

499 tracks in its harmonic window.

Every candidate scored on key, tempo, energy, groove, mood and vocals — the top 5, ranked.

Show differentPro
89

L'esperanza

Sven Vath

112 BPM · 9B · Electronica

Adjacent key · -1 BPM — seamless blend

92

All In

Ulysses

112 BPM · 10B · Electronica

Same key · -1 BPM — seamless blend

88

Olson (Version 3)

Boards Of Canada

110 BPM · 10B · Electronica

Same key · -3 BPM — seamless blend

83

Eye In The Sky

The Alan Parsons Project

112 BPM · 10B · Electronica

Same key · -1 BPM — seamless blend

86

Another New Day

Jazzanova

113 BPM · 10B · Electronica

Same key · same BPM — seamless blend

Mixing out of this track.

Now113 BPM · 10B→ three ways forward
Hold the groove

10B → 10B

Same key, ±2 BPM. With 30% groove and heavy bass, long blends work — cut the incoming bass until the switch.

All In

Ulysses · 112 BPM · 10B

92 chemistry

Push the energy

10B → 10A

Relative minor — darker key, same tonal centre. Pair it with a higher-energy record and the floor keeps moving.

The Whole

Hekla · 116 BPM · 10A

82 chemistry

Change direction

10B → 9B · 11B

Adjacent keys through a breakdown. This one runs 5:22 — the outro gives you a full phrase to work with.

L'esperanza

Sven Vath · 112 BPM · 9B

89 chemistry

More around 113 BPM in compatible keys.

Ordinary

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Should I Stay or Should I Go - Remastered

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